Julia Knight

The final book in the Duellist's trilogy - a fast-paced adventure from one of the most exciting new British talents in fantasy

Vocho and Kacha are brother and sister, and between them they've got quite a reputation. They were once known for the finest swordplay in the city of Reyes. The only problem is, ever since they were thrown out of the Duellist's Guild for accidentally killing a man they were sworn to protect, it seems everyone wants them dead. Including a dark magician whose plans they recently scuppered . . . Now Vocho and Kacha are in the midst of an uneasy truce, not sure whether to trust each other, or anyone else for that matter. What's more, the sinister magician is rumoured to have returned. Now he knows who was behind the failure of his last plan, he's determined to put a stop to Vocho and Kacha permanently.And this time, the flash of steel may not be enough to save them.

Legends and Liars is the second book in the Duelist's trilogy -- a fast-paced adventure from one of the most exciting new talents in fantasy.Vocho and Kacha are brother and sister, and between them they've got quite a reputation. They were once know for the finest swordplay in the city of Reyes. The only problem is, ever since they were thrown out of the Duelist's Guild for accidentally killing a man they were sworn to protect, it seems everyone wants them dead. Including a dark magician whose plans they recently thwarted. . . Now Vocho and Kacha are in the midst of an uneasy truce, not sure whether to trust each other, or anyone else for that matter. What's more, the sinister magician is rumored to have returned. Now he knows who was behind the failure of his last plan, he's determined to put a stop to Vocho and Kacha permanently. And this time, the flash of steel may not be enough to save them.

The first book in the Duellist's trilogy - a fast-paced adventure from one of the most exciting new British talents in fantasy

Two siblings. Outcasts for life. . .. together. What could possibly go wrong? Vocho and Kacha are champion duelists: a brother and sister known for the finest swordplay in the city of Reyes. Or at least they used to be-until they were thrown out of the Duelist's Guild. As a last resort, they turn reluctant highwaymen. But when they pick the wrong carriage to rob, their simple plans to win back fame and fortune go south fast. After barely besting three armed men and a powerful magician, Vocho and Kacha make off with an immense locked chest. But the contents will bring them much more than they've bargained for when they find themselves embroiled in a dangerous plot to return an angry king to power. . .. Swords and Scoundrels is the first book in The Duelist's Trilogy -- a tale of death, magic, and family loyalty.

Through a series of case studies, this book tracks the inventive distribution and exhibition initiatives developed over the last 40 years by an array of small companies on the periphery of the beleaguered UK film industry. That their practices are now being replicated by a new generation of digital distributors demonstrates that, while the digital ‘revolution’ has rendered those practices far easier to undertake and hugely increased their scope, the key issues in securing a more diverse moving image culture are not technological. Although largely invisible to outsiders, the importance of distributors and distribution networks are widely recognized within the industry and Reaching Audiences is a key contribution to our understanding of the role they both do and can play.

Knight explores the context from which the films made by Fassbinder, Wenders, Herzog, von Trotta and others emerged during the late 1960s through to the mid-1980s. It examines the American dominance of the German market place, the development of a film subsidy system, the notion and politics of an Autorenkino, the framework of European art cinema, and distribution and exhibition initiatives that helped shape a new national cinema.

There were virtually no women film directors in Germany until the 1970s. Today there are proportionally more than in any other film-making country, and their work has been extremely influential. Directors like Margarethe von Trotta, Helma Sanders-Brahms, Ulrike Ottinger and Helke Sander have made a huge contribution to feminist film culture, but until now critical consideration of New German Cinema in Britain and the United States has focused almost exclusively on male directors such as Rainer Werner Fassbinder and Wim Wenders.In Women and the New German Cinema Julia Knight examines how restrictive social, economic and institutional conditions have compounded the neglect of the new women directors. Rejecting the traditional auteur approach, she explores the principal characteristics of women's film-making in the 1970s and 1980s, in particular the role of the women's movement, the concern with the notion of a 'feminine aesthetic', women's entry into the mainstream, and the emergence of a so-called post-feminist cinema.This timely and comprehensive study will be essential reading for everyone concerned with contemporary cinema and feminism.