Jeffrey L. Sammons

Heinrich Heine has been one of the liveliest topics in German literary studies for the past fifteen years. His life was marked by an exceptionally high pitch of constant public controversy and an extraordinary quantity of legend and speculation surround his reputation. This biography, the first in English in over twenty years and the first fully documented one in over a century, makes full use of the newest material in contemporary studies as well as of older scholarship. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this study of the prose fiction of Das Junge Deutschland, the internal stresses and paradoxes of specific texts are examined and special attention is devoted to the unfulfilled strivings toward realism. Following an introduction to the young German problem, with special reference to Wienbarg, there are essays on Gutzkow, Mundt, Kuhne, and, as a contrast, the major novels of Immermann. The essays attempt to enhance the understanding of the post-Romantic crisis in German literature.

This study of German fiction about America in the nineteenth century concentrates in detail on three writers: Charles Sealsfield (Carl Postl, 1793-1864), an escaped Moravian monk who came to New Orleans in 1823 and wrote the first major German novels about the United States; Friedrich Gerstacker (1816-1872), who, among his many experiences in America as a young man, lived as a backwoodsman in Arkansas and who later produced a large body of fiction, travel reportage, and emigration advice; and Karl May (1842-1912), who, though he knew nothing about America beyond what he could read in books, wrote famous adventure stories set in an imaginary West and became the best-selling writer in the German language.Sammons provides biographies of the authors and discusses how each differs in their mimetic and ideological approach. He pays particular attention to how the authors address issues of race, gender and politics in the United States. Sammons interweaves his discussion of these three writers with excurses into the emergence of the German Western and anti-Americanism in German fiction.

The book is divided into three parts: an overview of Raabc's career, his problems with the public, and the early reception history that did so much to damage his reputation; thematic analyses that seek to release him from received opinions concerning the nature and quality of his oeuvre by exhibiting his versatility and polyperspectivism; and interpretations of individual works. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The book is divided into three parts: an overview of Raabc's career, his problems with the public, and the early reception history that did so much to damage his reputation; thematic analyses that seek to release him from received opinions concerning the nature and quality of his oeuvre by exhibiting his versatility and polyperspectivism; and interpretations of individual works. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Heinrich Heine has been one of the liveliest topics in German literary studies for the past fifteen years. His life was marked by an exceptionally high pitch of constant public controversy and an extraordinary quantity of legend and speculation surround his reputation. This biography, the first in English in over twenty years and the first fully documented one in over a century, makes full use of the newest material in contemporary studies as well as of older scholarship. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The twenty-volume edition of The German Classics: Masterpieces of German Literature Translated into English was edited by Kuno Francke of Harvard (1855-1930), the most prestigious professor of German in America at the time. While it bears the imprint dates 1913 and 1914, it was not completed until mid-1915, just in time for the submarine sinking of the passenger liner Lusitania in May of that year. The edition was publicized with great fanfare and was well received at first, but with the outbreak of the European war in 1914 and the entry of the United States into it in 1917, American sentiment turned against all things German. The reviews became hostile; the edition was nearly pulped; its publisher went bankrupt; and Francke felt obliged to resign his Harvard professorship. Kuno Francke’s Edition of The German Classics (1913-15) describes the origins of the edition; recounts the careers of the editors and some fifty professional contributors; seeks to identify approximately 115 translators; and comments on the nearly 500 illustrations, mostly German art of the nineteenth century. This book also introduces the selections from the 114 featured authors, almost a third of whom were still alive at the time of publication, and evaluates the critical commentary. The edition emerges from the study as a laboratory of the high prestige of German literature and culture in the United States before it fell into permanent decline at the time of World War I.

The once nationally and internationally prominent realist Friedrich Spielhagen (1829-1911) was decanonized and driven to the periphery of literary history in his own lifetime. Since then critical interest has ben sporadic and has often reflected the negative judgment passed on him by gatekeepers and tastemakers of his own time. Except for a very few specialists, most scholars have concentrated on his obsessively propagated >objectiveVormärz ideals of freedom and democracy, while being driven, somewhat against his will, in the direction of Social Democracy and the harsher realism of such French writers as Emile Zola. Special attention is given to a number of thematic centres, such as the aristocracy; class identity, liberalism, and Social Democracy; the military and the dueling ethos; Jews; America; women and love; and his agonized engagement with the contemporary French novel.

Chronicles the most important scholarly criticism of the 19th-century German writer Wilhelm Raabe, from his day to the present. Wilhem Raabe (1831-1910), the most gifted German novelist between Goethe and Fontane, was a kind of German Victorian writer, a counterpart to Dickens and Thackeray, by whom he was profoundly influenced. The reassessment and upgrading of his literary achievement has been one of the liveliest topics of German literary scholarship - much influenced by British and American contributions - of the last thirty years. This process has involved a rescue from a cult of idolatry that grew up around his death and evolved into a Nazi allegiance that for a time sank his reputation.

Valuable for its insights into Schiller's life and for Carlyle's peculiar relationship to Schiller and German literature in general. Carlyle's biography of Schiller is still valuable, both for its insights into Schiller's life and for Carlyle's peculiar relationship to Schiller and German literature in general. In an age that has, by and large, forgotten the great idealist poet, this earliest biography provides good reason for a reacquaintance with a noble personality and distinguished achievement.