Ira Jacknis

The coauthors of this theoretically innovative work explore the relationships among anthropological fieldwork, museum collecting and display, and social governance in the early twentieth century in Australia, Britain, France, New Zealand, and the United States. With case studies ranging from the Musée de l'Homme's 1930s fieldwork missions in French Indo-China to the influence of Franz Boas's culture concept on the development of American museums, the authors illuminate recent debates about postwar forms of multicultural governance, cultural conceptions of difference, and postcolonial policy and practice in museums. Collecting, Ordering, Governing is essential reading for scholars and students of anthropology, museum studies, cultural studies, and indigenous studies as well as museum and heritage professionals.

The coauthors of this theoretically innovative work explore the relationships among anthropological fieldwork, museum collecting and display, and social governance in the early twentieth century in Australia, Britain, France, New Zealand, and the United States. With case studies ranging from the Musée de l'Homme's 1930s fieldwork missions in French Indo-China to the influence of Franz Boas's culture concept on the development of American museums, the authors illuminate recent debates about postwar forms of multicultural governance, cultural conceptions of difference, and postcolonial policy and practice in museums. Collecting, Ordering, Governing is essential reading for scholars and students of anthropology, museum studies, cultural studies, and indigenous studies as well as museum and heritage professionals.

The people of the Klamath River region in Northwestern California possess one of the richest carving traditions in Native American art. Today this tradition is undergoing an exciting revival, reaching aesthetic heights not seen in a century. This volume includes a facisimile reprint of a 1930 essay by archaeologist Isabel Kelly, "The Carver's Art of the Indians of Northwestern Califrnia." An extensive introduction to the art by Ira Jacknis is the first substantial writing on this subject in over half a century. It is comprehensive and based on information from the makers and users of these objects, combining a summary of the scholarly literature, archival field notes, museum collections, and observations and interviews with contemporary artists. Photographs show the historic objects in use and a generous sampling of new work.