Josephine Nobisso

Here is a Christian allegorical story that treats of superlatives. The richest man in the world, with the most varied and treasured art collection in existence, begets the most wonderful son who, like himself, loves and appreciates every creation they possess. They relish entering the very worlds of their seascapes, landscapes, cityscapes and even abstract forms, but, most of al, they cherish their portraits, sharing in the very lives of their subjects. Under the father’s solicitous eye, and with their motherly estate keeper’s assistance, the exceptional son grows in wisdom and stature, extending his wealth to whomever wants it. What becomes of this son? And what later becomes of the treasures when the father decides to offer his immensely vast collection at auction? What superlative will be the most superlative of all? The man who wins the auction for the Portrait of the Son is in for the surprise of his life, and the would-be bidders witness a miracle of conversion. This is the long-awaited third volume in a trilogy of The Theological Virtues--faith, hope, and love--which began with THE WEIGHT OF A MASS, A Tale of Faith, and TAKE IT TO THE QUEEN, A Tale of Hope. Printed on the front and back underflaps are theological insights into the text and art of this story for all ages, for the true protagonists are the Persons of the Holy Trinity, the seen and unseen world of Creation, and the Blessed Virgin Mary.

Here is a Christian allegorical story that treats of superlatives. The richest man in the world, with the most varied and treasured art collection in existence, begets the most wonderful son who, like himself, loves and appreciates every creation they possess. They relish entering the very worlds of their seascapes, landscapes, cityscapes and even abstract forms, but, most of al, they cherish their portraits, sharing in the very lives of their subjects. Under the father’s solicitous eye, and with their motherly estate keeper’s assistance, the exceptional son grows in wisdom and stature, extending his wealth to whomever wants it. What becomes of this son? And what later becomes of the treasures when the father decides to offer his immensely vast collection at auction? What superlative will be the most superlative of all? The man who wins the auction for the Portrait of the Son is in for the surprise of his life, and the would-be bidders witness a miracle of conversion. This is the long-awaited third volume in a trilogy of The Theological Virtues--faith, hope, and love--which began with THE WEIGHT OF A MASS, A Tale of Faith, and TAKE IT TO THE QUEEN, A Tale of Hope. Printed on the front and back underflaps are theological insights into the text and art of this story for all ages, for the true protagonists are the Persons of the Holy Trinity, the seen and unseen world of Creation, and the Blessed Virgin Mary.

An exquisite work that imagines a moment from the boyhood of St. Francis of Assisi. The publication of Maureen Hyde’s paintings here amounts to a cause cÉlÈbrÉ. While she has illustrated many beautiful books in decades past (including Gingerbread House’s three launch titles, Grandpa Loved, Grandma’s Scrapbook, and Shh! The Whale Is Smiling), and many picture books and young adult novel covers for Simon & Schuster, Viking, Green Tiger Press, and Atheneum, this marks the artist's first book in twenty-five years. Her work in this volume derives power from years of studying in the USA and abroad, and from her efforts--first as a student and then a teacher--at The Florence Academy of Art in Italy. Even though Maureen employs the materials and techniques of the Old Masters, and draws inspiration from their ethic, one finds no hint of derivation in her compositions. Ms. Hyde's work has been exhibited in significant shows around the world, and is represented in many important private collections. The paintings for this volume have been acquired by a revered school in Switzerland.

An exquisite work that imagines a moment from the boyhood of St. Francis of Assisi. The publication of Maureen Hyde’s paintings here amounts to a cause cÉlÈbrÉ. While she has illustrated many beautiful books in decades past (including Gingerbread House’s three launch titles, Grandpa Loved, Grandma’s Scrapbook, and Shh! The Whale Is Smiling), and many picture books and young adult novel covers for Simon & Schuster, Viking, Green Tiger Press, and Atheneum, this marks the artist's first book in twenty-five years. Her work in this volume derives power from years of studying in the USA and abroad, and from her efforts--first as a student and then a teacher--at The Florence Academy of Art in Italy. Even though Maureen employs the materials and techniques of the Old Masters, and draws inspiration from their ethic, one finds no hint of derivation in her compositions. Ms. Hyde's work has been exhibited in significant shows around the world, and is represented in many important private collections. The paintings for this volume have been acquired by a revered school in Switzerland.

