Kaat Debo

Olivier Theyskens s refined sensibilities earned him international acclaim as the dark prince of late 1990s couture. From his first saturnine collections, to his new vision for Rochas, to his patterns and textiles at Nina Ricci, to his years designing for Theyskens Theory, the designer has proved himself a master of couture, semi-couture, and pret-a-porter. Celebrated for his fine tailoring, romantic silhouettes, and gothic palette, Theyskens transforms each house he helms. This distinctive volume charts the twenty-year development of an extraordinary aesthetic vision, rendered across countries, cultures, and the shifting sands of the fashion landscape. Newly commissioned texts connect the threads of the Belgian-born artist s diverse practice. Drawings created for the publication accompany photography from each period of his career. At both Rochas and Nina Ricci, the designer crafted ethereal garments with unorthodox silhouettes, mixing sheer fabrics and old-world bustles with subtly subversive punk elements. Theyskens then broke ground in 2011 with his trailblazing partnership, Theyskens Theory. With a special focus on the designer s return to the runway at the head of his own line, this is the definitive work on a fashion visionary who, like the girls he designs for, changes form, but walks in beauty wherever he goes.

Masquerade, Make-up & Ensor transposes Ensor's ideas around the masquerade, (false) coquetry, seduction, deception, the artificial and the ephemeral to today. MoMu (Fashion Museum Antwerp) celebrates the painters of fashion: the craftsmanship and inexhaustible creativity of make-up and hair artists in a book where light, colour, art, fashion and make-up meet. Make-up and beauty have today become a trillion-dollar industry that confronts man with his physical mortality, imagined imperfections and existential fears. But make-up, like paint, is also a form of personal expression, artistic experimentation, joy and freedom. Masquerade, Make-up & Ensor explores how closely make-up is intertwined with many aspects of our humanity.

This beautifully illustrated book presents the permanent collection of Antwerp’s renowned fashion museum (MoMu), and offers an overview of the most important protagonists of Belgian fashion from the 1970s to today. It includes photographs of the exhibitions which took place at the museum between 2002 and 2018, and is supplemented by a selection from the museum’s historical collection of clothing from the 18th and 19th centuries.

In this timely book, three noted fashion historians examine the global transformations in the fashion industry today, and identify the challenges of the future. Since the dawn of designer fashion at the beginning of the 20th century, the role and position of the designer has drastically changed. This book addresses how the interpretation of creativity, authorship, craft, and innovation have evolved in this new context, and asks what role designers play in a globalised and digitised fashion world.

Lace has been a luxury item, sought after by royalty and the aristocracy, since the early 1600s. Fashion has traditionally driven lace production, and in the 17th and 18th centuries the lace trade was a significant contributor to the economies of many European countries. This exhibition catalogue for a show at MoMu, the Antwerp fashion museum, focuses on the venerable tradition of lace-making in Flanders, but places it within the larger context of the history of lace from the 16th century to the present. Historic pieces from international museums, including the Met (New York), the V&A (London) and the Rijksmuseum (Amsterdam) are complemented by contemporary fashion (Van Herpen, Dior, Alaia, Prada, Loewe, Givenchy). These pieces, and their cutting edge production techniques, bring the history of Flemish-made lace up to the 21st century.