Jim Tully

Blood on the Moon (1931) is Tully's fifth and final book in what he called his Underworld Edition-a series of autobiographical books focusing on different aspects of his childhood and youth. As the concluding book in the series, Tully looks back at subjects from the previous four Underworld books. There are hobo stories that would have fit well in Beggars of Life, there are Hughie Tully's stories that could have come from Shanty Irish, the Great Slavinsky would have been at home in Circus Parade, and there are grifters who could have plied their trade in Shadows of Men. There's also the brutal description of the 1906 World Lightweight title fight between Joe Gans and Battling Nelson. The fight went an incredible 42 rounds in 100 degree heat and Tully's description is as tough and vicious as anything that would later appear in Tully's classic boxing novel, The Bruiser. And in the chapter "Ladies in the Parlor," Tully describes the women who work in a brothel with sympathy but without romanticizing them.

The idea of men in jail had interested Jim Tully for years, going back to his youthful reading of Dostoyevsky's The House of the Dead and his own time in jail and on a work crew. It was to this subject that he turned with Shadows of Men. He had already written about drifters and the underworld in Beggars of Life and Circus Parade, but those episodes were, respectively, part of his larger story of life as a road kid and working for a small-time circus. Shadows of Men would be different. Its first eighteen chapters focused exclusively on the brutal aspects of his road years. These chapters are set in hobo camps, boxcars, railroad yards, jails, and cotton fields. As Tully wrote in the foreword to a later book, Blood on the Moon, Shadows of Men, "contains the tribulations, vagaries and hallucinations of men in jail." Shadows of Men, unsparing in its depiction of bleak people and places at cruel edges of the American landscape, was the book that cemented that reputation.

Circus Parade originally published in 1927, presents the sordid but albeit fascinating side of life traveling with a small-time circus life during the 1920s in America. From "The Moss-Haired Girl" to "Whiteface" the clown, Tully paints a vivid picture of each of these troubled characters that make up his daily experience in the circus. Circus Parade was one of Tully's most successful books, both commercially and critically. This is by no means a romantic story about a boy joining the circus. Tully knows too well its seamier side. Instead, he paints a picture of life at the edges-earthy, wolfish, and brutal. Fans of Jack London, Jack Kerouac, John Steinbeck, Charles Bukowski, and hard-boiled writers of the 1930s will find a kindred spirit in Jim Tully.

After killing her treacherous step-father, a girl tries to escape the country with a young vagabond. She dresses as a boy, they hop freight trains, quarrel with a group of hobos, and steal a car in their attempt to escape the police and reach Canada.A bestseller in 1924, in this vivid piece of outlaw history Jim Tully takes us across the seamy underbelly of pre-WWI America on freight trains, and inside hobo jungles and brothels while narrowly averting the cops. The author chose life on the road over a deadening job, through his teenage years of learning the ropes of the rails and living one meal to the next.

Tully's breakthrough novel about life on the road Jim Tully left his hometown of St. Marys, Ohio, in 1901, spending most of his teenage years in the company of hoboes. Drifting across the country as a "road kid," he spent those years scrambling into boxcars, sleeping in hobo jungles, avoiding railroad cops, begging meals from back doors, and haunting public libraries. Tully crafted these memories into a dark and astonishing chronicle of the American underclass—especially in his second book, Beggars of Life, an autobiographical novel published in 1924. Tully saw it all, from a church baptism in the Mississippi River to election day in Chicago. And in Beggars of Life, he captures an America largely hidden from view.This novelistic memoir impressed readers and reviewers with its remarkable vitality and honesty. Tully's devotion to Mark Twain and Jack London taught him the importance of giving the reader a sense of place, and this he does brilliantly, again and again, throughout Beggars of Life. From the opening conversation on a railroad trestle, Beggars of Life rattles along like the Fast Flyer Virginia that Tully boards midway through the book. This is the book that defined Tully's hard-boiled style and set the pattern for the twelve books that followed over the next two decades. Startling in its originality and intensity, Beggars of Life is a breakneck journey made while clinging to the lowest rungs of the social ladder.

A picture of life in the boxing ring "Few novelists captured the contradictions of his country so simply or so honestly in the metaphor of the pure, fatalistic, and merciless community of bruising."—from the ForewordWhen The Bruiser was first published in 1936, almost every reviewer praised Jim Tully's gritty boxing novel for its authenticity—a hard-earned attribute. Twenty-eight years before the appearance of The Bruiser, Tully began a career in the ring, fighting regularly on the Ohio circuit. He knew what it felt like to step inside the ropes, hoping to beat another man senseless for the amusement of the crowd. Having won acclaim in the 1920s for such hard-boiled autobiographical novels as Beggars of Life and Circus Parade, Tully thus became both fighter and writer. "It's a pip of a story because it is written by a man who knows what he is writing about," said sportswriter and Guys and Dolls author Damon Runyon. "He has some descriptions of ring fighting in it that literally smell of whizzing leather. He has put bone and sinew into it, and atmosphere and feeling."The Bruiser is the story of Shane Rory, a drifter who turns to boxing and works his way up the heavyweight ranks. Like Tully, Shane starts out as a road kid who takes up prizefighting. While The Bruiser is not an autobiographical work, it does draw heavily on Tully's experiences of the road and ring. Rory is part Tully, but the boxers populating these briskly paced chapters are drawn from the many ring legends the writer counted among his friends: Jack Dempsey, Joe Gans, Stanley Ketchel, Gene Tunney, Frank Moran, and Johnny Kilbane, to name a few. The book is dedicated to Dempsey, the Roaring Twenties heavyweight champion, who said, "If I still had the punch in the ring that Jim Tully packs in The Bruiser, I'd still be the heavyweight champion of the world today."More than just a riveting picture of life in the ring, The Bruiser is a portrait of an America that Jim Tully knew from the bottom up.

