John C. Mannone

Coffee Poems is a chapbook collection of sixteen poems that embraces coffee in a wide variety of application, though hardly exhaustive. This includes the origin of coffee, traditions, obsessions or rituals, common associations (and uncommon ones), a bit of science, mixology, metaphor, and others. The collection also presents a variety of forms in addition to the standard lineated free verse poems: prose poems, personal essay/didactic poem, Duplex Sonnet in prose poem format, Erasure poem (presented two ways), Fibonacci sequences poem, a poem whose genesis is from the "opposites game," and a Golden Shovel with a Cento epigram. Some poems have a backstory below the text.Whether you like your coffee swirled with a bit of cream or black and bitter, you will relish the offerings in this latest book brewed by John C. Mannone. From the stoops of the Columbian mountains, where the original Juan Valdez grew his coffee beans, to the monks of Ethiopia who, having been informed of the antics of goats that ate the coffee berry, then imbibed a liquid from those same berries and hence were able to remain awake through the long evening prayers, and on through history to the author's own cup steaming before him, the face of his long dead father looking back upon him from the "fluid folds of the dark pool," there is much to savor and to learn in this small collection. The poems are testaments to the magic and mysticism of the drink from a poet with his "fingers wrapping the . . . cup / as something holy." Mannone brings a lifetime of refining his palette and honing his use of language to produce a delightful collection of 16 poems, an apt bit of reading while you drink your first morning cup, or your final afternoon cup, of the "essential elixir."-Connie Jordan Green, author of Nameless as the MinnowsSuch an excellent variety of poems serving as brews of choice that bring out the best of each one for the discriminating connoisseur Who among us coffee drinkers hasn't known moments of quiet worship in a layered awakening? Reading this collection is an education both in poetic forms and the magic power of the coffee bean. I guarantee you'll savor it as a keeper on your bookshelf.-Marge Simon, Grand Master poet, SF Poetry Association, and co-author of Cast from Darkness

This is the premium hardcover edition with a dust jacket and a bookmark ribbon. The vision of Sublimation is to promote speculative poetry and art. This book combines the best works from Volume 1 of Sublimation and the finalists of the Sublimation Annual Contest. The themes for 2024 were "trauma," "awe," "we are monsters all," "every party needs a bard," and "living in another world." This book features poetry and art by L. Ward Abel, Ken Anderson, F. J. Bergmann, Frank Coffman, Christopher Collingwood, Harris Coverley, a.d., Tony Daly, Megan Diedericks, Louis Faber, Diane Funston, Annette Gagliardi, Akua Lezli Hope, Barbara E. Hunt, Scott E. Green & Herb Kauderer, Ngô Bình Anh Khoa, LindaAnn LoSchiavo, John C. Mannone, Danielle McMahon, Jamie-May Minjie, Ophelia Monet, Kurt Newton, Juan Perez, Irina Tall, Jack Tricarico Jonathan Chibuike Ukah, Lynn White, AJ Wilcox, River Wilde, Trevor Wright, and Jacelyn Yap. Life deserves to be filled with poetry.

Sacred Flute is a collection of poems infused with and inspired by Native American Indian culture, history and legend, and are not necessarily redactions-these poems are transcendent of that.This collection focuses on Native American nations on the North American continent.An association to a particular Native American nation is made whenever possible. In many cases, the poems were directly influenced by those traditions of the represented Native American nations, but in other cases when it was less clear, the sentiment was recognized as American Indian and an appropriate connection was sought and found. Each major section is also introduced by the such. At times, the connection is made through an epigraph or in the body of the poem, at other times, it is through a postscript.Bibliographic and Internet sources that have influenced and/or informed these poems are cross-referenced with bracketed numbers in the body of work.Attempts have been made to at least capture the major Native American nations, either directly or through their language groups.

There are two constants in the poetry of John Mannone: love and science... And they are intertwined - his poems flow effortlessly between poles of desire and precious, precise knowledge. In the world of poetry there is no one who can mine science for metaphor the way Mannone does. Nor move to love so naturally. Roald Hoffmann, chemist and writer, professor emeritus at Cornell University and co-recipient of the 1981 Nobel Prize in Chemistry John C. Mannone's Flux Lines offers a lyrical melding of worlds: love, science, sensuality, geography, heart, astronomy, and wit. The poet knows his science, and knows how to cut a line in a heartbreaking rhythm. Love is the unifying force here, dynamic movement is a constant. The poet is equally at home in mystery and in certainty, in wonder and in the swing of late fall vines or his lover's hair. A magical volume, this is one that readers will return to for song and hope, for sustenance. Marilyn Kallet, author of How Our Bodies Learned, Black Widow Press and the2018, 2019 Knoxville Poet Laureate "We make our own galaxy," John C. Mannone says, and at the center of Flux Lines, his big and rueful heart "supernovas" in its attempts to reveal moons, stardust, magnetic fields, dunes, the irises of eyes, eclipses, and all the ways in which our lives-if not our words-"orbit" one another. Mannone brings a science-minded curiosity and exuberance to his poems, a gravitational pull toward love, a "swirl of intoxication," if not a profound desire to peer down into the "core/structure" of words, thoughts, and emotions. "Who can tell/one sparrow from another/when they fall?" he asks, yet he, too, is falling-through space, through time, through the intricate and multiple universes which love has formed of his heart. Jeff Hardin, author of 5 full collections, including Restoring the Narrative (Donald Justice Poetry Prize) and No Other Kind of World (X. J. Kennedy Prize) Poet-physicist John Mannone expands the vocabulary of love to include science-and both love and science are better for it. Look at how he captures sights and happenings. From "When the Comet Dust Settles" " . . . each time a meteor firefly'd the night." From "Tramontane," "Your thunderous voice, wet with rain, monsoons me . . . " In "The Weatherman Said It Might Rain," as human relations and the sky point toward a tornado, he writes: "I can hear distant rumblings of a locomotive wind." In "Thermodynamics," in describing the end of a relationship, he says: "Refrigerators don't make the cold, they remove the heat." Read these lines-read these poems-aloud. They are accurately said. They are differently said. Best of all in poetry, they are well said. Mark Littmann, Professor, Hill Chair of Excellence in Science Writing at the University of Tennessee Knoxville and author of Totality: The Great American Eclipses of 2017 and 2024 and 5 other astronomy books and 36 planetarium shows

