John Gray

Mill on Liberty was first published in 1983 and has become a classic of Mill commentary. The second edition reproduces the text of the first in full, and in paperback for the first time. To this, John Gray adds an extensive postscript which defends the interpretation of Mill set out in the first edition, but develops radical criticisms of the substance of Millian and other liberalism.The new edition is intended as a contribution to the current debate about the foundations of liberalism, and it looks closely at the recent seminal contributions to liberal thought by Raz, Feinberg, Rawls and Berlin. Central to its argument is Gray's contention that, like other liberalisms that ground themselves on an ideal of autonomy or individuality, Millian liberalism has a Eurocentric bias that cannot be given rational justification. Gray addresses the question of whether any form of liberal theory, can, in fact, avoid the bias, and concludes that it cannot.This book will be indispensable both to those familiar with On Liberty and to those coming to it for the first time. In addition, the book will also be of great interest to moral and political theorists, to students of law and jurisprudence and to intellectual historians.

Now in paperback, Enlightenment's Wake stakes out the elements of John Gray's new position. He argues that all schools of contemporary political thought are variations on the Enlightenment Project - the Westernizing project of a universal civilization - and that this Enlightenment Project has proved self-undermining and is now exhausted. Fresh thought is needed on the dilemmas of the late modern age.

A cross between Deborah Tannen's YOU DON'T UNDERSTAND and a Relate guide, this well-written, accessible book by America's phenomenally successful relationships guru provides essential strategies for maintaining a fulfilled relationship. A generation ago it was common to sacrifice personal fulfilment for the sake of preserving the relationship. Now, with dramatically changed roles for men and women, divorce has become the common 'solution'. Gray maintains neither is the answer and, without resorting to meaningless jargon, pinpoints the seven essential rules for long-lasting monogamy.

John Gray is now established as one of the UK's leading political thinkers. For over a decade he has been asssociated with the ideas and think-tanks of the New Right. In this book he presents both a criticism of the ideological excesses of New Right ideology and a radical critique of the New Right itself, developed from the standpoint of traditional conservatism. All the major thinkers and themes of the New Right are examined, together with many major issues of current public policy - such as the growth of the underclass, the future of the welfare state and the role of government in education and culture. The author also argues that there are deep affinities between conservative ideology and Green thought. He advances radical proposals for the preservation and renewal of common life for an age in which the ideals of modernism, including continuous economic growth, are decreasingly viable. He expresses his conviction that conservative philosophy will find its future in dissociating itelf from the neo-liberalism that has lately dominated policy, and returning to the task of redefining traditional values.

The Alexander Technique is a proven process of mind and body reeducation that reduces stress and muscle tension, and revitalization those who practice it. Used by many actors, athletes, and dancers, the technique can help anyone increase his or her energy and achieve a more dynamic presence. Written by a veteran instructor of the Alexander Technique, this authentic and easy-to-follow guide allows everyone to learn the increasingly popular program, with clear instructions for each exercise, and dozens of helpful photographs that show correct and incorrect positions to use for the exercises and throughout the day.

The first bibliography devoted to a single jazz genre or era, Fire Music is concerned with the music of the jazz avant-gardists such as John Coltrane, Ornette Coleman, Cecil Taylor, and Sun Ra. It makes accessible the most extensive and up-to-date scholarship of the New Jazz beginning in the 1950s. Included are materials on such topics as jazz collectives and the New York loft scene, as well as jazz in specific countries and regions and a lengthy section of biographical and critical studies on more than 400 artists and ensembles from around the world. Organized by subject and artist, the over 7,100 sources are further divided by type of materials, including films, video, and audio cassettes as well as books, dissertations, and journal and newspaper articles in all major Western languages. A New Jazz Chronology places events in the jazz world in a social, political, and musical context; and a section on African-American Cultural History and the Arts provides background materials. Appendixes offer general reference sources, a directory of archives and research centers, and lists that classify artists by country and instrument. Indexes of artists, subjects, and authors complete the work.

