John Hill

"This is a wonderful text, remarkable for its breadth and freshness of approach. Hill links the often arcane world of international business to society and history. He has a good eye for the telling detail and the illuminating quotation. I shall be recommending this to my friends who are teaching, saying 'read this and get your students to stay curious.'"—John Stopford, Emeritus, London Business School Reflecting a strong managerial orientation, a corporate emphasis, and a true global-local focus, International Business: Managing Globalization explains the whats and whys of global differences as it covers industries, competitors, regions, and markets from the perspectives of practicing managers. Author John S. Hill reviews the geographic and historic backgrounds of regions and markets in a way that no other text has done, with special focus on global supply chains, global branding, and world religions as they affect management at the local level. Key Features Integrates business topics and environmental analysis into a strategic, global-local framework Places current events in focus by covering history and geography as they affect international business Includes a unique chapter on global industry and competitor analysis—a common business tool—but a topic not covered in other texts Covers religion as a key determiner of behaviors worldwide to help readers understand why behaviors differ depending on the local context Focuses on corporate analysis, planning, and internationalization—vital corporate practices rarely covered in other textbooks Includes both shorter and longer, more complex cases, thus appealing to both introductory and advanced courses Accompanied by High-Quality AncillariesInstructor Resources on CD are available to qualified instructors by contacting Customer Care at 1-800-818-SAGE (7243)Intended Audience International Business: Managing Globalization is ideal for the Introduction to Business course or for courses focusing on international or global business strategy.

Traces the history of film production in Northern Ireland from the beginnings of a local film industry in the 1920s and 1930s, when the first Northern Irish 'quota quickies' were made, through the propaganda films of the 1940s and 1950s and on to the cinema of the 'Troubles'.

Traces the history of film production in Northern Ireland from the beginnings of a local film industry in the 1920s and 1930s, when the first Northern Irish 'quota quickies' were made, through the propaganda films of the 1940s and 1950s and on to the cinema of the 'Troubles'.

In recent years, the role and identity of British cinema has been changing, and it is these changes with which British Cinema in the 1980s is concerned. It looks at the increasing domination of the world film industry by Hollywood and the response of British filmmaking to this, the role of government, and the increasingly close relationship between film and television. It also examines the kinds of images British cinema produced in this period and how they relate to a shifting sense of `British' identity. The book not only looks at the appeal of images of the past in the heritage film (such as Howards End) and `films of Empire' (such as A Passage to India) but also discusses the more questioning images of the present by the `state of the nation' film such as Letter to Brezhnev and My Beautiful Laundrette. In doing so, it explores how these films deal with issues of class, gender and ethnicity and how these in turn connect to our understanding of the `Britishness' of British cinema. British Cinema in the 1980s will become the definitive study of an important period of British filmmaking. Bringing together a discussion of British society, the British film industry and British films, John Hill provides an accessible analysis of the main themes and issues characterizing British cinema of the time.

Hugely impressive in its scope, with introductory chapters on social history, the film industry and theories of realism, this indispensable history of these vital years contains unusually fresh discussions of films justly regards as important, alongside those unjustly ignored. The extensive filmography which accompanies Sex, Class and Realism will also prove to be an invaluable reference source in the teaching of British cinema history.