Julia Langbein

A LIT HUB MOST ANTICIPATED BOOK OF THE YEAR 'A wild, wonderful essential novel' Claire Lombardo, author of The Most Fun We Ever Had 'Will remind you why you fell in love with reading' Oprah Daily, Best Book of Spring 2026 'Outrageously funny novel about hunger, desire, and the vulnerable' Kevin Wilson, author of Nothing to See Here Forty-year-old Jean Dornan cannot escape the summer of 1998, when, as a college student studying abroad in France, she embarked on an inappropriate relationship with her professor. Now, decades later, when that professor contacts her out of the blue with an invitation to his retirement ceremony, Jean's long-standing malaise becomes an emotional crisis. Desperate to understand why this relationship derailed her life so completely, she begins rereading her old diaries and is shocked to realize that her own disastrous affair occurred during the summer of the Lewinsky scandal, yet she never saw the parallels. In a frenzy of guilt and regret, Jean finds herself praying to Monica Lewinsky for forgiveness as if she were a secular saint, a figure of both suffering and sympathy. To Jean's shock, Saint Monica appears-powerful, radiant, wise, and witty-and guides Jean like the Ghost of Christmas Past back to the summer of 1998. Had Jean merely been naive and stupid, as she has told herself for so long? Was it sheer weakness that led her into the affair? Or will Jean, with Saint Monica by her side, see past blame to the beauty of her younger self's search for pleasure, connection, and transcendence? Told in flashbacks of those sunlit six weeks in France, replete with Saint Monica's flinty, fiery insights and interspersed with retellings of the lives of real historical martyrs, Dear Monica Lewinsky is a tender, hilarious, and wholly original examination of desire and its costs, of appetite and its denial, and of certain defeat and surprise renewal. It asks what grace and forgiveness might look like both in our own individual lives and as a society. ---------------------------------- Rave reviews for Dear Monica Lewinsky 'Dear Monica Lewinsky is a miracle' Katy Hays, New York Times-bestselling author of Saltwater 'Langbein's prose is a sharp, witty meditation on female longing and male authority' Oprah Daily 'A wholly original feminist ode' Emily Habeck, author of Shark Heart -------------------------- Readers LOVE Dear Monica Lewinsky 'Nothing short of BRILLIANT' ***** 'Sharp, witty, and unputdownable' ***** 'Buzz books that's worth the hype' ***** 'Wishing it would never end' ***** 'Propulsive ' *****

From the acclaimed author of American Mermaid ("Sublime"--NYTBR) comes a wildly original examination of female desire and the price women pay for giving in to their appetites. "Langbein has the uncanny ability to make a reader laugh out loud again and again while also laying bare -- in her brilliant, singular way -- the specific travail of being a young woman." --Claire Lombardo, author of The Most Fun We Ever Had "Comic novels with heft are the rarest stars in the literary firmament, and this one burns as brightly as the sun." --Katy Hays, author of Saltwater Forty-five-year-old Jean Dornan cannot escape the shadow of something she did several decades ago. On a study abroad program to France in the summer of 1998, she embarked on a deeply inappropriate relationship with her professor. When the professor contacts her out of the blue to invite her to his retirement ceremony, she is jolted out of her malaise and filled with the need to understand why the affair derailed her life. Rereading her old diaries, she is shocked to realize her relationship with the professor occurred during the summer of the Lewinsky scandal, yet she never saw the parallels. In a frenzy of guilt and regret, she finds herself praying to Monica Lewinsky--as if she were some kind of secular saint, the patron of persecuted and demonized women, perhaps?--and begging Monica's forgiveness for not understanding everything they had in common. To her shock, Saint Monica appears to her--like a saucy Ghost of Christmas Past--and leads her back in time to reassess what happened. Had Jean merely been weak, stupid, blind, as she has told herself for years? What was it about her that led her into the affair? What did she really do that summer? Told in flashbacks of those sunlit six weeks that changed Jean's life, interspersed with irreverent accounts of real female martyrs and visitations from Saint Monica offering insight about Jean's younger self, Dear Monica Lewinsky is a tender, hilarious, and thought-provoking examination of desire and how it shapes us. It is also a timely examination of what grace and forgiveness look like, in our lives and throughout history.

This is the first book length study of Salon caricature, a widespread genre of press illustration that flourished in Paris in the second half of the 19th century. Salon caricature began with a few tentative lithographs in the 1840s and, within a few decades, no Parisian exhibition could open without appearing in warped, incisive, and hilarious miniature in the pages of the illustrated press.Supported by ample primary sources, from Baudelaire and Champfleury, to Grand-Carteret and Duret, as well as archival material made available here for the first time, Laugh Lines explores not only 19th-century caricature but a larger history of reproductive image technologies, including photography, and their relation to painting during the period of modernist emergence. In bringing to light this rich register of art criticism-in-pictures, Laugh Lines offers new material and methods for the study of 19th-century painting, modernism, and art historiography, notably repositioning Édouard Manet in relation to public laughter and comic press art. More generally, Langbein draws back the curtain on a robust culture of comedy around fine art and its reception in 19th-century France, one in which artists of every stripe, including the most sentimental or conservative, were ripe to be made hilarious.

