J. Sanders

This book is a collection of mainly Christian poems. Julie has written some others that are included because she felt they could come under the title of "Broken Treasures". As we can see in our life, in our world and in others the brokenness that sin brings about. Truly, it is only through Jesus Christ that reconciliation to God, forgiveness of sin, and the mending of brokenness comes about. When we are transformed by Christ, we are God's treasure. It is Julie's prayer that God receives glory in this book. May the Lord God be with you, bless you and bring His peace to you.

This book looks at a sample of female drug addicts seeking recovery in Narcotics Anonymous (NA). Through working the Twelve Steps and by attending women-only groups, these women are able to confront the double standard that makes recovery from addiction especially difficult.

This timely book challenges conventional critical wisdom about the work of Ben Jonson. Looking in particular at his Jacobean and Caroline plays, it explores his engagement with concepts of republicanism. Julie Sanders investigates notions of community in Jonson's stage worlds - his 'theatrical republics' - and reveals a Jonson to contrast with the traditional image of the writer as conservative, absolutist, misogynist, and essentially 'anti-theatrical'. The Jonson presented here is a positive celebrant of the social and political possibilities of theatre.

This timely book challenges conventional critical wisdom about the work of Ben Jonson. Looking in particular at his Jacobean and Caroline plays, it explores his engagement with concepts of republicanism. Julie Sanders investigates notions of community in Jonson's stage worlds - his 'theatrical republics' - and reveals a Jonson to contrast with the traditional image of the writer as conservative, absolutist, misogynist, and essentially 'anti-theatrical'. The Jonson presented here is a positive celebrant of the social and political possibilities of theatre.

This timely book challenges conventional critical wisdom about the work of Ben Jonson. Looking in particular at his Jacobean and Caroline plays, it explores his engagement with concepts of republicanism. Julie Sanders investigates notions of community in Jonson's stage worlds - his 'theatrical republics' - and reveals a Jonson to contrast with the traditional image of the writer as conservative, absolutist, misogynist, and essentially 'anti-theatrical'. The Jonson presented here is a positive celebrant of the social and political possibilities of theatre.

In the years after the war the problem of population and especially the birth-rate movements excited general interest in all countries. In the Netherlands also all kinds ot scientific men occupied themselves with this subject; not only economists, sociologists and theologians but also medical men studied the population problem in all its various aspects. It has appeared that it is only possible to obtain a complete analysis of the population problem by making a careful scientific investigation of every part of it. Evidently this was also the author's conception of the problem. By examining 25000 families he submitted the birth-rate movement of a large town to a scientific investigation. Neither political nor religious or other than scientific motives prompted him in undertaking this work; the examination was begun and ended quite objectively which lends this book its value. For only an objective examination of s~tch a complex phe- nomenon like the birth-rate movement is of importance for science. The examination was inspired by the working program of the I nterna- tional Union for the scientific Investigation of Population Problems. It produces surprising results and shows in figures how natality presented itself in a metropolis like Rotterdam during the last fifty years. It is to be hoped that this study may be followed by many similar in- vestigations, also for the country.