Jessica May

Accompanying a major traveling exhibition, Second Nature is an ambitious and expansive approach to the ever-present climate crisis. Gathering the work of nearly fifty photographers and their unique aesthetic and conceptual perspectives on this urgent issue, May and Price have invited leading figures in a range of fields offering an interdisciplinary and, importantly, intersectional consideration of the Anthropocene.

A fresh and surprising overview of N. C. Wyeth’s career that considers the full range of the multifaceted artist’s oeuvre N. C. Wyeth (1882–1945) was widely renowned for his iconic images of characters such as King Arthur, Robin Hood, and Robinson Crusoe that were reproduced as illustrations for books and magazines. The patriarch of the Wyeth family, father of Andrew Wyeth and grandfather of Jamie, he was also an artist with a broad purview whose work includes impressionist views of the Pennsylvania countryside and 1930s modernist interpretations of Maine coastal scenes. The book’s essays look at topics such as Wyeth’s contributions to the visual mythology of the American West, the darker nuances found in his Treasure Island illustrations, and correlations between his illustrations and cinema. Also explored is the way in which Wyeth’s own Chadds Ford properties reflect his conception of home and the role of the artist in American society. Complete with a detailed chronology, this carefully researched study of Wyeth’s life and work provides a long overdue assessment of the remarkable breadth of this complex yet often misunderstood artist.Published in association with the Brandywine River Museum of Art and the Portland Museum of ArtExhibition Schedule:Brandywine River Museum of Art, Chadds Ford, PA (06/22/19–09/15/19)Portland Museum of Art, ME (10/02/19–01/12/20)Taft Museum of Art, Cincinnati (02/08/20–05/03/20)

To Lilah, Zane was a childhood bully, her brother's best friend, her new boss, a sex God?Lilah Hart, after getting through the toughest year of her life, faces another blow when she's made redundant. The company she works for is acquired by her childhood nemesis, who she's avoided for nearly a decade: a gorgeous Colombian billionaire and her older brother's best friend.Zane Moreno has it all - charm, wealth, and a burning desire for success but when he reluctantly hires Lilah to be his personal assistant, they are forced back into each other's day to day lives bringing chaos to his perfectly curated schedule. Between Lilah's defiant, sarcastic attitude and Zane's domineering, resolute character, they clash over every decision but find themselves irresistibly drawn to each other in a whirlwind of fiery banter, steamy encounters and hidden moments.With work deadlines and the pressure of concealing their relationship, will Zane be able to prove that he is no longer the same boy from her childhood or will Lilah's negative memory of him be proven right?

David Driskell (1931-2020) was one of the most revered and boundary-breaking American artists, long recognized for his vibrant and versatile painting and printmaking practice, which combined his sharp observation of American landscapes and his interest in the imagery and aesthetic innovations of the African diaspora. Driskell was equally well-known as a curator, art historian, and educator, and his career as both artist and scholar created a durable public record of the long history of art made by African Americans.The exhibition and accompanying catalogue survey seven decades of the artist s painterly practice from the 1950s forward. Driskell s command of color and line is showcased through his beloved subjects, including the natural world, remembrances of the Southern Black experience, and the Black Christian church. The book includes a primary essay by Driskell scholar and curator Julie McGee as well as many other testaments to Driskell by major American artists, art historians, and museum professionals. The catalogue also features a selection of Driskell s most significant writings, introducing the full range of his career to future generations of readers.