Jean Hart

It is a commonly held belief that television news in Britain, on whatever channel, is more objective, more trustworthy, more neutral than press reporting. The illusion is exploded in this controversial study by the Glasgow University Media Group, originally published in 1976.The authors undertook an exhaustive monitoring of all television broadcasts over 6 months, from January to June 1975, with particular focus upon industrial news broadcasts, the TUC, strikes and industrial action, business and economic affairs.Their analysis showed how television news favours certain individuals by giving them more time and status. But their findings did not merely deny the neutrality of the news, they gave a new insight into the picture of industrial society that TV news constructs.

Denna Jean Hart målarbok innehåller charmiga motiv som är perfekta för avkopplande färgläggning - och för att ge en kreativ touch till vardagen. Böckerna är skapade för att ge en fridfull tillflyktsort för alla som vill ha en kreativ och stressfri paus. Varje sida tjänar som inspiration för färgläggarens fantasi och kräver inget mer av dig än dina favoritfärger och en önskan att koppla av. Häng på den populära TikTok-trenden "Cozy Coloring" och upptäck glädjen med enkel och avkopplande färgläggning.Boken är tryckt på ett tjockt 140 grams kvalitetspapper, men om du använder alkoholbaserade markörer rekommenderar vi ändå, att du placerar ett ark bakom sidan för att skydda den efterföljande sidan.

"Get Me Out of Here " is Jean's story of the psychological bullying and coercive control she suffered within her 18 years of marriage to an alcoholic and how she eventually broke free of the yoke of her husband's behaviours. This form of emotional and psychological control is a pattern of behaviour designed to exploit, coerce, create dependency and dominate. Jean found that her every day existence was often managed in a very detailed way and her personal space, creativity, decision-making and behaviours for action as well as human potential were limited and controlled by her husband's approval or otherwise. Within such relationships a set of rules emerges which apply to the victim rather than the perpetrator - and Jean feared the consequences if she broke those rules. Over time, her alcoholic husband's demeanour and behaviours eroded her sense of self, her confidence and self-esteem, and eventually her entire identity. At the start of their relationship all was well and Jean did not even know that she was being steadily and increasingly abused, manipulated and controlled. However, as things began to go awry, her moral sense of being the "dutiful" wife as well as being caring and loving towards him, masked the more obvious instances, and kept her 'locked in' to a relationship that was taking her hostage. Her story is written in 3 parts - Part 1 examines her marriage and how she eventually kicked him out; Part 2 is how she experiences the initial elation of being free, discovering some of the things she'd really missed and starting to re-build her sense of self; Part 3 looks at how she realised she still needed to take some equally momentous leaps of faith in order to finally get to a place of being fully at ease within herself, to live in the Now and, as a final transformation, really Love Herself once more.

First published in 1980, More Bad News is the Second Volume in the research findings of the Glasgow University Media Group. It develops the analytic findings and methods of the first volume Bad News through a series of Case Studies of Television News Coverage, and argues that much of what passes as balanced and factual news reporting is produced from a highly partial viewpoint. Focusing on the British economy in crisis, and its thematic linkage with the Social Contract during the first four months of 1975, the book deals with three main levels of activity: the story, the language and the visuals. As the book unpacks each level of routine news coverage a picture emerges which has the surface appearance of neutrality and balance but is in fact highly partial and restricted

First published in 1980, More Bad News is the Second Volume in the research findings of the Glasgow University Media Group. It develops the analytic findings and methods of the first volume Bad News through a series of Case Studies of Television News Coverage, and argues that much of what passes as balanced and factual news reporting is produced from a highly partial viewpoint. Focusing on the British economy in crisis, and its thematic linkage with the Social Contract during the first four months of 1975, the book deals with three main levels of activity: the story, the language and the visuals. As the book unpacks each level of routine news coverage a picture emerges which has the surface appearance of neutrality and balance but is in fact highly partial and restricted

It is a commonly held belief that television news in Britain, on whatever channel, is more objective, more trustworthy, more neutral than press reporting. The illusion is exploded in this controversial 2-volume study by the Glasgow University Media Group, originally published in 1976 and 1980.

It is a commonly held belief that television news in Britain, on whatever channel, is more objective, more trustworthy, more neutral than press reporting. The illusion is exploded in this controversial study by the Glasgow University Media Group, originally published in 1976.The authors undertook an exhaustive monitoring of all television broadcasts over 6 months, from January to June 1975, with particular focus upon industrial news broadcasts, the TUC, strikes and industrial action, business and economic affairs.Their analysis showed how television news favours certain individuals by giving them more time and status. But their findings did not merely deny the neutrality of the news, they gave a new insight into the picture of industrial society that TV news constructs.