John Van der Kiste

Prince Alfred, who was created Duke of Edinburgh in 1866 and became Duke of Saxe-Coburg Gotha in 1893, was the second son of Queen Victoria and Prince Albert. A patron of the arts, pioneer philatelist and amateur violinist, he joined the Royal Navy as a boy and rose to become Admiral of the Fleet. At the age of 18 he was elected King of Greece by overwhelming popular vote in a plebiscite, although political agreements between the Great Powers of Europe prevented him from accepting the vacant crown. The most widely travelled member of his family, he had visited all five continents by the age of 27, and while on a tour of Australia in 1868 he narrowly escaped assassination at the hands of a Fenian sympathiser. Married to Grand Duchess Marie of Russia, the only surviving daughter of Tsar Alexander II, at one stage he had to face the possibility that he might be required to fight on behalf of the British empire against that of his father-in-law. His last years were overshadowed by marital difficulties, alcoholism and ill-health, and the suicide of his only son and heir.

Released in 1969, Let it Bleed was The Rolling Stones’ eighth studio album (tenth in the USA). The second in a sequence of four consecutive records that comprised their creative peak, it is considered by many to be their best. After a period of turmoil culminating in drug busts, the enforced departure and sudden death of founding member Brian Jones, they delivered a powerful set of nine tracks that encompassed hard rock, blues, country, folk, gospel and even funk. From the eerie ‘Gimme Shelter’ to the epic ‘You Can’t Always Get What You Want’, with Mick Jagger, Keith Richards and the band plus an array of guests including Al Kooper, Ry Cooder and The London Bach Choir, it was a set that captured the uncertain prevailing mood at the end of the 1960s and the era that produced the Woodstock and Altamont festivals. Number one in Britain and number two in America, it still sounds just as fresh, urgent and challenging more than half a century later. This account examines in detail the background, inspiration and recording of the songs, the reception of the work as a whole, and its legacy and influence on subsequent generations of bands and performers to this day.

The Eagles began as a backing group for Linda Ronstadt, then realised they had the potential to strike out on their own. All being accomplished vocalists, musicians and songwriters, they jointly set themselves the goal of ‘number one singles and albums, great music, and a lot of money’. With guitarist Glenn Frey and drummer Don Henley as the combined driving force, by 1975, they had topped the singles and album charts at home, found major success in Britain and across the world, and established themselves as America’s foremost band. The global success of Their Greatest Hits 1971-1975 and Hotel California, to this day the first and third best-selling albums in America of all time, proved impossible to surpass, and after line-up changes, they disbanded in 1980. A ‘resumption’ in 1994 was cemented with the live/studio album Hell Freezes Over and their first studio album for 28 years, Long Road out of Eden, followed in 2007. After Frey’s death in 2016, they recruited new members, with a live schedule lasting into the 2020s post-pandemic era. This book recounts the rise, fall and rise again, with a detailed look at every track on each studio and live album, and an overview of original songs and cover versions recorded but never officially released.

Born in 1765, third son of King George III and Queen Charlotte, Prince William, Duke of Clarence, initially had little expectation of succeeding to the British throne. A brief career in the navy, followed by several years of semi-obscurity and a liaison with the actress Dorothea Jordan that gave them a family of ten children, came to an end with the royal race for the crown', requiring him and several of his other similarly unmarried brothers to find wives and ensure the royal succession after the unexpected death of their only legitimate niece Charlotte, daughter of the Prince Regent. William's wife, Princess Adelaide of Saxe-Meiningen, failed to produce any children who survived infancy, but despite their great difference in ages she succeeded in taming his previously uncouth manners. By the time he ascended the throne in 1830, the formerly outspoken prince had proved himself fitted to be a conscientious and astute if occasionally eccentric sovereign who successfully weathered the storms engendered by the passage of the Great Reform Bill. Between them, King William and Queen Adelaide helped to restore the popularity of a somewhat tarnished crown and lay the foundations for a modern monarchy under the auspices of their niece who succeeded them as Queen Victoria. This book portrays the life and character of Good King Billy', one of Britain's most endearing sovereigns. An affable character of straightforward honesty and common sense, an occasionally tactless, blundering character with an instinctive dislike of pomp and ceremony but with the common touch, he was arguably the most human, down-to-earth of the Hanoverians.

