Jane Shaw

An optimistic and nuanced portrait of a generation that has much to teach us about how to live and collaborate in our digital world. Born since the mid-1990s, members of Generation Z comprise the first generation never to know the world without the internet, and the most diverse generation yet. As Gen Z starts to emerge into adulthood and enter the workforce, what do we really know about them? And what can we learn from them? Gen Z, Explained is the authoritative portrait of this significant generation. It draws on extensive interviews that display this generation’s candor, surveys that explore their views and attitudes, and a vast database of their astonishingly inventive lexicon to build a comprehensive picture of their values, daily lives, and outlook. Gen Z emerges here as an extraordinarily thoughtful, promising, and perceptive generation that is sounding a warning to their elders about the world around them—a warning of a complexity and depth the “OK Boomer” phenomenon can only suggest. ? Much of the existing literature about Gen Z has been highly judgmental. In contrast, this book provides a deep and nuanced understanding of a generation facing a future of enormous challenges, from climate change to civil unrest. What’s more, they are facing this future head-on, relying on themselves and their peers to work collaboratively to solve these problems. As Gen Z, Explained shows, this group of young people is as compassionate and imaginative as any that has come before, and understanding the way they tackle problems may enable us to envision new kinds of solutions. This portrait of Gen Z is ultimately an optimistic one, suggesting they have something to teach all of us about how to live and thrive in this digital world.

Born since the mid-1990s, Generation Z is the first generation never to know the world without the internet, and it is the most diverse generation yet. As Gen Z starts to emerge into adulthood and enter the workforce, what do we really know about them? And what can we learn from them? Gen Z, Explained is the authoritative portrait of this significant generation. It draws on extensive interviews that display this generation’s candor, surveys that explore their views and attitudes, and a vast database of their astonishingly inventive lexicon to build a comprehensive picture of their values, daily lives, and outlook. Gen Z emerges here as an extraordinarily thoughtful, promising, and perceptive generation—one that is sounding a warning to their elders about the world around them of a complexity and depth the “OK, Boomer” phenomenon could only suggest. ? Much of the existing literature about Gen Z has been highly judgmental. In contrast, this book provides a deep and nuanced understanding of a generation facing a future of enormous challenges, from climate change to civil unrest. What’s more, they are facing this future head-on, relying on themselves and their peers to work collaboratively to solve these problems. As Gen Z, Explained shows, this group of young people is as compassionate and imaginative as any that has come before, and understanding the way they tackle issues may enable us to envision new kinds of solutions. This portrait of Gen Z is ultimately an optimistic one, suggesting they have something to teach all of us about how to live and thrive in this digital world.

"She thought you were a crook," Fay explained to the young man in Basie station. But Ricky was not abashed -- surely anyone running for a train could quite easily be mistaken for a thief. Fay and Julie, Ricky's chums, were not so sure of that, but they were sure that Ricky's wild ideas about crooks would lead them all into trouble before the end of the school trip to Switzerland and Paris.They were right. Ricky looked at everyone with a detective's eyes and, all too often for Fay and Julie, the clues she unearthed were not quite what they seemed to be.Once again Jane Shaw, author of the popular Susan Books, has written a book that will appeal to everyone's sense of fun and adventure.

John Henry Newman's pulpit at St Mary's, Oxford, was a powerhouse of religious innovation and reinvigoration in English religion through the 1830s and 1840s. This towering neogothic structure gave platform to preachers who conveyed a new imagination for the life of faith, and whose vision of belief provoked personal and societal awakenings. Today, we are in need once again of reimagining the challenges of our world, and the meaning of Christian faith, in ways that cut through the religious jumble, and speak to the fears and failings of our time. This volume collects sermons by one of that pulpit's most recent preachers. Anxiety, pain, hope, and judgement are key themes. There are liturgical themes and feasts taken in fresh directions, and always an insistence on deconstructing easy answers and pious lingo. These are exercises in reading Scripture, and reading our lives, in ways that speak beyond the borders of religious identity and certainty. These sermons draw us deeper into the reality of our own predicaments and fears, to discover a presence and power that might surprise and disrupt us, and help us to reimagine faith in the modern world.

