James Havoc

In 1795, the survivors of a murderous torture orgy at a remote French castle were attacked by rabid wolves. Badly bitten, Guillaume Garou surfaced a century later as a necrophagous cannibal in New Orleans, where he was recruited by white knights to carry out acts of atrocity and carnage. Now, after another hundred years have elapsed, he emerges as Billy Timberwolf, a shaman of electric corpse magick and leader of a lightning-addicted gang of graveyard shape-shifters, roaming the southern states in search of flesh and bones and vying for survival in a nightmarish grindhouse underworld of vampiric sex covens, serial killers, hellfire lunatics, sadistic bounty-hunters, acid-damaged circus freaks, and the resurrected spectres of his former masters.Illustrated by acclaimed and award-winning artist Daniele Serra, this new expanded and definitive edition of TEENAGE TIMBERWOLVES: LUST FOR LIGHTNING is printed in full-color, large-size format and includes the supplementary strip BLACK DEAD BONES OF IDIOT BILL, plus additional promotional art and text.

SATANSKIN is the collection of "graveyard erotica" first published in 1992, twenty stories promising "sex magick, lunar mutiny, excremental demonolatry, in utero lycanthropy, sadomasochistic vampirism, oneiric post-mortem malediction, and other bizarre manias". In Devil's Gold, a transsexual pact with faecal demons leads to unbounded metamorphoses; a maniac with White Meat Fever steals female anatomy to usurp the moon; skinless nuns with Shadow Sickness fall prey to a priapic scavenger from Hell; a hapless traveller enters the Tongue Cathedral and finds himself inside a vampire's wet-dream; in The Venus Eye, an angel wreaks retribution on a paedophiliac butcher from within her coffin. A remarkable collection of stories. The writing is black as hell, by turns violently obscene, repulsive, bizarre. No taboo goes unchallenged, no horror unexplored. ( Outlook) This collection contains the original text of 'Raism', Havoc's first published anti-novel. A philosophy steeped in blood and insanity, a pact with Hell at its core. Black magic, sex magic, homicidal misanthropy, and unbridled decadent lusts fuelled Gilles de Rais on his journey into the Mediaeval heart of darkness.

WHITE SKULL: 1666. The 16-year-old man-boy known only by the nom-de-guerre Misson sails to Madagascar in the wake of the English pirate William Kid. After months at sea he reaches the Butcher's Triangle and there encounters Captain Tew and his voodoo kingdom. Misson attempts to establish a republic on the island but his cohorts are overtaken by a holocaust of evil and the young voyager marries his own vanishing-point beyond the horizon of both sea and human experience. Misson was the precursor of Rimbaud and Lautreamont, the third part of a doomed teenage triumvirate destined to stain future consciousness by their actions and words. WHITE SKULL is his story, a story depicting the terrible violence of the imagination and the assassination of liberty by a savage universe. This edition contains several miscellaneous texts originally published in anthologies and magazines.