Jim Thompson

A classic crime novel about a kidnapping scheme gone wrong from Jim Thompson's, America's "Dimestore Dostoevsky." William "Kid" Collins was once a respected boxer. Now he's a drifter, on the run after escaping from a mental institution. One afternoon he meets Fay, a beautiful young widow. She is smart and decent -- at least when she's sober. Soon Collins finds himself involved in a kidnapping scheme that goes drastically wrong almost before it even begins. Because the kid they've picked up isn't like other kids: he's diabetic and without insulin, he'll die. Not the safest situation for Collins, a man for whom stress and violence have long gone hand-in-hand. After Dark, My Sweet once again displays Jim Thompson as the undisputed master of American noir. The basis of James Foley's critically acclaimed film of the same name, with the sweep of an epic tragedy, Thompson's classic limns the dangerous territory of honest people all-too-easily sucked into wickedness, with no way out but down.

It was supposed to be only a temporary job -- something to pay the bills until Dusty could get his feet back on the ground and raise enough money for medical school. After all, there's nothing wrong with being a bellboy at a respectable hotel like the Manton -- that is, until she came along. Marcia Hillis. The perfect woman. Beautiful. Experienced. Older and wiser. The only woman to ever measure up to that other her -- the one whose painful rejection Dusty can't quite put from his mind. But while Dusty has designs on Marcia, Marcia has an agenda of her own. One that threatens to pull the Manton inside-out, use Dusty up for all he's worth and leave him reeling and on the run, the whole world at his heels. A richly-imagined crime narrative of the Oedipal and betrayal, A Swell-Looking Babe is Thompson at his very best -- a cornerstone in Thompson's enduring legacy as the Dimestore Dostoyevsky of American fiction.

Dr. Peter S. Murphy needs fifteen thousand dollars by the end of the day, or the city of Los Angeles can say goodbye to the El Healtho clinic. A recovery center for the most severe cases of alcoholism in the state -- even if no one ever does quite seem to get dry there -- El Healtho has been the bane of Dr. Murphy's existence ever since he started running it. But now that its doors are about to close forever, Dr. Murphy finds he'll do anything to keep it open. Up to and including admitting Humphrey Van Twyne III, a patient with an extremely violent past whose wealthy family has the means to keep El Healtho open for business. Sure, the man isn't exactly an alcoholic. And yes, what he really needs is to be under the care of the surgeons who performed the lobotomy that's rendered Van Twyne all but a vegetable. But the money's good -- until the rag-tag group of ne'er-do-wells at El Healtho begin to wreak havoc with Dr. Murphy's plans, and suddenly no one day has ever seemed so long. A literary precursor to One Flew Over the Cuckoo's Nest, The Alcoholics is Thompson like you've never read him before, a pitch-black, mad-cap portrait of deviant behavior that is at once darkly comic, humane and harrowing.

Doc McCoy is the most skilled criminal alive. But when for the first time in Doc's long criminal career, his shot doesn't hit the mark, everything begins to fall apart. And Doc begins to realize that the perfect bank robbery isn't complete without the perfect getaway to back it up. THE GETAWAY is the classic story of a bank robbery gone horribly wrong, where the smallest mistakes have catastrophic consequences, and shifting loyalties lead to betrayals and chaos. The basis for the classic Steve McQueen film of the same name, as well as a 1994 remake with Alec Baldwin, Thompson's novel set the bar for every heist story that followed--but as Thompson's proved time and again, nobody's ever done it better than the master.

Luane Devore's days are numbered. All her neighbors in the declining seaside resort town of Manduwoc want her dead. Some, like her young husband Ralph and his girlfriend Danny, want the thousands of dollars she keeps hidden under the mattress she spends her days resting on. Others want her to stop her malicious gossip--some of which could ruin lives. Told from multiple perspectives, The Kill-Off tells the story of a woman not long for this earth--but who will finally take matters into their own hands, and when? THE KILL-OFF was the basis of Maggie Greenwald's critically acclaimed film of the same name.

In trouble more often than not, guilty of assault, manslaughter, and honorably discharged from the military by the skin of his teeth, David Bugs McKenna can't seem to help doing the right thing at the wrong time--or the wrong thing, every chance he gets. But when he drifts his way into Ragtown, Texas, things seem to finally be turning around for Bugs. He gets his first job in years as the hotel detective of the landmark Hanlon Hotel. But now that Bugs owes deputy sheriff Lou Ford a favor, things are likely to get ugly, fast--and odds are, it'll have something to do with the bombshell wife of his Bugs' new employer... In WILD TOWN, Jim Thompson returns to the characters from THE KILLER INSIDE ME that made his reputation, in a virtuoso, multi-character portrait of how one man's life can take a turn for the worse.