A Book of Poetry Reviews: In the world of poetry, there are those who paint intricate pictures with simple words-and those who hone their craft, serving a greater purpose with their pen. In Disabled Monsters, John C. Mannone does both, creating bold displays of imagery while depicting how the human race deals with physical, mental, emotional, and behavioral disabilities. The opening poem in the book, entitled "Empty Shells", starts off with a quote from John Donne. The quote reads, "All mankind is of one author, and is one volume; when one man dies, one chapter is not torn out of the book but translated unto a better language." From there, Mannone opens the floodgates of imagery for the reader The tree sways its arms, crossing them, fingers moving in the weave of its hands, as if to sign. You can read the quaking of leaves telling us the quiet truth-we are not the children of a lesser God. ("The Dogwood") -Erin M. Kelly, Wordgathering: A Journal of Disability Poetry and Literature. Intense with emotional mystery. Mannone reveals a world of war, lost love, catastrophic illness, depression and regret-so many of the sorrows humans inherit during life. Yet, in the evolution of these poems, Mannone's honesty, his power of story, individual persona's love and kindness, and above all, the courage to seek a prayerful life, helps to disable these monsters. Every sun-filled dawn/I will steal its colors/and celebrate until/my throat is crimsoned/with joy, Mannone writes in "Lilies & Morning Matins." In "Light Blooms" this thought is echoed: No longer am I a child/of the dark. I have grown/into light and I now can see, /count each glimmer, touch each hope...I am not alone anymore. Readers of Disabled Monsters will celebrate a life's renascence at the end of these poems. -Bill Brown is the author of nine poetry collections, including "Elemental" (Taos Press, November 2014). He is a former Breadloaf scholar and distinguished professor at Vanderbilt University.

Reviews: In the world of poetry, there are those who paint intricate pictures with simple words-and those who hone their craft, serving a greater purpose with their pen. In Disabled Monsters, John C. Mannone does both, creating bold displays of imagery while depicting how the human race deals with physical, mental, emotional, and behavioral disabilities. The opening poem in the book, entitled "Empty Shells", starts off with a quote from John Donne. The quote reads, "All mankind is of one author, and is one volume; when one man dies, one chapter is not torn out of the book but translated unto a better language." From there, Mannone opens the floodgates of imagery for the reader The tree sways its arms, crossing them, fingers moving in the weave of its hands, as if to sign. You can read the quaking of leaves telling us the quiet truth-we are not the children of a lesser God. ("The Dogwood") -Erin M. Kelly, Wordgathering: A Journal of Disability Poetry and Literature. Intense with emotional mystery. Mannone reveals a world of war, lost love, catastrophic illness, depression and regret-so many of the sorrows humans inherit during life. Yet, in the evolution of these poems, Mannone's honesty, his power of story, individual persona's love and kindness, and above all, the courage to seek a prayerful life, helps to disable these monsters. Every sun-filled dawn/I will steal its colors/and celebrate until/my throat is crimsoned/with joy, Mannone writes in "Lilies & Morning Matins." In "Light Blooms" this thought is echoed: No longer am I a child/of the dark. I have grown/into light and I now can see, /count each glimmer, touch each hope...I am not alone anymore. Readers of Disabled Monsters will celebrate a life's renascence at the end of these poems. -Bill Brown is the author of nine poetry collections, including "Elemental" (Taos Press, November 2014). He is a former Breadloaf scholar and distinguished professor at Vanderbilt University.

In January 1978, Suzette Haden Elgin founded the Science Fiction Poetry Association, along with its two visible cornerposts: the association's newsletter, Star*Line, and the Rhysling Awards. Nominees for the 2013 Rhysling Award are selected by the membership of the Science Fiction Poetry Association. Each member is allowed to nominate one work in each of two categories: "Best Long Poem" and "Best Short Poem". All nominated works must have been published during 2012. The anthology allows the membership to easily review and consider all nominated works without the necessity of obtaining the diverse number of publications in which the nominated works first appeared and serves as a showcase of the best science fiction, fantasy and horror poetry of 2012. The Rhysling Anthology is available to anyone with an interest in this unique compilation of verse from some of the finest poets in the field of science fiction, fantasy and horror poetry.