Jonathan Holloway

Interpreting Difficult History at Museums and Historic Sites is framed by educational psychoanalytic theory and positions museum workers, public historians, and museum visitors as learners. Through this lens, museum workers and public historians can develop compelling and ethical representations of historical individuals, communities, and populations who have suffered. It includes various examples of difficult knowledge, detailed examples of specific interpretation methods, and will give readers an in-depth explanation of the psychoanalytic educational theories behind the methodologies. Audiences can more responsibly and productively engage in learning histories of oppression and trauma when they are in measured and sensitive museum learning environments and public history venues. To learn more, check out the website here: http://interpretingdifficulthistory.com/

Interpreting Difficult History at Museums and Historic Sites is framed by educational psychoanalytic theory and positions museum workers, public historians, and museum visitors as learners. Through this lens, museum workers and public historians can develop compelling and ethical representations of historical individuals, communities, and populations who have suffered. It includes various examples of difficult knowledge, detailed examples of specific interpretation methods, and will give readers an in-depth explanation of the psychoanalytic educational theories behind the methodologies. Audiences can more responsibly and productively engage in learning histories of oppression and trauma when they are in measured and sensitive museum learning environments and public history venues. To learn more, check out the website here: http://interpretingdifficulthistory.com/

Minimum M5 F2 with doubling. Various simple settings Nicholas Nickleby is newly employed as a teacher at Dotheboys' Hall in Yorkshire thanks to his manipulative and avaricious uncle Ralph, a businessman. There he witnesses the cruel treatment of boys at the hands of despotic headmaster Wackford Squeers and his wife. In coming to the defence of one boy, Smike, Nicholas assaults Squeers. Thinking he has killed him, he escapes with Smike to London and on to Portsmouth where the pair join the Crummles Theatre Company. Ralph uses Nicholas's sister Kate as bait further to ensnare a young and wealthy lord who is already in his debt. Learning of the abuse Kate has been exposed to, Nicholas goes to London and her aid, but even greater dangers lurk around the corner. With flexible casting requirements, this stunning adaptation of Charles Dickens's third novel toured the UK in 2001 and 2002 in a production by Red Shift Theatre Company.

Out of work, out of luck, and out of favour with his wife, architect Jack Webb retreats to a cottage in Wales to concentrate on a new design project for a friend's business. With the deadline imminent, Jack takes the overnight train from Haverfordwest back to London to deliver his drawings. On the otherwise deserted train Jack encounters first an unusually friendly guard and then an aloof and otherworldly woman, Hope Cairns, who has just abandoned a planned rendezvous in Milford with a lover, also named Jack. When Hope suddenly disappears, and the guard reveals her story, we discover that Jack's journey is not all it seems. The Railway Siding is a stunningly crafted, highly atmospheric play in one act.