John P. Langellier

Prior to the 1960s, the term "Buffalo Soldier" was a fairly obscure one. Then, a trickle of titles became a torrent of books, articles, novels, monuments, and expanding numbers of historic sites along with museums all of which have changed the picture. Even an occasional nod from television and movies helped transform these once relatively little-known Black U.S. Army troops into familiar figures, who have taken their place in a mythic past. Indeed, powerful imagemakers from William F. "Buffalo Bill" Cody and his Congress of Rough Riders to Frederic Remington, the dean of frontier artists, helped lionize the Black troops whose exploits brought them to the American West, Cuba, the Philippines, Mexico, Alaska, and Hawaii in the years between 1866 and 1916.Despite a significant shift in emphasis, numerous efforts treating this element of the vital, complex story of the post-Civil War U.S. Army frequently repeated earlier studies rather than added fresh perspectives. Also, the narrative typically ended with the so-called Indian Wars or Spanish American War. Many authors likewise dwelt on military operations rather than numerous other relevant contributions and activities of these men who played a role in the nation's complex evolution during the half century after the American Civil War.Profusely illustrated with compelling images and detailed maps, along with an array of appendices, this latest addition to the Buffalo Soldier saga represents over five decades of research by military historian John P. Langellier. Further, More Work Than Glory: The Buffalo Soldiers in the United States, 1866-1916 combines the best features of prior scholarship while enhancing the scope with new or underused primary sources.The author views the subject through the broader perspectives of race. He sets the text against the backdrop of the transition of the U.S. Army from a frontier constabulary to an international power. In the process, he highlights the staggering assortment of non-military missions including assignments to national parks and forests; road building; exploration; pioneer military bicycling; duty along the explosive border between the United States and Mexico; employment as agents of law and order, along with a litany of other contributions that enhanced an impressive combat record against formidable Native Americans and others. Langellier frames the narrative within the context of continuity and change from Reconstruction in the 1860s through the early twentieth century. Above all, he focuses on the soldiers themselves to provide a human perspective as well as challenges prevalent misconceptions that often overshadow more fascinating facts.

On a hot summer's day in Montana, a daring frontier cavalry officer, Powhatan Henry Clarke, died at the height of his promising career. A member of the U.S. Military Academy's Class of 1884, Clarke graduated dead last, and while short on academic application, he was long on charm and bravado. Clarke obtained a commission with the black troops of the Tenth Cavalry, earning his spurs with these 'Buffalo Soldiers'.He evolved into a fearless field commander at the troop level, gaining glory and first-hand knowledge of what it took to campaign in the West. During his brief, action-packed career, Clarke saved a black trooper's life while under Apache fire and was awarded the Medal of Honor. A chance meeting brought Clarke together with artist Frederic Remington, who brought national attention to Clarke when he illustrated the exploit for an 1886 Harper's Weekly. The officer and artist became friends, and Clarke served as a model and consultant for future artwork by Remington.Remington's many depictions of Clarke added greatly to the cavalryman's luster. In turn, the artist gained fame and fortune in part from drawing on Clarke as his muse. The story of these two unlikely comrades tells much about the final stages of the Wild West and the United States' emergence on the international scene. Along the way Geronimo, The Apache Kid, 'Texas' John Slaughter, and others played their roles in Clarke's brief, but compelling drama.

From the American Revolution to the present day, African Americans have stepped forward in their nation’s defense. This book breathes new vitality into a stirring subject, emphasizing the role men who have come to be known as “buffalo soldiers” played in opening the Trans-Mississippi West. This concise overview reveals a cast of characters as big as the land they served. Over 150 images painstakingly gathered nearly a half century from public and private collections enhance the written word as windows to the past. Now, 150 years after Congress authorized blacks to serve in the Regular Army the reader literally can peer into the eyes of formerly enslaved men who bravely bought their freedom on the bloody battlefields of the Civil War, then trekked westward, carried the "Stars and Stripes" to the Caribbean, and pursued Pancho Villa into Mexico with John “Black Jack” Pershing.

The U.S. Army in the West, 1870-1880, Douglas C. McChristian describes the development of army uniforms, equipment, and small arms during a pivotal decade of experimentation and against the backdrop of a highly influential military operation-the Indian campaigns in the West.McChristian discusses the evolution of military clothing, equipment, and arms throughout the decade and fully describes each type of item and its modifications. Drawing much new information from the records of the Ordnance and Quartermaster departments, he also adds the human perspective with excerpts from previously unpublished 1875 field reports.Lavishly illustrated with more than two hundred photographs gathered from public and private collections across the nation, this book is an invaluable reference for collectors, curators, and students of militaria and of the colorful frontier era.

John Langellier and C. Paul Loane have collaborated to produce a resource that not only builds upon the information provided by their predecessors, but also contributes fresh material to the body of existing knowledge. These two highly respected and long-time students of American military history have spent decades locating and analyzing specimens in both public and private collections in the United States and Europe. They have woven their individual research into a concise narrative, accompanied by an extensive selection of illustrations and informative captions. Their overview takes the reader on a journey through more than a half century of change, illustrating the variety of factors that contributed to the evolution of U.S. military headgear during this dynamic period.

In this new book, the development of an altogether new uniform for troops of the United States Army, a few years after the Civil War, has never been told so well or so comprehensively. In this volume, the sequel to the author’s highly praised Army Blue: The Uniform of Uncle Sam’s Regulars, 1848-1873, John Langellier continues the story of the evolution of American army uniforms during a critical period that saw experimentation and innovation finally surmount conservatism to produce some of the more practically functional and aesthetically appealing martial clothing in American history. The breadth of Langellier’s research, coupled with his years of accumulated expertise in the study of historical army uniforms, is evident throughout, and together make this book the most thorough and precise accounting the topic has ever received.

Hats Off offers a concise history of U.S. Army headgear from the immediate post Civil War era to the eve of World War I. In this study historian John P. Langellier shares more than a quarter of a century of research in archives, museums, and private collections throughout the nation. An informative text is supported by nearly 400 illustrations of rare and important military headdress. The volume is destined to become a standard reference for collectors, curators, and those interested in American military uniforms from the Indian Wars through the early 20th century.

In this new, extensively researched volume, U.S. Army uniforms – including enlisted soldiers, officers, insignia, and headgear – from the years 1848-1873 are examined in exacting detail. For the first time, original accounts from official reports, diaries, and other primary sources will be combined with color photographs of extraordinary surviving specimens, hundreds of important black and white images, as well as artwork from the period to tell the story of what the American soldier wore during these years. Army Blue represents more than twenty years of research in major institutions and private collections throughout the United States, and offers a concise overview of a topic which promises to be must reading for collectors, modelers, and curators alike.