John Davidson

Table of Contents Introduction General Principles of the Embroidering Art Selection of Pattern Pattern Position Pattern Laying on the Cloth Things needed Embroidery Needles Selection of the Best Thread Threading During Embroidery Finishing and Starting Yarn Working with an Embroidery Hoop - Transferring the Pattern Copying The Design onto Another Paper/Fabric Different Traditional Stitches of Embroidery Flat Stitch Group Tacking Stitch And Running Stitch Backstitch Stem Stitch Also Known As Outline Stitch Straight Stitch Satin Stitch Long and Short Stitch. Flat Stitch Fishbone and Open Fishbone Stitch Loop Stitch Group Blanket Stitch And Buttonhole Stitch Feather Stitch Double Feather Stitch Fly Stitch, Open Attached Fly Stitch, and Closed Attached Fly Stitch Chain stitch group Open Chain Stitch Twisted Chain Stitch Lazy Daisy, Wheat Ear, and Attached Wheat Ear Stitches Knotted Stitches Group French Knot Stitch Coral Stitch Bullion Stitch Finishing Your Project Blocking Your Design Mounting Appendix Conclusion Author Bio Publisher Introduction A thing of beauty is a joy forever and Curly Locks sitting on a silk cushion and sewing a fine seam after dining off strawberries and cream are 2 clich s which have everything to do with keeping oneself adorned with something beautiful, made by one's own hands. The instinct of beautifying one's house and surroundings and also one's clothes is innate in a human being. And that is why traditional designs incorporated designs, including natural symbols and figures like flowers, animals, leaves, and birds, through needle and thread on a base. Women used fishhooks and ivory needles 5000 years ago with fiber from plants like cotton thread, jute thread, and even silk thread. Even today, natural fibers are used for embroidery including silk. We do not know which particular civilization where and how long ago decided to embellish the garments one wore with embroidery. But we do know that ancient civilizations more than 5000 years ago had experts in the art of needle and thread and their families, and these housewives were proud to demonstrate their creative abilities to everyone who came to visit and admire. When the Spaniards conquered the Philippines, - 1521 to 1799- they wanted to show the natives that they were the conquerors and that is why they ordered them to wear their traditional shirt- Canga untucked in their loin cloths -bahags. The Filipinos in order to show that they were not conquered decorated these shirts with such exquisite embroidery, that each shirt worn became an admirable barong tagalog. When I was young, I had a number of these sent to me by my aunt in the Philippines, - shirts for ladies - which I wore when at college to the great admiration of all my fellow classmates. You can look at some of the examples in the Appendix and throughout the book. Each of them took anywhere between one and a half years to 3 years to make by hand by my skilled artisan friends through state aided societies for the upliftment of women.. They are now being sold all over the world through nonprofit organizations and the money going straight to the women. Traditionally, any surface which was present and visible would be embroidered upon and embellished with patterns. So this book is going to tell you all about how you can learn the traditional art of hand embroidery. After that you can try your hand at your own designs.

Table of Contents Learning Decorative Stitches - the Art of Shirring and Smocking Table of Contents Introduction Gathering Using Cords for Gathers Staying a Gathered Seam Getting Started with Smocking Traditional Diamond Stitch Different Types of Stitches Cable Stitch Honeycomb stitch and Surface Honeycomb Surface Honeycomb Outline back stitch Also Known As Stem Stitch Chevron Stitch Wave Stitch Trellis stitch Measuring for Smocking Helpful Tips Gauging Machine Smocking Also Known As Shirring Tips for Machine Shirring Couching Fagotting Finishing the Smocking Conclusion Author Bio Publisher Introduction I was just moving around the local fabric market, when I noticed that a number of garments were embroidered with really attractive smocking stitches at the front and the back, the neck, yokes, pockets, sleeves, the bodices, necklines, bodices, cuffs, and even waists of a supposedly plain design and turn them into a thing of beauty. Smocking is supposed to have originated in Europe somewhere in the medieval times, where buttons could not be afforded by the laborers to fasten the garment and fullness needed to be controlled. This was done with multiple rows of gathered fabric which was controlled over a wide area. Nowadays, it is restricted to just babies and children's clothing primarily, even though you can use it on any garment which needs a bit of decorative embellishment. Later on, smocking became a purely decorative design intended as a status symbol - the word originates from a peasants' shirt also known as a smock. This was used extensively in almost every garment made by hand for laborers as well as for popular ordinary wear in the eighteenth as well as the nineteenth century. Smocking at that time was done with crewel needles or embroidery needles with silken threads or cotton threads depending on the fabric. You will need about 3 times the initial width's material because of major part of it is going to be gathered up into folds, and stitched together. If you can gather the material, you can smock it. Naturally, this was the best way in which clothes could be "gathered together" in the absence of elastic. The fabrics on which the stitches work best are lightweight and ones that can gather easily. These include gingham, muslin, cr pe de Chine, Cashmere, Swiss cotton, voile, Batiste, cottons, and handkerchief linens.