Jean-Jacques Delannoy

Pundawar Manbur is one of the largest painted rock shelters in the Drysdale River valley of the Kimberley, Western Australia. It contains more than 600 rock paintings, engravings and rock markings with a complex series of overlapping styles of rock art. It is a cultural jewel of Kwini Country, within the lands of the Balanggarra Native Title determination. This monograph presents the first detailed recording and analysis of the site and its art. There are many figures in superposition, and many also in carefully targeted patterns of superimposition, making for a rich story of sequential engagements going back many thousands of years. There is much figurative art, including images from the earliest purported phase of Kimberley art, the Irregular Infill Animal Period, but there are also stencils and other markings. There is evidence of additive reuse – some of the figures have been repainted. There is also fascinating evidence of subtractive reuse, some of the images showing signs of having been ‘battered’ and/or scratched, that is, directly engaged with subsequent to their painting. This monograph is unusual in Australian archaeology as it does not focus on an excavated site; it focuses solely on the rock art of Pundawar Manbur and gives it the attention it deserves.

This Element addresses a burning question – how can archaeologists best identify and interpret cultural burning, the controlled use of fire by people to shape and curate their physical and social landscapes? This Element describes what cultural burning is and presents current methods by which it can be identified in historical and archaeological records, applying internationally relevant methods to Australian landscapes. It clarifies how the transdisciplinary study of cultural burning by Quaternary scientists, historians, archaeologists and Indigenous community members is informing interpretations of cultural practices, ecological change, land use and the making of place. This title is also available as Open Access on Cambridge Core.

This Element addresses a burning question – how can archaeologists best identify and interpret cultural burning, the controlled use of fire by people to shape and curate their physical and social landscapes? This Element describes what cultural burning is and presents current methods by which it can be identified in historical and archaeological records, applying internationally relevant methods to Australian landscapes. It clarifies how the transdisciplinary study of cultural burning by Quaternary scientists, historians, archaeologists and Indigenous community members is informing interpretations of cultural practices, ecological change, land use and the making of place. This title is also available as Open Access on Cambridge Core.

This Element presents emerging concepts and analytical tools in landscape archaeology. In three major sections bookended by an Introduction and Conclusion, the Element discusses current and emerging ideas and methods by which to explore how people in the past engaged with each other and their physical settings across the landscape, creating their lived environments in the process. The Element reviews the scales and temporalities that inform the study of human movements in and between places. Learning about how people engaged with each other at individual sites and across the landscape deep in the past is best achieved through transdisciplinary approaches, in which archaeologists integrate their methods with those of other specialists. The Element introduces these ideas through new research and multiple case studies from around the world, culminating in how to 'archaeomorphologically' map anthropic constructions in caves and their contemporary environments.

This Element presents emerging concepts and analytical tools in landscape archaeology. In three major sections bookended by an Introduction and Conclusion, the Element discusses current and emerging ideas and methods by which to explore how people in the past engaged with each other and their physical settings across the landscape, creating their lived environments in the process. The Element reviews the scales and temporalities that inform the study of human movements in and between places. Learning about how people engaged with each other at individual sites and across the landscape deep in the past is best achieved through transdisciplinary approaches, in which archaeologists integrate their methods with those of other specialists. The Element introduces these ideas through new research and multiple case studies from around the world, culminating in how to 'archaeomorphologically' map anthropic constructions in caves and their contemporary environments.