"Witty and marvelous"(Andrew Sean Greer), this "sublime" debut (NYTBR) tracks a writer adapting her feminist novel into a screenplay must decide which parts of herself are not for sale in a capitalist world run amok. "I've never read anything quite like it, and I loved it" (Elizabeth Gilbert). Broke English teacher Penelope Schleeman is as surprised as anyone when her feminist, eco-warrior novel American Mermaid becomes a best-seller. But when Hollywood insists she convert her fierce, androgynous protagonist into to a teen sex object in a clamshell bra, strange things start to happen. Is Penelope losing her mind, or has her fictional mermaid come to life, enacting revenge against society's limited view of what a woman can and should be? American Mermaid follows a young woman braving the casual slights and cruel calculations of a winner-take-all society and discovering a beating heart in her own fiction: a new kind of mermaid who will fight to keep her voice and choose her place. Brilliantly sharp, funny and thought-provoking" (Madeline Miller), this "absolute weirdo masterpiece" (Jean Kyoung Frazier)" is "a shapeshifting novel composed of wildly divergent elements which] succeeds brilliantly" (Tom Perotta).

JULIA LANGBEIN, a sketch and standup comedian for many years, holds a doctorate in Art History and is the author of a non-fiction book about comic art criticism (Laugh Lines, Bloomsbury Visual Arts, 2022). She wrote the viral comedy blog The Bruni Digest (2003-7), which reviewed New York Times critic Frank Bruni's restaurant reviews every week and has since written about food, art and travel for Gourmet, Eater, Salon, Frieze and other publications. A native of Chicago, she lives outside of Paris with her family.

A MOST ANTICIPATED BOOK OF THE YEAR - "Sublime." --New York Times Book Review "Brilliantly sharp, funny, and thought-provoking, the gripping story of a woman trying to find her way in our chaotic world." --Madeline Miller, bestselling author of Circe Broke English teacher Penelope Schleeman is as surprised as anyone when her feminist, eco-warrior novel American Mermaid becomes a best-seller. But when Hollywood insists she convert her fierce, androgynous protagonist into to a teen sex object in a clamshell bra, strange things start to happen. Is Penelope losing her mind, or has her fictional mermaid come to life, enacting revenge against society's limited view of what a woman can and should be? American Mermaid follows a young woman braving the casual slights and cruel calculations of a winner-take-all society and discovering a beating heart in her own fiction: a new kind of hero who fights to keep her voice and choose her place. A hilarious story about deep things, American Mermaid asks how far we'll go to protect the parts of ourselves that are not for sale.

Laugh Lines: Caricaturing Painting in Nineteenth-Century France is the first major study of Salon caricature, a kind of graphic art criticism in which press artists drew comic versions of contemporary painting and sculpture for publication in widely consumed journals and albums. Salon caricature began with a few tentative lithographs in the 1840s and within a few decades, no Parisian exhibition could open without appearing in warped, incisive, and hilarious miniature in the pages of the illustrated press.This broad survey of Salon caricature examines little-known graphic artists and unpublished amateurs alongside major figures like Édouard Manet, puts anonymous jokesters in dialogue with the essays of Baudelaire, and holds up the material qualities of a 10-centime album to the most ambitious painting of the 19th-century. This archival study unearths colorful caricatures that have not been reproduced until now, drawing back the curtain on a robust culture of comedy around fine art and its reception in 19th-century France.

Regulatory reforms in the EU’s Eastern neighbourhood countries are not as sluggish as often perceived. Rule enforcement is happening despite the presence of domestic veto players who favour the status quo, the lack of EU membership perspective and the presence of Russia as an alternative governance provider.Using Ukraine as a primary case study, this book examines why convergence with transnational market rules varies across different policy sectors within the Eastern neighbourhood countries. It analyzes the drivers of regulatory change and explores the conditions under which post-Soviet economies integrate with international markets. In doing so, it argues that the impetus for regulatory change in the Eastern neighbourhood lies in specific strategies of domestic empowerment applied by external actors. Furthermore, through the study of the impact of Western and Russian transnational actors, the book concludes that Russia’s presence does not necessarily hinder the integration of the EU’s Eastern neighbours with international markets. Instead, Russia both weakens and strengthens domestic support for convergence with transnational market rules in the region. This book will be of key interest to students and scholars of European/EU studies and international relations, especially in the areas of regulatory politics, transnational governance, public policy, and post-Soviet transitions.

Regulatory reforms in the EU’s Eastern neighbourhood countries are not as sluggish as often perceived. Rule enforcement is happening despite the presence of domestic veto players who favour the status quo, the lack of EU membership perspective and the presence of Russia as an alternative governance provider.Using Ukraine as a primary case study, this book examines why convergence with transnational market rules varies across different policy sectors within the Eastern neighbourhood countries. It analyzes the drivers of regulatory change and explores the conditions under which post-Soviet economies integrate with international markets. In doing so, it argues that the impetus for regulatory change in the Eastern neighbourhood lies in specific strategies of domestic empowerment applied by external actors. Furthermore, through the study of the impact of Western and Russian transnational actors, the book concludes that Russia’s presence does not necessarily hinder the integration of the EU’s Eastern neighbours with international markets. Instead, Russia both weakens and strengthens domestic support for convergence with transnational market rules in the region. This book will be of key interest to students and scholars of European/EU studies and international relations, especially in the areas of regulatory politics, transnational governance, public policy, and post-Soviet transitions.