When Hereford group Silence teamed up with songwriter Ian Hunter in 1969 to form a group that aimed to be a cross between Bob Dylan, the Rolling Stones and Procol Harum, they rapidly became one of Britain's most popular live acts, but a major hit single and album initially proved elusive. In 1972, disillusioned and exhausted, they split before being encouraged to reform by David Bowie and finding immediate chart success with a song he gave them, 'All the Young Dudes'. After two years of hits and internal conflicts Ian left and enjoyed a chequered solo career that has lasted to this day, initially in partnership with guitarist Mick Ronson until his death in 1993. The rest of the group subsequently shortened their name to Mott and then British Lions, the latter a collaboration with former Medicine Head front man John Fiddler, although they failed to re-establish themselves despite several solid months of touring on both sides of the Atlantic. As Ian wrote, 'Rock'n'roll's a loser's game'. They won, they lost, but during the 1970s released some inspired, highly individual music, that went on to inspire and be championed by several other acts, notably Queen, the Clash and Def Leppard.

1970 was a year of change in pop and rock music, with divisions between both becoming ever more blurred. More ambitiously-constructed epics, heavy rock numbers and contemporary folk songs competed with mainstream and easy listening fare on Top of the Pops and in the Top 30 singles, while progressive and jazz-rock took their bow in the album charts. Some acts disbanded, notably The Beatles, all of whom relished their freedom and launched solo careers, and Simon & Garfunkel, or else parted company and partially regrouped under new names. Festivals came into their own, particularly in Britain where the first Glastonbury event was launched, as did live albums, notably from The Rolling Stones and The Who, partly to combat the market in bootleg recordings; several singer-songwriters found major acceptance; the death of Jimi Hendrix was widely mourned; and the likes of Marc Bolan, Elton John, Rod Stewart (as a soloist, and as front man of The Faces), Lindisfarne and Hot Chocolate achieved their initial successes. By the end of the year, many a critic and music fan could look back on a 12-month period in which their landscape had altered almost beyond recognition. This is the story of that year and the key albums that helped define it.

This book from John Van der Kiste, the eminent historian of European royalty, is an account of Queen Victoria's personal and political relationships with the empires, or to be more exact, the Kings and Queens, Emperors, Empresses and their families of France, Germany, Austria and Russia. Victoria had close connections with the royal houses of Germany long before the King of Prussia became the German Emperor in 1871, and with the exiled former Emperor and Empress of the French and their son, the Prince Imperial, after the fall of the French Empire in 1870. Van der Kiste deftly weaves together the various strands of the relationships-including the close family marriage ties-to provide a fascinating picture of European royalty in the last two thirds of the nineteenth century.

King Edward VII and Queen Alexandra had six children. Of the five who reached maturity, only one, the future King George V, has received much attention from biographers. The eldest son, Albert Victor, Duke of Clarence, a backward youth and a subject of scandal, died before he was thirty. The three princesses, Louise, Princess Royal and Duchess of Fife, the lifelong spinster Victoria, and Maud, Queen of Norway, were never well-known to the British public during their lifetime. In this detailed and fascinating account, John Van der Kiste has drawn upon previously unpublished correspondence from the Royal Archives, Windsor, to reveal for the first time the part this hitherto neglected group of characters played in supporting the royal family and crown during a period of transition from the Victorian age to the uncertain twentieth century.