War changed Clinton Brown. Permanently disfigured by a tragic military accident, he's struggling to find satisfaction from life as a rewrite man for Pacific City's Courier. Shame has led him to isolate himself from closest friends and even his estranged, still faithfully devoted wife, Ellen. Only the bottle keeps him company. But now Ellen has returned to Pacific City, and she's ready to do whatever it takes to get Brown back. Even if it means exposing his deepest secret ... a painful truth Brown would do anything to stop from coming to light. He'd kill a whole lot of people just to keep this one thing quiet--and soon enough, the bodies just happen to start piling up around him... THE NOTHING MAN is Thompson at his most psychologically astute, in a deeply suspenseful and tragic portrait of one man's journey through the dark side of the Postwar Boom.

Jake Winroy had no looks, no education, and little else before he'd worked his way to the top of a million-dollar-a-month horse-betting ring. But when the state's latched onto his game, the feds take a bite and the lawyer fees eat away at the rest, all Jake's got left is the bottle and a beautiful wife whose every word is ugly. Jake's to be the top witness in a major case against organized crime -- if he hasn't already kicked the bucket before the trial has its day in court. But an enigmatic mafioso known only as The Man has a plan to make dead certain Jake never gets the chance to testify. The Man's hired Charlie Little Bigger, a hit man barely five feet tall, to infiltrate the Winroy residence as a tenant and murder Winroy in cold blood. To Little, it seems like the easiest job on Earth. Until he lays eyes on the beautiful and dangerous Fay and the Winroy's young housemaid Ruth, a woman as sensual as she is vulnerable. Savage Night is Jim Thompson at his most unpredictable and deeply suspenseful, in a claustrophobic thriller of one man's fractured mind.

Nick Corey is a terrible sheriff on purpose. He doesn't solve problems, enforce rules or arrest criminals. He knows that nobody in tiny Potts County actually wants to follow the law and he is perfectly content lazing about, eating five meals a day, and sleeping with all the eligible women. Still, Nick has some very complex problems to deal with. Two local pimps have been sassing him, ruining his already tattered reputation. His girlfriend Rose is being terrorized by her husband. And then, there's his wife and her brother Lenny who won't stop troubling Nick's already stressed mind. Are they a little too close for a brother and a sister? With an election coming up, Nick needs to fix his problems and fast. Because the one thing Nick does know is that he will do anything to stay sheriff. Because, as it turns out, Sheriff Nick Corey is not nearly as dumb as he seems. In Pop. 1280, widely regarded as a classic of mid-20th century crime, Thompson offers up one of his best, in a tale of lust, murder, and betrayal in the Deep South that was the basis for the critically acclaimed French film Coup de Torchon.

In the rural town of Verdon, Nebraska, in the early days of the 20th century, you can't go ten feet without running into one of the Fargos. So, Grant Fargo argues to his grandfather Lincoln, it's perfectly all right that he's desperately in love with his first cousin, Bella-she's the only source of intelligent conversation for miles, and in a town like Verdon, it would be hard not to end up with a relative of one kind or another. Before it all plays out, men will be murdered, jailed, tarred and feathered or worse, and while everyone in the Fargo clan would kill for the family deeds, God might just end up with them instead. In Heed the Thunder, one of Thompson's earlier works, Thompson's signature style collides with a sweeping picaresque of the American prairie, in a multigenerational saga that's one part Steinbeck, two parts Dostoyevsky, and all Jim Thompson.

To everyone he's every played dice with, Mitch Corley seems like the luckiest guy around. But in truth, Corley's fast hands are the only gift fate's ever given him. He's never held down a steady job, and when it comes to women, his luck might just be the worst of all -- his girlfriend and partner-in-crime Red would double-cross him in a heartbeat if she knew just how short on cash they really were. And if Red ever finds out about the wife Corley neglected to mention, there's a good chance that Corley might not survive the night. At first, Mitch was sure Texas would be the perfect place for him and Red to run their game -- there are players in nearly every back room and side-street across the state and here, the pockets run just a little deeper. But Corley forgot about one thing: Texans don't forgive easily. And there's nothing they hate more than a cheater.

Joe Wilmot can't stand his wife Elizabeth. But he sure loves her movie theater. It's a modest establishment in a beat-down town--but Joe has the run of the place, and inside its walls, he's king. Without the theater, he'd be sunk. Without his leadership, the theater would close in a heartbeat. If it isn't the life Joe imagined for himself, at the very least, it's livable. Everything changes when Joe falls for the housemaid Carol, and the two can't keep it a secret from Elizabeth. Elizabeth won't leave Joe the theater unless he provides for her...but he's put all his money into the show house. Carol and Joe's only hope is the life insurance policies they've taken out on each other. If one of them were to be presumed dead, they'd have more than enough money to solve all their problems... No one knows murder better than Jim Thompson and in this incisive foray into the dark dealings of the mid-20th century movie industry, he doesn't disappoint, in the riveting story of a love triangle gone horribly wrong, and just how far one man will go to hold on to a desperate dream.

