Jan Assmann

"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole.Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as the body being torn apart, as social isolation, the notion of the court of the dead, the dead body, the mummy, the soul and ancestral spirit of the dead, death as separation and transition, as homecoming, and as secret. Death and Salvation in Ancient Egypt also includes a fascinating discussion of rites that reflect beliefs about death through language and ritual.

In this important new book, the distinguished Egyptologist Jan Assmann provides a masterful overview of a crucial theme in the religious history of the West - that of 'religio duplex', or dual religion. He begins by returning to the theology of the Ancient Egyptians, who set out to present their culture as divided between the popular and the elite. By examining their beliefs, he argues, we can distinguish the two faces of ancient religions more generally: the outer face (that of the official religion) and the inner face (encompassing the mysterious nature of religious experience). Assmann explains that the Early Modern period witnessed the birth of the idea of dual religion with, on the one hand, the religion of reason and, on the other, that of revelation. This concept gained new significance in the Enlightenment when the dual structure of religion was transposed onto the individual. This meant that man now owed his allegiance not only to his native religion, but also to a universal 'religion of mankind'. In fact, argues Assmann, religion can now only hold a place in our globalized world in this way, as a religion that understands itself as one among many and has learned to see itself through the eyes of the other. This bold and wide-ranging book will be essential reading for historians, theologians and anyone interested in the nature of religion and its role in the shaping of the modern world.

In this important new book, the distinguished Egyptologist Jan Assmann provides a masterful overview of a crucial theme in the religious history of the West - that of 'religio duplex', or dual religion. He begins by returning to the theology of the Ancient Egyptians, who set out to present their culture as divided between the popular and the elite. By examining their beliefs, he argues, we can distinguish the two faces of ancient religions more generally: the outer face (that of the official religion) and the inner face (encompassing the mysterious nature of religious experience). Assmann explains that the Early Modern period witnessed the birth of the idea of dual religion with, on the one hand, the religion of reason and, on the other, that of revelation. This concept gained new significance in the Enlightenment when the dual structure of religion was transposed onto the individual. This meant that man now owed his allegiance not only to his native religion, but also to a universal 'religion of mankind'. In fact, argues Assmann, religion can now only hold a place in our globalized world in this way, as a religion that understands itself as one among many and has learned to see itself through the eyes of the other. This bold and wide-ranging book will be essential reading for historians, theologians and anyone interested in the nature of religion and its role in the shaping of the modern world.

Jan Assmann är en tysk egyptolog, känd för sin tes om att monoteismens uppkomst vid judarnas uttåg ur Egypten. Men Assmann har också varit verksam utanför det egyptologiska fältet. Han har dels utvecklat en teori om kulturellt minne och dels studerat monoteismens politiska implikationer. Montoteism och våldets språk sammanfattar mycket av hans tänkande om såväl kulturteori som monoteism. Ola Sigurdson, professor i tros- och livsåskådningsvetenskap, bidrar med en essä som introducerar Assmans författarskap. Det finns ett våldsamt drag i de bilder som har använts för att tala om Gud, menar Assmann. Föreställningen om en nitälskande och svartsjuk Gud motsvaras av en trosform som vill vara ren och utesluta alla blandformer och där omvändelse alltid har företräde framför assimilering. En sådan inställning omöjliggör en dialog ? och fredlig samexistens ? mellan olika religiösa perspektiv. Mellan det gamla och det nya kan det bara finnas ett radikalt brott. En sådan retorik är ?semantisk dynamit? och har alstrat konflikter också i vår tid. Det är inte minst de religiösa exklusivitetsanspråken som får konkreta ? och våldsamma ? politiska konsekvenser. Monoteismen måste inte vara våldsbenägen, men har ofta varit det i den form i vilken den förmedlats. Assmann vill göra oss medvetna om de här föreställningarnas historiska ursprung och därigenom bidra till att begränsa deras destruktiva inflytande. Syftet med hans skrift är inte bara analytiskt, utan också terapeutiskt.

Now available to an English-speaking audience, this book presents a groundbreaking theoretical analysis of memory, identity and culture. It investigates how cultures remember, arguing that human memory exists and is communicated in two ways, namely inter-human interaction and in external systems of notation, such as writing, which can span generations. Dr Assmann defines two theoretical concepts of cultural memory, differentiating between the long-term memory of societies, which can span up to 3,000 years, and communicative memory, which is typically restricted to 80 to 100 years. He applies this theoretical framework to case studies of four specific cultures, illustrating the function contexts and specific achievements, including the state, international law, religion and science. Ultimately, his research demonstrates that memory is not simply a means of retaining information, but rather a force that can shape cultural identity and allow cultures to respond creatively to both daily challenges and catastrophic changes.