Memories of an Irish-American growing up log-shack poor in small-town Ohio"Shanty Irish is a window, cracked and soiled, into a time and a place and a people before the moving pictures became an American obsession, people who had to create their own dreams, invent their own stories, and find escape from hopeless lives in hard liquor or the cold comfort of a promised Hereafter."—from the foreword by John SaylesJim Tully was an American writer who enjoyed critical acclaim and commercial success in the 1920s and '30s. A former circus laborer, hobo, and professional boxer, his rags-to-riches career may qualify him as the greatest long shot in American literature.Following the death of his mother, Tully was sent from his home in St. Marys, Ohio, to an orphanage in Cincinnati. After his time at the orphanage, the young Tully spent six years as a vagabond, riding the rails and working for a small circus. He left the road and settled in Kent, Ohio, in 1907, working odd jobs while focusing on his new interest—writing. After getting a few pieces published in local papers, Tully returned to the road in 1912, eventually settling for good in Hollywood. He worked for Charlie Chaplin and later became one of the first reporters to cover Hollywood. His honest depictions of film stars and directors earned him the reputation as the most feared man in Hollywood. In addition to the celebrity pieces, Tully wrote numerous books, including Shanty Irish (1928).A hard-edged mixture of hilarious and heartbreaking memories, Tully's autobiographical Shanty Irish digs deep into the soil of his native Ohio to show what life was like in the late nineteenth century for a poor Irish-American family. Within the covers of this acclaimed work, we meet the author's father, also named Jim Tully, "a gorilla built" ditchdigger whose stooped shoulders carry "the inherited burdens of a thousand dead Irish peasants." We meet his mother, Biddy, a "woman of imagination" who "had all the moods of April." We meet his uncle, ruthless John Lawler, who was tried, convicted, and sentenced to fifteen years in the Ohio penitentiary for stealing horses. And we meet his grandfather, Old Hughie Tully, "born with the gift of words"—"capable of turning death into an Irish wake and pouring liquor down the throat of the corpse."Old Hughie, "never without a tale to tell," emerges as the most vividly drawn character in a book packed with unforgettable characters. Tully's most deeply personal book, Shanty Irish had a profound impact on readers and other leading American writers of the 1920s. "Shanty Irish is a chunk of real life," wrote Upton Sinclair. "It made me feel human and humble, which is good for anybody." H. L. Mencken said, "In Shanty Irish, it seems to me, he has gone far beyond any of his work of the past. The book is not only brilliantly realistic; it also has fine poetic quality."Indeed, a book soaked in mud and whiskey, Shanty Irish is at turns brutal, sentimental, ironic, lyrical, humorous, and tragic.

A facsimile reprint of this classic tale of the seamier side of circus life"Jim Tully was one of the fine American novelists to emerge in the 1920s and '30s. He gained this position with intelligence, sensitivity, and hard work. . . . No matter how crazily violent or fantastic his stories are, readers accept them as nonfiction. Tully makes the improbable seem true."—from the foreword by Harvey PekarJim Tully was an American writer who enjoyed critical acclaim and commercial success in the 1920s and '30s. A former circus laborer, hobo, and professional boxer, his rags-to-riches career may qualify him as the greatest long shot in American literature.Following the death of his mother, Tully was sent from his home in St. Marys, Ohio, to an orphanage in Cincinnati. After his time at the orphanage, the young Tully spent six years as a vagabond, riding the rails and working for a small circus. He left the road and settled in Kent, Ohio, in 1907, working odd jobs while focusing on his new interest—writing. After getting a few pieces published in local papers, Tully returned to the road in 1912, eventually settling for good in Hollywood. He worked for Charlie Chaplin and later became one of the first reporters to cover Hollywood. His honest depictions of film stars and directors earned him the reputation as the most feared man in Hollywood. In addition to the celebrity pieces, Tully wrote numerous books, including Circus Parade (1927).Based on his time as a circus laborer, Circus Parade presents the sordid side of small-time circus life. Tully's use of fast-paced vignettes and unforgettable characters made this book one of his most successful, both commercially and critically. Among the cast is Cameron, the shifty circus owner; Lila, the lonely four-hundred-pound strong woman; and Blackie, an amoral drug addict.This is by no means a romantic story about a boy joining the circus. Tully knows too well its seamier side. Instead, he paints a picture of life at the edges—earthy, wolfish, and brutal. Fans of Jack London, Jack Kerouac, John Steinbeck, Charles Bukowski, and hard-boiled writers of the 1930s will find a kindred spirit in Jim Tully.

This is the saga of Madame Rosenbloom's fashionable establishment in Chicago and of the ladies in her domain. And here is the Jim Tully of "Circus Parade", the forthright Tully whose language is as frank as life itself. Tully does not pull his punches. The big men and the little ladies for whom Madame Rosenbloom's house is a social center are portrayed with vigor and honesty. The novel is crammed with incident and penetrating word pictures. It is not a story for the squeamish. But if life itself, that robust, lusty segment of life that is here so honestly and brilliantly depicted, does not frighten or shock you, this novel will hold your deepest interest. Upon initial printing of this book in 1935, copies were seized from the publisher and destroyd by police based on allegations that the material was obscene and blasphemous. It is unknown how many copies survived. This is the first printing since that time.