Bob Seger began his career during the 1960s, fronting various bands in the Michigan area, a local hero who took almost a decade to break through to a national American audience. The in-concert Live Bullet, followed by the single and album Night Moves in 1976, established him as a major attraction at home and then internationally. Further success came with the singles ‘Hollywood Nights’ and the much-covered ‘We’ve Got Tonight’ and albums like Stranger In Town, the US number one Against The Wind and The Distance, while touring regularly with his backing outfit The Silver Bullet Band. He was regarded as one of the prime examples of ‘heartland rock’, embracing styles from rock’n’roll and soul to introspective ballads and country, and also had an out-of-character pop US number one in 1987 with ‘Shakedown’. Although less prolific in later years, altogether he released 18 studio albums and two live sets, spanning over half a century from his garage band beginnings in 1966 fronting The Last Heard, to his final set I Knew You When in 2017 and a farewell tour that ended two years later. This book examines every album track and single from his lengthy career.

Of Queen Victoria’s four sons, the eldest married a Danish princess, one a Russian Grand Duchess, and the other two princesses of German royal houses. The first to join the family of the ‘Grandmama of Europe’ was Alexandra, eldest daughter of the prince about to become King Christian IX of Denmark. Charming, ever sympathetic and widely considered one of the most attractive royal women of her time, she was prematurely deaf and suffered from a limp which was made fashionable by court ladies due to her popularity. Alexandra proved an ideal wife for the Prince of Wales, later King Edward VII. Grand Duchess Marie, daughter of Tsar Alexander II of Russia and wife of Alfred, Duke of Edinburgh and later Saxe-Coburg Gotha, was cultured and intelligent, but dowdy, haughty and, convinced of the Romanovs’ superiority, resented having to give precedence at court to her in-laws. Louise of Prussia, a niece of William I, German Emperor, had the good fortune to escape from a miserable family life in Berlin and marry Arthur, Duke of Connaught, a dedicated army officer who was always the Queen’s favourite among her children. Finally, Helen of Waldeck-Pyrmont, sister of Emma, Queen Consort of the Netherlands, became the wife of the cultured Leopold, Duke of Albany, but he was haemophiliac and their marriage was destined to be the briefest of all, cut short by his sudden death less than three years later. All four were very different personalities, proved themselves to be supportive wives, mothers and daughters-in-law in their own way, and dedicated workers for charity at home and abroad. Based partly on previously unpublished material from the Royal Archives at Windsor and Madrid, and the Leonie Leslie Papers, University of Chicago, this is the first book to study all four as a family group.

King Charles II was the father of fourteen illegitimate children (if not more) by seven mistresses. Ironically, his marriage to Queen Catherine, a Portuguese princess, proved childless. The eldest and most notable of his children, James, duke of Monmouth, was effectively excluded from the line of succession. After his father's death the duke launched an armed challenge for the crown against his uncle, then James II, but was defeated at the battle of Sedgemoor and executed. Some of Charles's other sons, notably Henry, duke of Grafton, Charles, duke of St Albans, and the youngest, Charles, duke of Richmond, took part in military and naval campaigns at home and overseas. Some of his daughters married into various branches of the British aristocracy-though not without occasional scandal-while one married a composer and another took holy orders. In the context of the relaxed morals of the Restoration court, this biography examines the sometimes poorly documented lives of each of Charles's children, their personal relations with each other, their places in English history, their love affairs, and the lines of descent through which several key figures of the modern British royal family can trace their lineage.

Sometimes acclaimed as Scotland's finest-ever singer-songwriter, Gerry Rafferty was born in 1947. After developing a passion for several genres of popular music during childhood, from traditional folk and classical to rock'n'roll and the early 1960s beat boom, he played in a couple of bands during his teens. After joining The Humblebums, an acoustic duo with future stand-up comedian Billy Connolly, and releasing a solo album Can I Have My Money Back?, he formed Stealers Wheel, whose debut spawned the transatlantic top ten hit 'Stuck In The Middle With You'. Initially a five-piece band and finally a duo, they split in 1975. He resumed his solo career three years later with the single 'Baker Street' and accompanying album City To City, the global successes of which proved impossible to surpass. Although he disliked many aspects of the music business, rarely toured, never played live in America, and became increasingly reclusive in later years, he released eight more albums before his death in 2011, with a posthumous collection Rest In Blue following ten years later. This book examines in detail all his recorded songs, some of them quite starkly autobiographical in content, from every stage of his career.