Every generation puts 'clothes' onto God to help their understanding, but the underlying reality of God still lies beneath those garments. If we go on clothing God only with garments that are suitable for medieval Christendom, or any other age, then we can hardly expect that God will be understood in the twenty-first century. We live in an age in which many people are interested in spirituality but have been disillusioned by the Church and are unaware of what lies behind institutional religion. There is little knowledge of historical attempts to understand and to clothe God, and it is more difficult for twenty-first-century generations to find the tools with which to wrestle with the big questions about who we are and how we relate both to God and to each other. Vincent Strudwick--in collaboration with theologian, historian, and priest Jane Shaw--invites all readers to become wrestlers: to explore difficult questions about God, the Bible, spirituality, and the Church.

In 1919, in the wake of the upheaval of World War I, a remarkable group of English women came up with their own solution to the world's grief:a new religion. At the heart of the Panacea Society was a charismatic and autocratic leader, a vicar's widow named Mabel Barltrop. Her followers called her Octavia, and believed that she was the daughter of God, sent to build the New Jerusalem in Bedford. Proclaiming the female aspects of God, Octavia attracted former suffragettes, middle-class Christian women and passionate spiritual seekers to Bedford, where they followed her in rigorous religious practices. She appointed twelve women as her apostles, and put the rest to work to spread her Word: that human beings, through Panacea, could achieve immortal life on earth.Acclaimed historian Jane Shaw found the last living members of the Panacea Society, who revealed to her their immense, painstakingly-preserved archives. She discovered a utopian community that once had seventy residents, thousands of followers, and an international healing ministry that reached 130,000 people around the globe.Octavia, Daughter of God is a fascinating group biography and a revelatory work of cultural and narrative history. Vividly told, by turns funny and tragic, it reveals in intimate detail the complex, out-sized personality of Octavia; the faith of her devoted followers, who believed they would never die; and the intricacies and intrigues of her close-knit community.But Octavia, Daughter of God is also about a moment at the advent of modernity, when a generation of newly empowered women tried to re-make Christianity in their own image. Startlingly modern in their resolve and curiously reactionary in their social views and politics, their story is a portrait of an age. It offers a window into the anxieties and hopes of the interwar years through the lives of ordinary people who believed extraordinary things about God, this world and the next.

The Enlightenment, considered an age of rationalism, is not normally associated with miracles. In this intriguing book, however, Jane Shaw presents accounts of inscrutable miracles that occurred to ordinary worshippers in early modern England. She considers the reactions of intellectuals, scientists, and physicians to these miraculous events and through them explores the relations between popular and elite culture of the time.Miraculous events in England between the 1650s and the 1750s were experienced mainly not by Catholics, but by Protestants. The book looks at the political and social context of these events as well as interpretations and explanations of them by scientists, the Court, and the Church, as well as by preachers, pamphleteers, friends, and neighbors. Shaw links the lived religion of the time to intellectual history and amends the hitherto received view. The religious practice of ordinary people was as crucial to the development of Enlightenment thought as the philosophical and theological writings of the elite.

The little-known story of the charismatic, utopian leader Octavia and her devoted followers in the interwar years In 1919, in the wake of the upheaval of World War I, a remarkable group of English women came up with their own solution to the world's grief: a new religion. At the heart of the Panacea Society was a charismatic and autocratic leader, a vicar's widow named Mabel Bartlrop. Her followers called her Octavia, and they believed that she was the daughter of God, sent to build the New Jerusalem in Bedford.When the last living members of the Panacea Society revealed to historian Jane Shaw their immense and painstakingly preserved archives, she began to reconstruct the story of a close-knit utopian community that grew to include seventy residents, thousands of followers, and an international healing ministry reaching 130,000 people. Shaw offers a detailed portrait of Octavia and describes the faith of her devoted followers who believed they would never die. Vividly told, by turns funny and tragic, Octavia, Daughter of God is about a moment at the advent of modernity, when a generation of newly empowered women tried to re-make Christianity in their own image, offering a fascinating window into the anxieties and hopes of the interwar years.

Part of an expanding and academically acclaimed series, this is a genuine trans-denominational work on Nonconformity.