African Music is devoted to ethnographic, anthropological, musicological, and popular studies of sub-Saharan African music from the 1890s to the present. The bibliography is organized into six basic sections. Section one covers works on cultural policy and the performing arts in sub-Saharan Africa, while section two provides a selected guide to works on ethnomusicology. Section three, the largest, deals with general works and regional/country studies of traditional sub-Saharan musics, defined most simply as the local village or rural musics of West, Central, Southern, and East Africa. General and regional/country studies of African pop music as well as biographical and critical studies of 275 popular musicians and groups are covered in section four. Section five focuses on the acculturated or art music traditions of Africa's Westernized elite, citing both general works and biographical/critical studies on African composers and performers. The sixth, and final, music section covers general studies on African church, or liturgical music. The items cited in these six sections range from books, dissertations, unpublished papers, and periodical and newspaper articles, to films, videotapes, and audiotapes in all of the major Western languages as well as several African ones. The three appendixes deal, respectively, with reference works on African music and culture; archives and research centers; and a selected discography listing both traditional and popular music recordings and outlets where they may be found. Four indexes--ethnic group, subject, artist and author--complete the work and provide a key to its 5,800 entries.By covering works from 1732 to the present, African Music offers not only the most up-to-date scholarship on the subject, but also the most comprehensive coverage currently available. It offers a much-needed, and long overdue resource for students, scholars, and librarians seeking to understand the musics of sub-Saharan Africa.

This is a comprehensive guide to the black experience both on film and behind the camera. More than 6,000 entries documenting global film activity from 1919 to 1990 offer historical perspective on the black image in film, bibliographical material on filmmakers and individual artists, and exciting information on newly emerging talent throughout the world.Drawing on a wide variety of resource materials, the study furnishes extensive coverage of developments in filmmaking in Sub-Saharan Africa, Latin America, Europe, and the Caribbean, followed by a thorough examination of the African-American film experience. Two appendixes provide supplementary data on reference works, and names and addresses of notable film resource centers. Four indexes keyed by artist, title, subject, and author complete the work, which proves to be a valuable reference work for scholars and historians in the field of blacks in film.

This bibliography is the most comprehensive available on the subject of African and Afro-American traditional religion and healing. By covering works from 1760 to the present, this bibliography offers not only the most up-to-date information on the subject, but also the most complete bibliographic survey of Afro-Caribbean and Afro-Latin religious traditions yet compiled. Consequently, researchers will be able to begin to develop an understanding of one of the most important cultural components of the rapidly growing Caribbean population in the United States. Nearly 6,000 entries on all aspects of the black religious heritage cite, in seven different languages, the broadest range of media possible, e.g. films, videos, books, dissertations, unpublished papers, and periodical and newspaper articles. Included are sections on art, music, dance, and theatre, as well as a selected list of works on related topics such as trance and spirit possession, comparative religion, and glossolalia. Created with the researcher in mind, Ashe is divided into such general categories as regional studies, ethnic group studies, and a number of more specialized subject categories. This reference work will also offer a key to those interested in understanding the tremendous growth of African-derived religious traditions in South America and their long-range sociopolitical ramifications. For students and scholars of Africa, the Caribbean, Latin America, and Afro-America, whether they be anthropologists, sociologists, health care workers, ethnomusicologists, or historians, this bibliography offers a much needed resource guide to one of the most vital facets of black world culture.

Billy Bishop Goes to War ranks as one of Canada's most successful and endearing musical dramas in history. The Governor General's Award-winning musical documents the glorious World War I exploits of Canadian flying ace Billy Bishop.

Once upon a time Martians and Venusians met, fell in love, and had happy relationships together because they respected and accepted their differences. Then they came to Earth and amnesia set in: they forgot they were from different planets. Using this metaphor to illustrate the commonly occurring conflicts between men and women, Dr John Gray explains how these differences can come between the sexes and prohibit mutually fulfilling loving relationships. Based on years of successful counselling of couples and individuals, he gives advice on how to counteract these differences in communication styles, emotional needs, and modes of behaviour to promote a greater understanding between individual partners. Men Are from Mars, Women Are from Venus is an invaluable tool for developing deeper and more satisfying relationships.