John Sutherland

Benedick: I am man enough to say that I love thee. Is that not strange? Beatrice: Not really…Benedick: By my sword, Beatrice thou lovest me. Beatrice: Get over yourselfTo celebrate the 400th anniversary of Shakespeare's death, this is the third of a new collection of the Bard's greatest plays, digested to a few thousand words with invaluable side notes from John Sutherland. Funny and incredibly clever, these parodies are a joy for those who know their Shakespeare, perfect for the theatre goer needing a quick recap, and a massive relief for those just desperate to pass their English exam.

With over 900 biographical entries, more than 600 novels synopsized, and a wealth of background material on the publishers, reviewers and readers of the age the Longman Companion to Victorian Fiction is the fullest account of the period's fiction ever published. Now in a second edition, the book has been revised and a generous selection of images have been chosen to illustrate various aspects of Victorian publishing, writing, and reading life.Organised alphabetically, the information provided will be a boon to students, researchers and all lovers of reading. The entries, though concise, meet the high standards demanded by modern scholarship. The writing - marked by Sutherland's characteristic combination of flair, clarity and erudition - is of such a high standard that the book is a joy to read, as well as a definitive work of reference.

Cease I say, cantankerous old fools /Thy deeds hath made our streets a no go zone /No more shall Montagues and Capulets /Enact their West Side Story Sharks and Jets /Or else shall pay the forfeit of the peace.To celebrate the 400th anniversary of Shakespeare's death, this is the second of a new collection of the Bard's greatest plays, digested to a few thousand words with invaluable footnotes from John Sutherland. Funny and incredibly clever, these parodies are a joy for those who know their Shakespeare, perfect for the theatre goer needing a quick recap, and a massive relief for those just desperate to pass their English exam.

‘Give me the daggers and I’ll pin the blame/ On Duncan’s grooms who both are also slain. /A little water clears us of this deed /Though a large scotch might also do the trick...’ To celebrate the 400th anniversary of Shakespeare's death, this is the first of a new collection of the Bard's greatest plays, digested to a few thousand words with invaluable side notes from John Sutherland. Funny and incredibly clever, these parodies are a joy for those who know their Shakespeare, perfect for the theatre goer needing a quick recap, and a massive relief for those just desperate to pass their English exam.

It is hard to find anyone nowadays who will dare venture a bad word on Mrs Dalloway: its status as a pioneer feminist text and a brilliantly experimental work is wholly secure. At the time of its publication, however, opinions were more mixed. It was hard in the mid-1920s to come to terms with what, for many, seemed a vexatiously new-fangled work. The reading public was not yet ready for the challenge of what came to be called "stream of consciousness" narrative, or the inner richness of a novel whose main event, a superficial reading might suggest, is an upper-class Conservative politician's wife's purchase of flowers for a summer party. This, recall, in the immediate aftermath of a conflict, the First World War, which had shaken the whole of Europe to its foundations. Before, during, and after writing Mrs Dalloway Woolf teetered on the edge of mental breakdown, and more than once fell into its awful depths. And on the edge of the main plot of Mrs Dalloway, and its heroine's outwardly serene existence, she places Septimus Smith - a shell-shocked survivor of the Great War who finds peacetime too terrible to continue living in. Mrs Dalloway is a novel which provokes thought about the fraught nature of genius, literary modernism, the ambiguous place of women in English society and literature, the infinite complexities of sexual relationships, and even the worthwhileness of life itself. This book seeks to explore all this and to show that reading Mrs Dalloway can be one of the most rewarding experiences English fiction has to offer.

“An enjoyable account of a lifelong involvement with literature.”—John Vukmirovich, Times Literary Supplement This “little history” takes on a very big subject: the glorious span of literature from Greek myth to graphic novels, from The Epic of Gilgamesh to Harry Potter. Beloved author, John Sutherland, who has researched, taught, and written on virtually every area of literature, guides both young readers and the adults in their lives on an entertaining journey “through the wardrobe” to show how literature from across the world can transport us and help us to make sense of what it means to be human. Along the way he introduces us to a wide range of works, enlivening his offerings with humor as well as learning—from Beowulf and Shakespeare to T. S. Eliot and George Orwell, and from the rude jests of Anglo-Saxon runes to The Da Vinci Code. For younger readers, Sutherland offers a proper introduction to literature, promising to interest as much as instruct. For more experienced readers, he promises just the same.

