Jörg Vogelmann

Jörg Vogelmann looks into one of the central political and economic relationships of the 21st century. The author finds Sino-U.S. ties marked by strong, slightly asymmetric (economic) interdependence, a relatively fast economic power transition under way as well as slow to moderate shifts in military power. He develops a neoliberal and a neorealist grand theory picture of Sino-U.S. and international relations, and empirically verifies these influential perspectives by analyzing post-Cold War Chinese and U.S. foreign policies in the major flashpoints the Taiwan and the North Korea issue. Despite and due to globalization, ties between ascending China (as a potential regional or once even global U.S. challenger) and the hegemonic United States may likely continue to be marked by strategic power politics – and will decisively affect trans- and international relations.

Seminar paper from the year 2006 in the subject American Studies - Linguistics, grade: 1,3, University of Stuttgart (Institut f r Literaturwissenschaft: Anglistik/Amerikanistik), course: Literary Studies: Seminar: "Essay Writing and Interpretation of Literary Texts," 8 entries in the bibliography, language: English, abstract: "The emphasis of Luis Valdez's Teatro Campesino lies on] (...) communication to the oppressed, not about them" (Bagby, Valdez 70). This statement of Bagby's underpins the necessity for literary scholars to pay special analytical attention to the comedic elements in Valdez's dramas. Indeed, it is the relationship between the playwright and his audience of Chicano workers that especially takes its effectiveness from the techniques and elements of comedy, especially satire. Many critics underline Valdez's importance both because he denounces the discrimination and exploitation of Chicanos in the United States and his direct address to oppressed Mexican-Americans, e.g., striking campesinos. The communication to his fellow-countrymen has always been essential for Valdez as a political writer. It has been this successful and mass-mobilising (for example in the 1965 Delano Grape Strike) as his actos (short plays dramatizing the oppression of the fieldworkers) are based on comedic and satiric elements. These techniques have been used since archaic or Plato's times by critical authors to mobilise the hearts and minds of human beings against a political system or to remedy an abuse. The thesis that Valdez's play Los Vendidos consists of various comedic patterns to enable a thrilling, entertaining and effective communication between the author and his Chicano audience to sustainably deliver Valdez's political messages can be seen when analyzing his probably most famous acto and the types of comedy he uses. Los Vendidos can be assigned to classifications like low, realistic or satiric comedy. This, indeed, shows how strongly Valdez relies on comedic-satiric