John Hartley Williams

A series of murders targets the nation's best known poets. Remarkably, they are being murdered in a way that reflects the style of their poems. Victor Priest is given the task of finding the murderer but when a car bomb is discovered in his car, by the eccentric and hilarious young couple turned detectives, a desperate confrontation takes place

The hartley flyby nucleus is small, a long axis spinning 2 kilometer jets of dust and gas – an impressively active surface. Sunlight on nucleus of rough areas stretching to implosions on the elongated nucleus join the variables of its Epoxi Mission using re-usable Deep Impact scrap technology. Look back 700 kilometres, observe tune burps register nil variband mission divinology over a wide eschatology of schism. Sculptures of sexo-time employ lunar nipple graphs to register smurf-chasms emancipated by long-tailed projectiles. Fine booze results are calibrated with mugs. Big 108 Pages Don't Take Less.

A comprehensive guide to writing poetryWrite Poetry - and Get it Published is a user-friendly and comprehensive guide written by two well-published poets that will prove indispensible if you're seeking creative guidance, inspiration and practical advice. Covering everything from mood, style and tone to poetry on the internet, this fully updated edition will help you find your voice. Containing straightforward advice and the very latest on prizes, festivals and performance poetry, this book will enable an aspiring or seasoned poet alike to gain the confidence and necessary knowledge to write and publish compelling poetry.Write Poetry and Get it Published includes:Chapter 1: What does it take to be a poet?Chapter 2: Bump-starting the poemChapter 3: A challenge to the reader: groundwork exercisesChapter 4: Getting started: working arrangementsChapter 5: I gotta use words when I talk to youChapter 6: Letters, alphabets and listsChapter 7: VisualizingChapter 8: Drafting and revisionChapter 9: Using modelsChapter 10: The co-operative approachChapter 11: Subject matterChapter 12: Context, mood and toneChapter 13: Writing in different modesChapter 14: StyleChapter 15: Getting the rhymes to chose youChapter 16: It don't mean a thing if it ain't got that swingChapter 17: TranslationChapter 18: Writing for childrenChapter 19: Getting publishedChapter 20: ipoems and cyber verseChapter 21: Reading aloudChapter 22: Poetry prizes and festivalsChapter 23: ars poeticaABOUT THE SERIESThe Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.

Entertains and diverts by bizarre stories of mapless roads and unreal cities, the Ostrich Palisades and the erotic stones of Bonehenge.

Hartley Williams presents a film-noir that blends the forensic with the erotic, the seedy penny-dreadful and the lyric prose-poem. The decor is by Dali, the plot is a mixture of Breton and Burroughs, and the main character has six toes and sleeps in a grave.