As the annual flood of published novels grows ever greater, it’s a hard a job to keep up, let alone sort the wheat from the chaff. Fortunately, literary sleuth and academic John Sutherland is on hand to do precisely that. In the course of over 500 wittily informative pieces he gives us his own very personal take on the most rewarding, most remarkable and, on occasion, most shamelessly enjoyable works of fiction ever written – the perfect reading list for the would-be literary expert. His taste is impressively eclectic. An appreciation of Apuleius’s The Golden Ass – arguably the first-ever novel – is followed by a consideration of Ian Fleming’s Goldfinger. The Handmaid’s Tale is followed by Hangover Square, Jane Eyre by Jaws. There are imposing Victorian novels, entertaining contemporary thrillers and everything in between, from dystopian works to romance.The flavour of each is brilliantly evoked and its relative merits or demerits assessed. At the same time, John Sutherland shows how the work fits into a broader context – whether that of the author’s life or of other books from the same genre or period. And he offers endless snippets of intriguing information: did you know, for example, that the Nazis banned Bambi or that William Faulkner wrote As I Lay Dying on an upturned wheelbarrow; that Voltaire completed Candide in three days, or that Anna Sewell was paid £20 for Black Beauty? Encyclopedic and entertaining by turns, this is a wonderful dip-in book, whose opinions will inform and on occasion, no doubt, infuriate. It is also effectively a history of the novel in 500 or so bite-sized pieces.

Title: Cursory Observations on the Route from the N.W.P. to Upper Scinde, illustrative of the statistics and geological features of the rivers Sutlej, Punjnud or Chena, and Scinde or Indus. With maps.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GEOGRAPHY & TOPOGRAPHY collection includes books from the British Library digitised by Microsoft. Offering some insights into the study and mapping of the natural world, this collection includes texts on Babylon, the geographies of China, and the medieval Islamic world. Also included are regional geographies and volumes on environmental determinism, topographical analyses of England, China, ancient Jerusalem, and significant tracts of North America. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Sutherland, John; 1844. 40 p.; 8 . 10055.dd.34.

How well do you really know your favourite author? Ace literary detective turned quizmaster John Sutherland and Austen buff Deirdre Le Faye challenge the reader to find out. Starting with easy, factual questions that test how well you remember a novel and its characters, the quiz progresses to a level of greater difficulty, demanding close reading and interpretative deduction. What really motivates the characters, and what is going on beneath the surface of the story? Designed to amuse and divert, the questions and answers take the reader on an imaginative journey into the world of Jane Austen, where hypothesis and speculation produce fascinating and unexpected insights. Whether you are an expert or enthusiast, So You Think You Know Jane Austen? guarantees you will know her much better after reading it. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

With over 900 biographical entries, more than 600 novels synopsized, and a wealth of background material on the publishers, reviewers and readers of the age the Longman Companion to Victorian Fiction is the fullest account of the period's fiction ever published. Now in a second edition, the book has been revised and a generous selection of images have been chosen to illustrate various aspects of Victorian publishing, writing, and reading life. Organised alphabetically, the information provided will be a boon to students, researchers and all lovers of reading. The entries, though concise, meet the high standards demanded by modern scholarship. The writing - marked by Sutherland's characteristic combination of flair, clarity and erudition - is of such a high standard that the book is a joy to read, as well as a definitive work of reference.

Mr Polly is an ordinary middle-aged man who is tired of his wife's nagging and his dreary job as the owner of a regional gentleman's outfitters. Faced with the threat of bankruptcy, he concludes that the only way to escape his frustrating existence is by burning his shop to the ground, and killing himself. Unexpected events, however, conspire at the last moment to lead the bewildered Mr Polly to a bright new future - after he saves a life, fakes his death, and escapes to a life of heroism, hope and ultimate happiness.

A Stanford University Press classic.

'What spectacle is more august than that of a great king in exile? Who is more worthy of respect than a brave man in misfortune?' When "Henry Esmond" appeared in 1852, noted writers and critics of the time acclaimed it as the best historical novel ever written. Set in the reign of Queen Anne, the story follows the troubled progress of a gentleman and an officer in Marlborough's army, as he painfully wrestles with an emotional allegiance to the old Tory-Catholic England until, disillusioned, he comes to terms of a kind with the Whiggish-Protestant future. This change also entails a very uncomfortable switch in his affections. The love story of Henry Esmond is charged with sombre, unconscious emotions, yet is skilfully embedded into historical events which are convincing but never too prominent.