John James

A collection of biographical stories on the subject of life in the National Guard during the Viet Nam war.

This book was first published in 2007, a time of enormous change in the field of optical spectrometry. Although the basic optical principles remained unchanged, the design considerations were very different and, in many cases, more demanding. Developments in computer ray-tracing and computer-aided design coped with the extra impositions and allowed the construction of a new generation of spectrographs. The book covers the general principles of spectrographic design at the time, and the practical and engineering aspects of a broad range of spectrographs and spectrometers. The book deals with materials and methods of construction and includes suggestions for the choice of optical table, the design of slit mechanisms, and adjustable mirror, grating and lens mounts, with suggestions for the alignment and calibration of the finished instrument.

Many people believe in Jesus Christ but want nothing to do with the church. Some others who call themselves committed Christians will not commit to a local church. We have to be honest. There is a dearth in the church in many countries. At times the church has been very sick and the illness seemed to be terminal; yet it survives and in many places grows phenomenally. "Dry Bones can Live", addresses this problem and proposes a dynamic remedy; setting out a strategy for local churches to consider. It is full of stories from the pastor's casebook, which illustrate the reality and effectiveness of the Gospel in transforming lives

No serious art-historical library should be without it. [The publisher] is to be congratulated for taking on this epic venture. BURLINGTON MAGAZINE. The fifty years between 1130 and 1180 produced some of the most original and evocative capitals of the middle ages - a period that was largely responsible for the evolution of the Gothic style. But despite the fact that many are hard to examine in situ and are often too dark to observe closely, they have rarely been published before. These volumes will therefore be widely welcomed. The 7,600 illustrations they contain cover, in large and exquisite detail,nearly every capital; they include the multitude of works in the great cathedrals and abbeys of the time, including Chartres, Laon, Noyon, Paris, Saint-Denis, Senlis and Sens. The staggering range of individual creativity shows aculture able to reinvent itself in a rare and exciting way. The publication of the fourth and fifth volumes in the sequence completes the photographic archive of foliate carving from the Paris Basin during the formative two centuries in which architecture and the techniques of building were transformed. They are also the foundation for subsequent volumes which will establish a chronology for Early Gothic architecture and sculpture, as well as technological developments in rib vaults and construction methods. Dr JOHN JAMES is a world authority on medieval architecture, and author of over sixty books and articles.

John James is an Australian architect and medieval historian. Since 1969 he has been searching for the origins of the Gothic style, beginning with a five-year study of Chartres cathedral. At that time there were no coherent techniques for analysing the detailed construction history of existing stone structures. This he created. He expanded his research to include all the early Gothic churches in the Paris region with a three-year survey of over 3500 buildings. His most important discovery has been that all churches of this period were constructed in many short campaigns by mobile building teams, and that major innovation was more likely to occur in the smaller buildings than in the larger. This volume makes available 42 of the author's studies on the development of Gothic architecture in France.

John James is an Australian architect and medieval historian. Since 1969 he has been searching for the origins of the Gothic style, beginning with a five-year study of Chartres cathedral. At that time there were no coherent techniques for analysing the detailed construction history of existing stone structures. This he created. He expanded his research to include all the early Gothic churches in the Paris region with a three-year survey of over 3500 buildings. His most important discovery has been that all churches of this period were constructed in many short campaigns by mobile building teams, and that major innovation was more likely to occur in the smaller buildings than in the larger. This volume makes available 42 of the author's studies on the development of Gothic architecture in France.

This book was first published in 2007, a time of enormous change in the field of optical spectrometry. Although the basic optical principles remained unchanged, the design considerations were very different and, in many cases, more demanding. Developments in computer ray-tracing and computer-aided design coped with the extra impositions and allowed the construction of a new generation of spectrographs. The book covers the general principles of spectrographic design at the time, and the practical and engineering aspects of a broad range of spectrographs and spectrometers. The book deals with materials and methods of construction and includes suggestions for the choice of optical table, the design of slit mechanisms, and adjustable mirror, grating and lens mounts, with suggestions for the alignment and calibration of the finished instrument.

A further volume in this monumental series on the architecture of the Gothic churches of the Paris Basin. A complete collection of all the capitals carved in the Paris Basin before 1130 - over 4,000 - few of which have ever been published before. From this has come a profoundly significant analysis: That these carvers pursued what might be called a Quest for Order, a quest that grew into an obsession over the next two generations. By following each step in this quest in the dateable buildings in the rest of Europe, James has dated nearly every campaign in theBasin to within ±5 years - a unique achievement possible only because every one of the 147 remaining works have been included. This holistic approach provides the evidence that pointed arches and rib vaults were both being employed in the Paris Basin from the mid-1080s. Volume 3 in Part B of The Creation of Gothic Architecture: The Ark of God provides valuable insights into the development of Early Romanesque carving and architecture prior to theseminal work at Chartres and Saint-Denis. It complements Part A and, with the later volumes, aims to establish from all the evidence a comprehensive chronology for the Creation of Gothic Architecture.