With exquisite artwork and evocative text, this original fable explores the events of Jesus' life, and demonstrates the role of the Virgin Mary as the benevolent agent of God's people. Reduced to desolation by a king and prince who feel they have been wronged, the residents of a once-favored village must seek help from the queen, a native of their devastated town. Religious subjects are presented clearly in an allegorical style that proves entertaining, and also serves to provide children with examples of virtue and good behavior.

With exquisite artwork and evocative text, this original fable explores the events of Jesus' life, and demonstrates the role of the Virgin Mary as the benevolent agent of God's people. Reduced to desolation by a king and prince who feel they have been wronged, the residents of a once-favored village must seek help from the queen, a native of their devastated town. Religious subjects are presented clearly in an allegorical style that proves entertaining, and also serves to provide children with examples of virtue and good behavior.

When a poor devout widow begs for a scrap of bread from a rich faithless baker, she promises to participate in the king’s wedding mass as payment for the baker’s generosity. The baker writes “One Mass” on a scrap of paper and places it on his scale to determine how much bread it is worth. To his and the entire town’s surprise, nothing in the shop, not even the gigantic wedding cakes made for the king, outweighs the simple piece of paper representing the true worth of a mass. Luminous old-world watercolor paintings grace the interior of the book and lend an air of solemnity and sacred beauty to the story. Cuando una pobre viuda devota ruega por unas migajas de pan a un acaudalado panadero desleal, promete su participaciÓn en la misa de la boda del rey como agradecimiento por la generosidad del panadero. El panadero escribe "Una misa" en un pedazo de papel y lo pone en la balanza para determinar su valor en pan. Para sorpresa suya y de todo el pueblo, nada en el negocio, ni siquiera el gigantesco pastel de bodas hecho para el rey tiene mÁs valor que un simple pedazo de papel que representa el valor de una misa. Luminosas acuarelas del viejo mundo dan gracia al interior del libro brindan un aire de solemnidad y sagrada belleza a la historia.

Set in the Bronx during the 1950s, when postwar immigrant children were placed in their first American classrooms, this delightful story tells of the riotous linguistic misunderstandings of Josephine’s first day of school. The daughter of savvy Italian engineers, Josephine has lived in the city long enough to have learned a few words in English, but is overcome when her teacher makes her stand up in front of the class and tell about her life in Italy—in English, of course. The result is a charming tale of adventures and multicultural miscommunications as Josephine attempts to make herself understood. Children will come to understand that sometimes people underestimate the talent and dignity of newcomers to the United States and will embark on a poignant journey as Josephine tells her incredible story the best way she knows how and attempts to understand her English-speaking teacher and classmates.

On the day of a royal wedding in a kingdom where everyone has grown careless in the practice of their Catholic faith, a poor widow helps reveal the true value of the Mass.

When a poor devout widow begs for a scrap of bread from a rich faithless baker, she promises to participate in the king’s wedding mass as payment for the baker’s generosity. The baker writes “One Mass” on a scrap of paper and places it on his scale to determine how much bread it is worth. To his and the entire town’s surprise, nothing in the shop, not even the gigantic wedding cakes made for the king, outweighs the simple piece of paper representing the true worth of a mass. Luminous old-world watercolor paintings grace the interior of the book and gold foil artwork lends an air of solemnity and sacred beauty to the story. This has been a best-selling children's book since it was first published. It us often made into plays for catechises, or used in homilies, and read on YouTube, and on private sites and channels.

It was to Juan Diego--a humble Aztec farmer living in 16th century Mexico--that Mary, the Mother of God, first introduced herself to the world as Our Lady of Guadalupe. He spent much of his life in prayer and penance, and took care of the little chapel by his hut. There, he would greet the pilgrims who came to honor their Mother of Guadalupe and show them the miraculous "tilma," or cloak, that preserves Mary's beautiful image.