Jess Smith

Winner of the 2023 Akron Poetry Prize Propulsive and erotic, searching and incisive, Jess Smith's debut collection Lady Smith explores the overlap between private and public violence. These poems investigate the troubled relationship between control and intimacy and deconstruct the messaging women receive about their bodies, starting in childhood. Lady Smith resists the urge to offer a tidy healing narrative, instead revealing the way victims absorb violence and try to live with the long shadows of cultural misunderstandings and self-doubt. Smith offers readers a fearless invitation to pleasure, sensuality, and our own complicity in everyday brutalities. The Akron Series in Poetry was founded in 1995 to discover and amplify writers who speak in original and compelling voices. Each year, The University of Akron Press offers the Akron Poetry Prize, a competition open to poets writing in English. The winning poet receives $1,500 and publication of their book in the series. The final selection is made by a nationally prominent poet.

This book provides an original and compelling analysis of registration as a dynamic process which makes and unmakes legal identities.Critical legal and socio-legal scholarship tends to assume that registration is a textually mediated act of statecraft which governs through the technology of writing. Taking a different approach, this book develops movement as socio-legal method to illustrate the legal, social, and bureaucratic layers of movement which unfold in everyday engagements with the law. The book presents empirical and theoretical analysis of historical, contemporary, and future-oriented places of registration: a community hub, a city of pilgrimage, and the General Register Office. Drawing from diverse perspectives across anthropology, geography, sociology, architecture, and mobility studies, the book argues for an understanding of registration as evolving, socially constructed, and shaped by spatial imaginaries which are materialised in its architecture. This mobile understanding of registration expands conceptual discussions of legal materiality whilst opening up possibilities for legal identities unconstrained by the assumed desirability of stability or endurance. This interdisciplinary book will appeal primarily to a sociolegal, critical legal, and legal geography readership; but it will also be of interest to those in other disciplines concerned with materiality, movement, and statecraft.

This book provides an original and compelling analysis of registration as a dynamic process which makes and unmakes legal identities.Critical legal and socio-legal scholarship tends to assume that registration is a textually mediated act of statecraft which governs through the technology of writing. Taking a different approach, this book develops movement as socio-legal method to illustrate the legal, social, and bureaucratic layers of movement which unfold in everyday engagements with the law. The book presents empirical and theoretical analysis of historical, contemporary, and future-oriented places of registration: a community hub, a city of pilgrimage, and the General Register Office. Drawing from diverse perspectives across anthropology, geography, sociology, architecture, and mobility studies, the book argues for an understanding of registration as evolving, socially constructed, and shaped by spatial imaginaries which are materialised in its architecture. This mobile understanding of registration expands conceptual discussions of legal materiality whilst opening up possibilities for legal identities unconstrained by the assumed desirability of stability or endurance. This interdisciplinary book will appeal primarily to a sociolegal, critical legal, and legal geography readership; but it will also be of interest to those in other disciplines concerned with materiality, movement, and statecraft.

When widowed Reywen stumbles upon a body in the woods, she must fight for her life and outrun a killer. Hunted to the very doorstep of a not-quite human creature, the real battle begins. Who is the greater danger: the murderer on her trail, or the entity who has given her refuge? Uncovering her own healing nature, the root of the evil who hunts her, and malevolence itself, Reywen is forced to reconcile her fears with her own strengths while struggling to protect those she holds dear. As violence spreads like disease and war threatens between kingdoms, can she heal those who have been infected? Can she defeat the very essence of evil itself?

Storytellers Lindsey Gibb & C.A. Hope bring together stories from Perthshire, the heart of Scotland, with its bleak moors and majestic mountains, rushing rivers and great woodlands. In this treasure trove of tales you will meet witches and faeries, black dogs and dragons, the Cailleach and those mysterious painted people, the Picts – all as fantastical and powerful as the landscape they inhabit. Retold in an engaging style, and richly illustrated with unique line drawings, these humorous, clever and enchanting folk tales are sure to be enjoyed and shared time and again.