Now available to an English-speaking audience, this book presents a groundbreaking theoretical analysis of memory, identity and culture. It investigates how cultures remember, arguing that human memory exists and is communicated in two ways, namely inter-human interaction and in external systems of notation, such as writing, which can span generations. Dr Assmann defines two theoretical concepts of cultural memory, differentiating between the long-term memory of societies, which can span up to 3,000 years, and communicative memory, which is typically restricted to 80 to 100 years. He applies this theoretical framework to case studies of four specific cultures, illustrating the function contexts and specific achievements, including the state, international law, religion and science. Ultimately, his research demonstrates that memory is not simply a means of retaining information, but rather a force that can shape cultural identity and allow cultures to respond creatively to both daily challenges and catastrophic changes.

"Perhaps Hermeticism has fascinated so many people precisely because it has made it possible to produce many analogies and relationships to various traditions: to Platonism in its many varieties, to Stoicism, to Gnostic ideas, and even to certain Aristotelian doctrines. The Gnostic, the esoteric, the Platonist, or the deist has each been able to find something familiar in the writings. One just had to have a penchant for remote antiquity, for the idea of a Golden Age, in order for Hermeticism, with its aura of an ancient Egyptian revelation, to have enjoyed such outstanding success."—from the Introduction Hermes Trismegistus, "thrice-great Hermes," emerged from the amalgamation of the wisdom gods Hermes and Thoth and is one of the most enigmatic figures of intellectual history. Since antiquity, the legendary "wise Egyptian" has been considered the creator of several mystical and magical writings on such topics as alchemy, astrology, medicine, and the transcendence of God. Philosophers of the Renaissance celebrated Hermes Trismegistus as the founder of philosophy, Freemasons called him their forefather, and Enlightenment thinkers championed religious tolerance in his name. To this day, Hermes Trismegistus is one of the central figures of the occult—his name is synonymous with the esoteric. In this scholarly yet accessible introduction to the history of Hermeticism and its mythical founder, Florian Ebeling provides a concise overview of the Corpus Hermeticum and other writings attributed to Hermes. He traces the impact of Christian and Muslim versions of the figure in medieval Europe, the power of Hermeticism and Paracelsian belief in Renaissance thought, the relationship to Pietism and to Freemasonry in early modern Europe, and the relationship to esotericism and semiotics in the modern world.

Nothing has so radically transformed the world as the distinction between true and false religion. In this nuanced consideration of his own controversial Moses the Egyptian, renowned Egyptologist Jan Assmann answers his critics, extending and building upon ideas from his previous book. Maintaining that it was indeed the Moses of the Hebrew Bible who introduced the true-false distinction in a permanent and revolutionary form, Assmann reiterates that the price of this monotheistic revolution has been the exclusion, as paganism and heresy, of everything deemed incompatible with the truth it proclaims. This exclusion has exploded time and again into violence and persecution, with no end in sight. Here, for the first time, Assmann traces the repeated attempts that have been made to do away with this distinction since the early modern period. He explores at length the notions of primary versus secondary religions, of "counter-religions," and of book religions versus cultic religions. He also deals with the entry of ethics into religion's very core. Informed by the debate his own work has generated, he presents a compelling lesson in the fluidity of cultural identity and beliefs.

Nothing has so radically transformed the world as the distinction between true and false religion. In this nuanced consideration of his own controversial Moses the Egyptian, renowned Egyptologist Jan Assmann answers his critics, extending and building upon ideas from his previous book. Maintaining that it was indeed the Moses of the Hebrew Bible who introduced the true-false distinction in a permanent and revolutionary form, Assmann reiterates that the price of this monotheistic revolution has been the exclusion, as paganism and heresy, of everything deemed incompatible with the truth it proclaims. This exclusion has exploded time and again into violence and persecution, with no end in sight. Here, for the first time, Assmann traces the repeated attempts that have been made to do away with this distinction since the early modern period. He explores at length the notions of primary versus secondary religions, of "counter-religions," and of book religions versus cultic religions. He also deals with the entry of ethics into religion's very core. Informed by the debate his own work has generated, he presents a compelling lesson in the fluidity of cultural identity and beliefs.

For thousands of years, our world has been shaped by biblical monotheism. But its hallmark - a distinction between one true God and many false gods - was once a new and radical idea. ""Of God and Gods"" explores the revolutionary newness of biblical theology against a background of the polytheism that was once so commonplace.Jan Assmann, one of the most distinguished scholars of ancient Egypt working today, traces the concept of a true religion back to its earliest beginnings in Egypt and describes how this new idea took shape in the context of the older polytheistic world that it rejected. He offers readers a deepened understanding of Egyptian polytheism and elaborates on his concept of the ""Mosaic distinction,"" which conceives an exclusive and emphatic Truth that sets religion apart from beliefs shunned as superstition, paganism, or heresy.Without a theory of polytheism, Assmann contends, any adequate understanding of monotheism is impossible. This work will be of great interest to anyone seeking to understand the relationship between God and gods.

