Joyce M. Szabo

Few contemporary artists before the 1990s explored the negative impact of the Spanish in the Southwest, but unreflective celebrations of the Columbus Quincentennial brought about portrayals of a more complicated legacy of Columbus's arrival in the Americas--especially by Indigenous artists. Through a series of etchings, Floyd Solomon of Laguna and Zuni heritage undertook a visual recounting of Pueblo history using Indigenous knowledge positioned to reimagine a history that is known largely from non-Native records. While Solomon originally envisioned more than forty etchings, he ultimately completed just twenty. From nightmarish visions of the Spanish that preceded their arrival to the subsequent return of the Spanish and their continuing effects on the Pueblo people, Solomon provides a powerful visual record. These insightful, probing etchings are included in this important full-color volume showcasing Solomon's work and legacy. In Reimagining History from an Indigenous Perspective, Joyce M. Szabo positions Solomon among his contemporaries, making this vibrant artist and his remarkable vision broadly available to audiences both familiar with his work and those seeing it for the first time.

Striking color images depict traditional lifeways and the pain of imprisonmentDuring the 1870s, Cheyenne and Kiowa prisoners of war at Fort Marion, Florida, graphically recorded their responses to incarceration in drawings that conveyed both the present reality of imprisonment and nostalgic memories of home. Now a leading authority on American Indian drawings and paintings examines an important collection of these drawings to reveal how art blossomed at Fort Marion.The Silberman Collection is an unusually complete group of images that illustrate the artists' fascination with the world outside the southern plains, their living conditions and survival strategies as prisoners, and their reminiscences of pre-reservation life. Joyce M. Szabo explains the significance of this preeminent collection, which focuses on seven of the prisoner-artists - most notably Zotom and Making Medicine. Through a selection of 120 striking color images, Szabo shows how each artist creatively recorded his experiences.Szabo compares the artists' various styles, examines repeated themes to show how each artist approached the same subjects, and considers the distinctiveness of these drawings as representing the emergent culture of Fort Marion. She also surveys how Fort Marion art has been collected since the late 1870s and describes Arthur and Shifra Silberman's approaches to collecting.Although other books have considered the Fort Marion artists, this is the first to examine their works in such analytical and comparative detail. Art from Fort Marion: The Silberman Collection captures a unique visual form of Native expression.