Of Queen Victoria's four sons, the eldest married a Danish princess, one a Russian Grand Duchess, and the other two princesses of German royal houses. The first to join the family of the Grandmama of Europe' was Alexandra, eldest daughter of the prince about to become King Christian IX of Denmark. Charming, ever sympathetic and widely considered one of the most attractive royal women of her time, she was prematurely deaf and suffered from a limp which was made fashionable by court ladies due to her popularity. Alexandra proved an ideal wife for the Prince of Wales, later King Edward VII. Grand Duchess Marie, daughter of Tsar Alexander II of Russia and wife of Alfred, Duke of Edinburgh and later Saxe-Coburg Gotha, was cultured and intelligent, but dowdy, haughty and, convinced of the Romanovs' superiority, resented having to give precedence at court to her in-laws. Louise of Prussia, a niece of William I, German Emperor, had the good fortune to escape from a miserable family life in Berlin and marry Arthur, Duke of Connaught, a dedicated army officer who was always the Queen's favourite among her children. Finally, Helen of Waldeck-Pyrmont, sister of Emma, Queen Consort of the Netherlands, became the wife of the cultured Leopold, Duke of Albany, but he was haemophiliac and their marriage was destined to be the briefest of all, cut short by his sudden death less than three years later. All four were very different personalities, proved themselves to be supportive wives, mothers and daughters-in-law in their own way, and dedicated workers for charity at home and abroad. Based partly on previously unpublished material from the Royal Archives at Windsor and Madrid, and the Leonie Leslie Papers, University of Chicago, this is the first book to study all four as a family group.

Having moved from jazz, Blues and R'n'B to out-and-out pop in his various 1960s bands, keyboard player Manfred Mann went back to the drawing board in 1971 with a new quartet, Manfred Mann's Earth Band, and the intention of focusing on progressive rock. With a repertoire that leant partly on radical rearrangements of songs by Bob Dylan and then Bruce Springsteen, largely instrumental epics that borrowed from Gustav Holst's The Planets suite, and improvisations based around the interplay between Manfred's newly-acquired moog synthesiser and the lead guitar of Mick Rogers, who left in 1975 but later returned, they soon built up a formidable live reputation throughout much of Europe (particularly in Germany) and America. Apart from the Holst-inspired 'Joybringer', a top ten hit in 1973, British success was slow in coming, until a cover version of Springsteen's 'Blinded by the Light' and its parent album The Roaring Silence three years later took their status to a new level on both sides of the Atlantic. This book examines the nine albums, fluctuating fortunes and various line-up changes from what was to be their best and most prolific decade.

Free were formed in 1968 towards the end of the British blues boom. After two critically acclaimed albums, the release of ‘All Right Now’ and the album Fire and Water in 1970 brought them major success. Musical and personal differences took their toll and they split after the comparative failure of their next album and single. After starting new bands that never took off they reformed, but following further dissension and guitarist Paul Kossoff’s drug problems they disbanded for good in 1973. Vocalist Paul Rodgers and drummer Simon Kirke then formed Bad Company, who became one of the hottest bands on both sides of the Atlantic, maintaining a stable line-up with ex-Mott The Hoople guitarist Mick Ralphs and ex-King Crimson bassist Boz Burrell for the rest of the decade. Each member later pursued outside ventures, although they regrouped at intervals, recruiting new members after Ralphs’ retirement and Burrell’s death. This book examines both bands’ work and career from 1968 to 1980, plus the Kossoff, Kirke, Tetsu, Rabbit album, Kossoff’s solo work and Back Street Crawler, with a chapter on their later history, notably Rodgers’ three years with Queen.