Justine Larbalestier

This exceptional and powerful anthology explores the joys, heartbreaks and triumphs of immigration, with stories by critically acclaimed and bestselling YA authors who are shaped by the journeys they and their families have taken from home—and to find home.WELCOMEFrom some of the most exciting bestselling and up-and-coming YA authors writing today…journey from Ecuador to New York City and Argentina to Utah…from Australia to Harlem and India to New Jersey…from Fiji, America, Mexico and more… Come On In.With characters who face random traffic stops, TSA detention, customs anxiety, and the daunting and inspiring journey to new lands…who camp with their extended families, dance at weddings, keep diaries, teach ESL…who give up their rooms for displaced family, decide their own answer to the question “where are you from?” and so much more… Come On In illuminates fifteen of the myriad facets of the immigrant experience, from authors who have been shaped by the journeys they and their families have taken from home—and to find home.

"Vivid and bloody and bold and fast--I feel like Razorhurst is in my bones now." --#1 New York Times bestselling author Elizabeth Gilbert The notoriously bloody history of a mob-run Sydney, Australia neighborhood is fertile ground for this historical thriller with a paranormal twist: two girls' ability to see the many ghosts haunting Razorhurst. Sydney's deadly Razorhurst neighborhood, 1932. Gloriana Nelson and Mr. Davidson, two ruthless mob bosses, have reached a fragile peace--one maintained by "razor men." Kelpie, orphaned and homeless, is blessed (and cursed) with the ability to see Razorhurst's many ghosts. They tell secrets that the living can't know about the cracks already forming in the mobs' truce. Kelpie meets Dymphna Campbell, Gloriana's prize moll, over the body of the latest of Dymphna's beaus to meet an untimely end--a string that's earned her the nickname the "Angel of Death." Dymphna can see ghosts, too, and she knows that Gloriana's hold is crumbling one henchman at a time. As loyalties shift and betrayal threatens the two girls at every turn, Dymphna is determined to rise to the top with Kelpie at her side.

The Battle of the Sexes in Science Fiction is a lively account of the role of women and feminism in the development of American science fiction during its formative years, the mid-20th century. Beginning in 1926, with the publication of the first issue of Amazing Stories, Justine Larbalestier examines science fiction's engagement with questions of femininity, masculinity, sex and sexuality. She traces the debates over the place of women and feminism in science fiction as it emerged in stories, letters and articles in science fiction magazines and fanzines. The book culminates in the story of James Tiptree, Jr. and the eponymous Award. Tiptree was a successful science fiction writer of the 1970s who was later discovered to be a woman. Tiptree's easy acceptance by the male-dominated publishing arena of the time proved that there was no necessary difference in the way men and women wrote, but that there was a real difference in the way they were read.