In ten brilliant essays, Jan Assmann explores the connections between religion, culture, and memory. Building on Maurice Halbwachs's idea that memory, like language, is a social phenomenon as well as an individual one, he argues that memory has a cultural dimension too. He develops a persuasive view of the life of the past in such surface phenomena as codes, religious rites and festivals, and canonical texts on the one hand, and in the Freudian psychodrama of repressing and resurrecting the past on the other. Whereas the current fad for oral history inevitably focuses on the actual memories of the last century or so, Assmann presents a commanding view of culture extending over five thousand years. He focuses on cultural memory from the Egyptians, Babylonians, and the Osage Indians down to recent controversies about memorializing the Holocaust in Germany and the role of memory in the current disputes between Israelis and Palestinians in the Middle East and between Protestants and Catholics in Northern Ireland.

In ten brilliant essays, Jan Assmann explores the connections between religion, culture, and memory. Building on Maurice Halbwachs's idea that memory, like language, is a social phenomenon as well as an individual one, he argues that memory has a cultural dimension too. He develops a persuasive view of the life of the past in such surface phenomena as codes, religious rites and festivals, and canonical texts on the one hand, and in the Freudian psychodrama of repressing and resurrecting the past on the other. Whereas the current fad for oral history inevitably focuses on the actual memories of the last century or so, Assmann presents a commanding view of culture extending over five thousand years. He focuses on cultural memory from the Egyptians, Babylonians, and the Osage Indians down to recent controversies about memorializing the Holocaust in Germany and the role of memory in the current disputes between Israelis and Palestinians in the Middle East and between Protestants and Catholics in Northern Ireland.

First English-language edition, with revisions and additions by the author.This classic work by one of the world's most distinguished Egyptologists was first published in German in 1984. The Search for God in Ancient Egypt offers a distillation of Jan Assmann's views on ancient Egyptian religion, with special emphasis on theology and piety. Deeply rooted in the texts of ancient Egypt and thoroughly informed by comparative religion, theology, anthropology, and semiotic analysis, Assmann's interpretations reveal the complexity of Egyptian thought in a new way.Assmann takes special care to distinguish between the "implicit" theology of Egyptian polytheism and the "explicit" theology that is concerned with exploring the problem of the divine. His discussion of polytheism and mythology addresses aspects of ritual, the universe, and myth; his consideration of explicit theology deals with theodicy and the specifics of Amarna religion.

Gott sei ihm im brennenden Dornbusch erschienen und habe ihm befohlen, das Volk Israel aus Ägypten zu führen; auf dem Berg Sinai erhielt er die Zehn Gebote und wurde so zum Begründer der ersten monotheistischen Religion: So erzählt die Bibel von Moses. In Sigmund Freuds Der Mann Moses lesen wir es anders: Moses, der hohe ägyptische Würdenträger und Anhänger der Sonnenreligion Echnatons habe sich mit den Jahwe-Anhängern verbündet und sei mit ihnen aus Ägypten geflohen. Doch dann hätten sich die Israeliten gegen sein Regiment erhoben und ihn ermordet. Dieser ?Vatermord? sei es gewesen, der die Wunschphantasie vom dereinst wiederkehrenden Messias hervorgebracht hätte. Zwei Geschichten an den entgegengesetzten Enden einer langen Tradition der Auseinandersetzungen mit der Moses-Figur.

Standing at the very foundation of monotheism, and so of Western culture, Moses is a figure not of history, but of memory. As such, he is the quintessential subject for the innovative historiography Jan Assmann both defines and practices in this work, the study of historical memory--a study, in this case, of the ways in which factual and fictional events and characters are stored in religious beliefs and transformed in their philosophical justification, literary reinterpretation, philological restitution (or falsification), and psychoanalytic demystification.To account for the complexities of the foundational event through which monotheism was established, Moses the Egyptian goes back to the short-lived monotheistic revolution of the Egyptian king Akhenaten (1360-1340 B.C.E.). Assmann traces the monotheism of Moses to this source, then shows how his followers denied the Egyptians any part in the origin of their beliefs and condemned them as polytheistic idolaters. Thus began the cycle in which every "counter-religion," by establishing itself as truth, denounced all others as false. Assmann reconstructs this cycle as a pattern of historical abuse, and tracks its permutations from ancient sources, including the Bible, through Renaissance debates over the basis of religion to Sigmund Freud's Moses and Monotheism. One of the great Egyptologists of our time, and an exceptional scholar of history and literature, Assmann is uniquely equipped for this undertaking--an exemplary case study of the vicissitudes of historical memory that is also a compelling lesson in the fluidity of cultural identity and beliefs.