Janet Hill

Flora Jane Floop-de-Doop is a flower child. She IS a flower with a positive message to get out. She exudes a simplicity that people of all ages can relate to and understand. Flora will encourage, uplift, and inspire you to greater things. Each page can even be colored if u so choose. Just the act of participating in her animation will satisfy even the most over worked, tired reader.

This whimsical collection of twenty cat-approved life lessons for living your purrfect life is accompanied by gorgeous, lushly detailed paintings. Miss Marcella Mink and sixty-seven of her favorite feline friends live happily in her big house by the sea. But there was a time when Miss Mink was not so happy. When Miss Mink created her own business -- a feline-friendly cruise company for cat lovers and their furry companions -- she found she no longer had time or energy for herself or her friends. For advice she turned to her cats, who always seemed so happy, healthy, well-rounded, well-groomed and well-rested. It was not long before the Cat Countess was feeling shipshape again. Collected here are Miss Mink's twenty cat-approved lessons, from the benefits of a good grooming and an afternoon nap to valuable advice on friendship and diet.

Miss Wilhelmina Moon is a dog governess. At her first placement, on a small island off the coast of France, her new charges - sixty-seven dogs of all shapes, sizes and colors - run wild. But armed with patience and a passion for teaching, as well as her companions, Mitford the monkey and Petunia the French bulldog, Miss Moon soon imparts twenty important lessons to her furry brood. Some are practical, some are playful, one or two are a little unusual, but all are necessary for the raising of happy, healthy and well-mannered dogs (and humans).

The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change. By examining a native dramatic tradition not fully explored before, Hill proposes new ways to imagine historical and contemporary performances. Stages and Playgoers will be invaluable for students of cultural studies, medieval and Renaissance studies, theatre history, and stagecraft.