James Sallis

Stories and essays by Ken Bruen, Jim Cornelius, Garnett Elliott, Bradley Mason Hamlin, Sam Hawken, Mike MacLean, Craig McDonald, Manuel Ramos, Steve Rogers, Tom Russell, James Sallis, Mart n Solares, John Stickney, Dave Zeltserman. Edited by Craig McDonald Welcome to La Frontera: You're headed way out west this time, intrepid reader, far past where you've dared go before. Your troubled guides along these dusty, bloody stretches of The Devil's Highway are much-awarded crime novelists, journalists, and border-dwelling troubadours. They serve up stories and essays about lives threatened chasing the elusive, often deadly, dream of more money and better futures beckoning north and south of the border. Emiliano Zapata declared, "It's better to die on your feet than to live on your knees." In that spirit, these bards of the borderland are swinging for the barbed-wire fences: all swagger and dark visions, hell-bent on sweeping you along with them across the Rio Grande to a broken Promised Land. Like treacherous Coyotes, they may gut-shoot you or break your heart in the crossing, but however it goes down, know these hombres are determined to make you feel it.

Mulholland Books takes pleasure in restoring to print an acclaimed novel of espionage and suspense by the author of Drive. David (as he's currently known) was a member of an elite corps of spies trained during the coldest days of the Cold War. For almost a decade he has been out of the game, working as a sculptor. Then a phone call in the middle of the night awakens him: the only other survivor from that elite corps has gone rogue. David is tasked with stopping him. What ensues is an existential cat-and-mouse game played out across the American landscape, through the diners and motels that dot the terrain like green plastic houses on a Monopoly board. Both a suspenseful novel of pursuit and a thematically rich exploration of the mind of a spy, Death Will Have Your Eyes is a contemporary classic of the espionage genre.

At age eight, Jenny Rowan was abducted and kept for two years in a box beneath her captor's bed. Eventually she escaped and, after living for eighteen months on cast-offs at the local mall, was put into the child-care system. Suing for emancipation, at age sixteen she became a legal adult. Nowadays she works as a production editor for...

A hired killer on his final job; a burned-out detective whose wife is dying slowly and in agony; a young boy abandoned by his parents and living alone by his wits. Three people, solitary and disconnected from society. The detective is looking for the killer, Christian, though he doesn't know that. Christian is trying to find the man who stepped in and took down his target before he had the chance. And the boy, Jimmie, is having the killer's dreams. While they never meet, they are inextricably linked, and as their stories unfold, all find the solace of community. In what is at one and the same time a coming-of-age novel, a realistic crime novel and a novel of the contemporary Southwest, The Killer Is Dying is above all the story of three men of vastly different age and background, and of the shape their lives take against the unforgiving sunlight and sprawl of America's fifth largest city, Phoenix.

"Somewhere, among the wastes of the world, is the key that will bring us back, restore us to our Earth and to our freedom," Pynchon wrote in Gravity's Rainbow. Never has a man's search among those wastes, for that freedom, been better represented than in this stunning conclusion to the Lew Griffin cycle....

One of the very few lights from Lew Griffin's dark and violent past has flickered out. His one-time lover, La Verne Adams is dead - and her daughter, Alouette, has vanished into a seamy, dead-end world of users and abusers... leaving behind a crack-addicted infant and a mystery....

No.5 in the Lew Griffin Series As Lew Griffin leaves a New Orleans music club with an older white woman he has just met, someone fires a shot and Lew goes down. When he comes to, Griffin discovers that most of a year has gone by since that night. Who was the woman? Which of them was the target? Who was the sniper? Somewhere in the Crescent City - and in the white supremacist movement crawling through it - there's an answer to the questions left by that shot that echoed through the night. But to get to it, Griffin is going to have to work with the only people offering help, people he knows he should avoid.

No.4 in the Lew Griffin Series Lew Griffin is a survivor, a black man in New Orleans, a detective, a teacher, a writer. And he is a man subject to all of the frailties to which we are heir. Having spent years finding others, he has lost his son...and himself in the process. Now a derelict has appeared in a New Orleans hospital claiming to be Lewis Griffin and displaying a copy of one of Lew's novels. It is the beginning of a quest that will take Griffin into his own past while he tries to deal in the present with a search for three missing young men. Somewhere in the underbelly of the Crescent City, there are answers and more questions; there are threats and the promise of salvation; and there is a dangerous descent into the alcoholic haze that marked Griffin's younger days as well as the possibility of rising from it, redeemed. Lew Griffin's investigation is the hero's journey, mythic and strengthening and thoroughly satisfying.

In a time of anger, activism, and bitter racial tensions, a sniper has appeared to heat up an already sweltering New Orleans summer - by tearing up innocent people like paper targets. The shooter's sixth fatality is cut down while she is walking at Lew Griffin's side....

There are those who vanish into the steaming New Orleans night - and it is part time Private Investigator, Repo-man and blues afficionado Lew Griffin's job to find them....

Seven years have passed since Driver ended his campaign against those who double-crossed him. He has left the old life, become Paul West and founded a successful business back in Phoenix....

As Salt River begins, two years have passed since Turner's amour, Val Bjorn, was shot as they sat together on the porch of his cabin. Sometimes you just have to see how much music you can make with what you have left, Val had told him, a mantra for picking up the pieces around her death, not sure how much he or the town has...

Ex-policeman, ex-con, former therapist, Turner is Deputy Sheriff in a small town within driving distance of Memphis, Tennessee, to which he had migrated in hopes of escaping his past. His life is mending as he and Val Bjorn grow closer. And then a young man, arrested on a routine traffic stop with more than $200,000 in his trunk, is...

'Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there'd be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping...

David (as he's currently known) was one of an elite corps of spies trained during the chilliest days of the Cold War. But those days are long gone and for nine years he has been an ordinary, upstanding citizen....Until, that is, a phone call in the middle of the night awakens him. The only other known survivor of that elite corps has...

There was no major crime to speak of until Sheriff Lonnie Bates arrived on Turner's porch with a bottle of Wild Turkey and a problem: The body of a drifter has been found-brutally and ritualistically murdered-and Bates and his deputy need help from someone with big-city experience who appreciates the delicacy of investigating people in...

Praise for Drive..."The perfect piece of noir fiction."-Marilyn Stasio, New York Times Book Review"More thought, feeling and murderous energy than books twice its length" -Chicago TribuneAt the end of Drive, Driver has killed Bernie Rose, "the only one he ever mourned," ending his campaign against those who double-crossed him. Driven tells how that young man, done with killing, becomes the one who goes down "at 3 a.m. on a clear, cool morning in a Tijuana bar."Seven years have passed. Driver has left the old life, become Paul West, and founded a successful business back in Phoenix. Walking down the street one day, he and his fiancee are attacked by two men and, while Driver dispatches both, his fiancee is killed.Sinking back into anonymity, aided by his friend Felix, an ex-gangbanger and Desert Storm vet, Driver retreats but finds that his past stalks him and will not stop. He has to turn and face it. Because he drives. That's what he does. James Sallis has published 14 novels; numerous short stories, poems, and essays; the definitive biography of Chester Himes; and a translation of Raymond Queneau's novel Saint Glinglin. The film of Drive won Best Director award at Cannes, and his six Lew Griffin books are in development for film. www.jamessallis.com

A hired killer on his final job; a burned-out detective whose wife is dying slowly and in agony; a young boy abandoned by his parents and living alone by his wits. Three people, solitary and disconnected from society....

'Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there'd be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping...