Jessica Morgan

Colorful, subversive, symbolic and challenging, Green's series such as Color and Space Poems are the subject of this scholarly publication featuring an intervention by the artist The first comprehensive US monograph on American artist Renée Green (born 1959) provides a foundational introduction to the artist's practice and addresses critical gaps in existing scholarship. In her uniquely recursive process, Green juxtaposes a range of materials—archival, documentary and literary fragments, personal and found ephemera, speculative narratives and her own extant work—to probe the unstable boundaries between fact and fiction, public recollection and personal memory. Essays situate Green within key historical influences and periods, including lineages of Conceptual art and institutional critique; examine Green's significant contributions to artistic milieus and discourses of the 1990s; and investigate various formal aspects of the work. In addition to a rich suite of installation shots from her Dia Beacon show, the book also features a visual intervention and response to the book's contents by the artist.

On Whitten’s pioneering 1970s series marking his move away from gestural painting The first publication to delve deeply into Jack Whitten’s Greek Alphabet paintings (1975–78), this volume examines this remarkable series, which consists of variations on abstract, black-and-white compositions and experiments in mark-making. For these works, Whitten employed handmade tools and techniques including the comb, imprint and frottage. The series is illuminated through essays by art historian Courtney J. Martin and Dia curators Donna De Salvo and Matilde Guidelli-Guidi. Authors Fred Moten and Gregg Bordowitz provide poetic reflections on Whitten’s art, biography and cultural importance. Materials from Whitten’s archives, including his own personal writings, supplement this unprecedented publication. In his lifetime, Whitten never had the opportunity to exhibit more than a handful of these works. In publishing a significant number of these paintings together for the first time—with 40 color plates representing the 60-some paintings in the series—Jack Whitten: The Greek Alphabet Series makes possible a fuller appreciation of the formal and material permutations of Whitten’s practice. Jack Whitten (1939–2018) was born in Bessemer, Alabama, studied art at Southern University in Baton Rouge, Louisiana, and moved to New York in 1960, where he had a solo exhibition at the Whitney in 1974 and a 10-year retrospective at the Studio Museum in Harlem in 1983. In 2014, a retrospective was organized by the Museum of Contemporary Art in San Diego, traveling to the Wexner Center in 2015 and the Walker Art Center in 2015–16. Whitten lived in Queens, New York, where he died in 2018.

Making it up the aisle was the easy part: Rebecca "Bex" Porter must survive her own scandals and adjust to royal British life in this "positively delicious" follow-up to The Royal We that's "just as fun, charming, and delightful as the first" (Taylor Jenkins Reid). After a scandalous secret turns their fairy-tale wedding into a nightmare, Rebecca "Bex" Porter and her husband Prince Nicholas are in self-imposed exile. The public is angry. The Queen is even angrier. And the press is salivating. Cutting themselves off from friends and family, and escaping the world's judgmental eyes, feels like the best way to protect their fragile, all-consuming romance. But when a crisis forces the new Duke and Duchess back to London, the Band-Aid they'd placed over their problems starts to peel at the edges. Now, as old family secrets and new ones threaten to derail her new royal life, Bex has to face the emotional wreckage she and Nick left behind: with the Queen, with the world, and with Nick's brother Freddie, whose sins may not be so easily forgotten--nor forgiven.

Making it up the aisle was the easy part: Rebecca "Bex" Porter must survive her own scandals and adjust to royal British life in this "positively delicious" follow-up to The Royal We that's "just as fun, charming, and delightful as the first" (Taylor Jenkins Reid).After a scandalous secret turns their fairy-tale wedding into a nightmare, Rebecca "Bex" Porter and her husband Prince Nicholas are in self-imposed exile. The public is angry. The Queen is even angrier. And the press is salivating. Cutting themselves off from friends and family, and escaping the world's judgmental eyes, feels like the best way to protect their fragile, all-consuming romance.But when a crisis forces the new Duke and Duchess back to London, the Band-Aid they'd placed over their problems starts to peel at the edges. Now, as old family secrets and new ones threaten to derail her new royal life, Bex has to face the emotional wreckage she and Nick left behind: with the Queen, with the world, and with Nick's brother Freddie, whose sins may not be so easily forgotten--nor forgiven.

An American girl finds her prince in this "fun and dishy" (People) royal romance inspired by Prince William and Kate Middleton. American Bex Porter was never one for fairy tales. Her twin sister Lacey was always the romantic, the one who daydreamed of being a princess. But it's adventure-seeking Bex who goes to Oxford and meets dreamy Nick across the hall - and Bex who finds herself accidentally in love with the heir to the British throne. Nick is wonderful, but he comes with unimaginable baggage: a complicated family, hysterical tabloids tracking his every move, and a public that expected its future king to marry a Brit. On the eve of the most talked-about wedding of the century, Bex looks back on how much she's had to give up for true love... and exactly whose heart she may yet have to break. Praise for The Royal We "Hysterical" -- Entertainment Weekly "Full of love and humor, and delicious in too many ways." -- Emma Straub, New York Times bestselling author "Engrossing and deeply satisfying." -- Jen Doll, author of Save the Date

Egyptian artist Wael Shawky (born 1971) is a storyteller. This publication records a new, large-scale video installation based on his personal experiences in Upper Egypt, where, with the collaboration of local children, he restaged the epic story of a local shaman.

An American girl finds her prince in this "fun and dishy" (People) royal romance inspired by Prince William and Kate Middleton. American Bex Porter was never one for fairy tales. Her twin sister Lacey was always the romantic, the one who daydreamed of being a princess. But it's adventure-seeking Bex who goes to Oxford and meets dreamy Nick across the hall - and Bex who finds herself accidentally in love with the heir to the British throne. Nick is wonderful, but he comes with unimaginable baggage: a complicated family, hysterical tabloids tracking his every move, and a public that expected its future king to marry a Brit. On the eve of the most talked-about wedding of the century, Bex looks back on how much she's had to give up for true love... and exactly whose heart she may yet have to break. Praise for The Royal We "Hysterical" -- Entertainment Weekly "Full of love and humor, and delicious in too many ways." -- Emma Straub, New York Times bestselling author "Engrossing and deeply satisfying." -- Jen Doll, author of Save the Date

An American girl finds her prince in this "fun and dishy" (People) royal romance inspired by Prince William and Kate Middleton. American Bex Porter was never one for fairy tales. Her twin sister Lacey was always the romantic, the one who daydreamed of being a princess. But it's adventure-seeking Bex who goes to Oxford and meets dreamy Nick across the hall - and Bex who finds herself accidentally in love with the heir to the British throne. Nick is wonderful, but he comes with unimaginable baggage: a complicated family, hysterical tabloids tracking his every move, and a public that expected its future king to marry a Brit. On the eve of the most talked-about wedding of the century, Bex looks back on how much she's had to give up for true love... and exactly whose heart she may yet have to break. Praise for The Royal We "Hysterical" -- Entertainment Weekly "Full of love and humor, and delicious in too many ways." -- Emma Straub, New York Times bestselling author "Engrossing and deeply satisfying." -- Jen Doll, author of Save the Date

Puerto Rican Light (Cueva Vientos), a new Dia Art Foundation commission by Jennifer Allora & Guillermo Calzadilla, is situated in a natural limestone cave system near the southern coast of Puerto Rico. This long-term site-specific work integrates the journey to the site as part of the viewer’s engagement. The companion publication eschews the traditional catalogue in favor of gathering contemporary scholarship on the issues surrounding the project. It pairs photographs of the journey to and from the site with newly commissioned texts, acting as both artist’s book and scholarly compilation. Political theorist Franco “Bifo” Berardi, novelist Juan López Bauzá, philosopher Timothy Morton, architectural historian Spyros Papapetros and anthropologist Michael Taussig contribute, among others.

A comprehensive study of one of the most versatile artists and acute observers of our time, who fuses art and fashion American artist Sterling Ruby works in a large variety of media, including sculpture, ceramics, painting, and video art. Ruby is influenced by a wide range of sources, including marginalized societies, maximum-security prisons, modernist architecture, artefacts and antiquities, graffiti, waste and consumption, and urban gangs. Through these, he examines the psychological space where individual expression confronts social constraint.

An American girl finds her prince in this "fun and dishy" (People) royal romance inspired by Prince William and Kate Middleton. American Bex Porter was never one for fairy tales. Her twin sister Lacey was always the romantic, the one who daydreamed of being a princess. But it's adventure-seeking Bex who goes to Oxford and meets dreamy Nick across the hall - and Bex who finds herself accidentally in love with the heir to the British throne. Nick is wonderful, but he comes with unimaginable baggage: a complicated family, hysterical tabloids tracking his every move, and a public that expected its future king to marry a Brit. On the eve of the most talked-about wedding of the century, Bex looks back on how much she's had to give up for true love... and exactly whose heart she may yet have to break. Praise for The Royal We: -"Hysterical" -- Entertainment Weekly -"Full of love and humor, and delicious in too many ways." -- Emma Straub, New York Times bestselling author -"Engrossing and deeply satisfying." -- Jen Doll, author of Save the Date

The World Goes Pop explores the contemporaneous engagements with a spirit of pop throughout the globe, concentrating not only on the relatively well-covered activity in the US, UK and France but also on developments throughout Central and Eastern Europe, Latin America, Asia, Africa and the Middle East.

The World Goes Pop explores the contemporaneous engagements with a spirit of pop throughout the globe, concentrating not only on the relatively well-covered activity in the US, UK and France but also on developments throughout Central and Eastern Europe, Latin America, Asia, Africa and the Middle East.