Everyone in Kenton Hills knows that short-tempered, tongue-tied Bob Talbert wasn't the one responsible for the brutal crime that ended Josie Eddleman's life. Nevermind that he was the last one to see her alive. But in a town filled with the likes of an amoral tabloid reporter known only as The Captain, a district attorney who'll do anything for a confession, and Bob's parents, who care as little for Bob as they do for each other, guilt and innocence are little more than a matter of perspective. In a masterfully woven tapestry of multiple points of view, The Criminal explores the nature of guilt and responsibility in a psychological thriller of an entire town under the spell of an act of brutal violence. Jim Thompson unlike you're ever read him before.

Jim Thompson's classic The Grifters is one of the best novels ever written about the art of the con, an ingeniously crafted story of deception and betrayal that was the basis for the critically acclaimed film by Stephen Frears and Martin Scorcese. To his friends, to his coworkers, and even to his mistress Moira, Roy Dillon is an honest hardworking salesman. He lives in a cheap hotel just within his pay bracket. He goes to work every day. He has hundreds of friends and associates who could attest to his good character. Yet, hidden behind three gaudy clown paintings in Roy's pallid hotel room, sits fifty-two thousand dollars -- the money Roy makes from his short cons, his "grifting." For years, Roy has effortlessly maintained control over his house-of-cards life -- until the simplest con goes wrong, and he finds himself critically injured and at the mercy of the most dangerous woman he ever met: his own mother.

Gizmo is the GI term for the unidentifiable -- and that's the way that Toddy Kent has begun to think of the reasons behind the rapid swing of his days. Somehow, Kent seems always to find himself regularly confronted with The Big Break every man would kill for -- only to see it slip through his fingers. Kent's grinding out a paycheck buying gold on the cheap and selling it for the slimmest of profits when he stumbles into his latest, almost mythical discovery -- pure, unadulterated gold in the form of a priceless watch he didn't exactly mean to steal. Soon Kent finds himself at the center of a whirlwind of danger involving everyone from the woman he can't seem to shake, bail bondsmen who get word of Kent's discovery, the Treasury Department, his pawnbroker, and a devious old man with a dog that may or may not be able to speak English, in a rip-roaring comedy of errors and would-you-believe-it bad luck unlike anything you've ever read. Who ever knew one lousy watch could bring so much trouble? And how many times can Kent avoid getting killed before his luck runs out for good?

Abraham Mangar was just a young boy when he and all of the other boys in his tiny village were led from the warm arms of their families into the unknown and dangerous African lands. They were told they would go to school, but instead they lived through harsh years of confusion, starvation, despair, homesickness, and a desire for purpose. Mangar's journey is a treacherous thousand-mile walk together with tens of thousands of boys who fled Sudan during the political upheaval of the 1980s. They lived under the trees and off the fruit of the land along the way; they built their own shelters and schools; they governed and taught themselves; and many of them, like Abraham, eventually made their way to America. My Life Under the Trees takes the reader day by day through the trials and tribulations of a small boy living in unimaginably horrible conditions with many others doing the same. His story is a poignant reminder of what his country and his countrymen fought to achieve, as well as an amazing glimpse into the resiliency of a child. You will laugh at some of his stories, you may cry; but you will finish this book with a clearer idea of what happened to the Lost Boys of South Sudan from the personal story of one of them.

»Ett mänskligt och moraliskt mörker som får Raymond Chandler att framstå som en blid melankoliker. En odiskutabel noir-klassiker« AFTONBLADET»Romanens sista fjärdedel är ett nästan outhärdligt mästarprov av Thompson.« SYDSVENSKAN»Förmodligen den mest skrämmande och trovärdiga förstapersonsskildring av en förvriden kriminell hjärna som jag någonsin stött på.« STANLEY KUBRIKLou Ford är vicesheriff i den lilla Texas-staden Central City, en harmlös och pålitlig man, hunsad av sin flickvän och full av fånig livsvisdom. Då dyker Joyce Lakeland upp i stan, och väcker känslor i Lou som varit sovande i många, många år. Med sin oblyga sexualitet manar hon fram mörka minnen i honom, minnen av något som är hela Central Citys smutsiga lilla hemlighet.Vem ska kunna sätta stopp för galenskaperna när lagens väktare plötsligt tar rättvisan i sina egna, blodiga händer?»Det amerikanska 1950-talets främsta noir-författare.« SVENSKA DAGBLADET»Romanens sista fjärdedel är ett nästan outhärdligt mästarprov av Thompson; en andlös, oförglömlig, blixtrande snabb inre monolog som samtidigt är en nedstigning i ett själsligt helvete. Porträttet av Ford är briljant och isande; en av de mest övertygande av kriminallitteraturens psykopater.« JOHN-HENRI HOLMBERG, SYDSVENSKANJIM THOMPSON [1906 1977] föddes i Anadarko, Oklahoma. Mördaren i mig, som gavs ut första gången 1952, är boken som gjorde Thompson till pulpförfattaren framför andra. Ett flertal av hans böcker, bland annat Mördaren i mig, har filmatiserats.

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