John Rewald

A vivid portrait of Paul Cézanne drawn from the author's personal conversations with the artist, Joachim Gasquet's classic offers a rare window into the mind of this modernist master. Joachim Gasquet's personal and largely first-hand study of the greatest and most profound modern painter has been known to Cézanne experts and art historians for some time. An invaluable and often-cited source of information on the artist’s aspirations and ideas, the first half of the book draws on personal family connections, as well as testimony from those who knew the artist at various stages of his life, to present a rich account of the Cézanne’s life, career and inner struggles. The second half is couched in the form of conversations between Gasquet and Cézanne, in the course of which Cézanne struggles to formulate his basic artistic philosophy. What emerges is a poignant and unforgettable portrait of a tortured, obsessed genius who seemed doomed never to satisfy his own ideals.

The classic work by internationally acclaimed Cézanne scholar John RewaldIn Cézanne and America, John Rewald presents a full account of how Paul Cézanne’s reputation and influence became established in America between 1891 and 1921, and of how some of the world’s largest collections of his works were formed in the United States. This is the fascinating story of enthusiastic young American artists who took up Cézanne’s cause after they discovered him in Paris. It is also the story of the discerning early American collectors of his work—Leo and Gertrude Stein, the Havemeyers, and John Quinn, among others—many of whom made their first purchases from Cézanne’s wily dealer Ambroise Vollard in Paris, or from the dealer Alfred Stieglitz in New York, and of the beginning of the famous collection of Dr. Albert C. Barnes. Each chapter is illustrated not only with Cézanne’s works but also with portraits of collectors and critics and with previously unpublished pages from diaries, dealers’ ledgers, and Cézanne’s own correspondence.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Post-Impressionism: From Van Gogh To Gauguin is a comprehensive art book written by John Rewald. The book explores the Post-Impressionist movement in art, which emerged in the late 19th century as a reaction against Impressionism. The book focuses on the work of two of the movement's most prominent artists: Vincent van Gogh and Paul Gauguin. The book begins with an introduction to Post-Impressionism and its key characteristics, including the use of vivid colors, bold brushstrokes, and a focus on emotional expression. The author then delves into the lives and works of Van Gogh and Gauguin, examining their individual styles, techniques, and influences. The book is filled with beautiful full-color reproductions of the artists' most famous works, as well as lesser-known pieces that provide insight into their development as artists. The author also provides detailed analysis and interpretation of each painting, offering readers a deeper understanding of the artists' intentions and the context in which the works were created. Overall, Post-Impressionism: From Van Gogh To Gauguin is an essential read for art lovers and anyone interested in the history of art. The book is well-written, informative, and visually stunning, making it a valuable addition to any art lover's library.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Renoir Drawings is a comprehensive collection of drawings by the renowned French artist Pierre-Auguste Renoir, compiled and curated by art historian John Rewald. The book features over 300 drawings, including sketches, studies, and finished works, spanning Renoir's entire career from his early years as a student to his later years as a master painter. The drawings are accompanied by insightful commentary and analysis by Rewald, providing readers with a deeper understanding of Renoir's artistic process and techniques. The book is a must-have for art lovers and collectors, as well as anyone interested in the history and evolution of Impressionism.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In 1960, John Rewald took over the task of researching and collating Cezanne's oeuvre, following the death of Lionello Venturi, publisher of the first catalogue on Cezanne in 1936. The result is this catalogue raisonné, treating the 954 paintings accepted by Rewald. The plate volume reproduces all 954 paintings, with titles, dimensions and dates, and is chronologically arranged by Rewald’s new dating and numbering, with the works grouped by subject. Walter Feilchenfeldt introduces the book’s history and issues of dating, chronology and authenticity. Each painting is accompanied by a detailed commentary, which draws on an enormous variety of sources, and for over half the paintings, the commentary consists of a lengthy essay. Of special interest are the 200 documentary photographs integrated with the entries, which provide the scholar and admirer of Cézanne’s work with much fascinating visual information, including biographical portraits, landscape motifs and objects found in Cézanne’s studio. Fifty-eight magnificent colour reproductions of the largest paintings also appear in this volume, which concludes with important indices of owners, exhibitions and works; an extensive bibliography; and a concordance of Venturi and Rewald numbers. The mass of information and insight provided by catalogue raisonné makes it an essential reference for scholars, curators, collectors and librarians.