Jeremy Adler

H.G. Adler (1910–1988) was one of the founding figures of Holocaust scholarship whose monumental monograph Theresienstadt 1941-1945. The Face of a Coerced Community (1955; 1960) was the first study to present a fully documented account of the Final Solution. This collection gathers together, for the first time in English, some of Adler’s most important scholarly essays on the Shoah and connected themes. Ideas raised for the first time in his book on Theresienstadt are here taken up and developed at greater length, new accents are set, and new themes are explored. Spanning his thought across three decades they focus on the fate of the ‘coerced’ human being and reflect on freedom, enslavement, terror, concentration camps, persecution, the mass society, dread, loneliness, and ideology.

Franz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner’s concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death.

First published in 1955, with a revised edition appearing five years later, H. G. Adler's Theresienstadt, 1941–1945 is a foundational work in the field of Holocaust studies. As the first scholarly monograph to describe the particulars of a single camp - the Jewish ghetto in the Czech city of Terezin - it is the single most detailed and comprehensive account of any concentration camp. Adler, a survivor of the camp, divides the book into three sections: a history of the ghetto, a detailed institutional and social analysis of the camp, and an attempt to understand the psychology of the perpetrators and the victims. A collaborative effort between the United States Holocaust Memorial Museum and the Terezin Publishing Project makes this authoritative text on Holocaust history available for the first time in the English language, with a new afterword by the author's son Jeremy Adler.

This new critical biography provides a complete picture of German novelist, playwright and poet Johann Wolfgang von Goethe. The book offers fresh, thought-provoking interpretations of all the major works, including novels such as The Sorrows of Young Werther and The Elective Affinities, plays such as Egmont and Iphigenia in Tauris, and Goethe’s greatest work, Faust. Alongside these works the incidents of his life are analysed, including his love affairs and his meetings with the great people of the age, such as Napoleon Bonaparte.Jeremy Adler shows how Goethe’s encyclopedic interest in many fields influenced later thinkers such as Charles Darwin and Sigmund Freud, Émile Durkheim and Susan Sontag. Goethe has often been called the last Renaissance man. This biography shows that Goethe was in fact the first of the moderns – a maker of modernity.

First published in 1955, with a revised edition appearing five years later, H. G. Adler's Theresienstadt, 1941–1945 is a foundational work in the field of Holocaust studies. As the first scholarly monograph to describe the particulars of a single camp - the Jewish ghetto in the Czech city of Terezin - it is the single most detailed and comprehensive account of any concentration camp. Adler, a survivor of the camp, divides the book into three sections: a history of the ghetto, a detailed institutional and social analysis of the camp, and an attempt to understand the psychology of the perpetrators and the victims. A collaborative effort between the United States Holocaust Memorial Museum and the Terezin Publishing Project makes this authoritative text on Holocaust history available for the first time in the English language, with a new afterword by the author's son Jeremy Adler.

Friedrich Hölderlin (1770-1843) is now recognized as one of Europe’s supreme poets. He first found his true voice in the epigrams and odes he wrote when transfigured by his love for the wife of a rich banker. He later embarked on an extraordinarily ambitious sequence of hymns exploring cosmology and history, from mythological times to the discovery of America and his own era. The ’Canticles of Night’, by contrast, include enigmatic fragments in an unprecedented style, which anticipates the Symbolists and Surrealists. Together the works collected here show Hölderlin’s use of Classical and Christian imagery and his exploration of cosmology and history in an attempt to find meaning in an uncertain world.