Karen Sullivan

A reparative reading of stories about medieval queen Eleanor of Aquitaine. Much of what we know about Eleanor of Aquitaine, Queen of France and then Queen of England, we know from recorded rumor—gossip often qualified by the curious phrase “it was said,” or the love songs, ballads, and romances that gossip inspired. While we can mine these stories for evidence about the historical Eleanor, Karen Sullivan invites us to consider, instead, what even the most fantastical of these tales reveals about this queen and life as a twelfth-century noblewoman. She reads the Middle Ages, not to impose our current conceptual categories on its culture, but to expose the conceptual categories medieval women used to make sense of their lives. Along the way, Sullivan paints a fresh portrait of this singular medieval queen and the women who shared her world.

Critics shudder at mixed metaphors like ‘that wet blanket is a loose cannon’, but admire ‘Life’s but a walking shadow, a poor player’, and all the metaphors packed into Macbeth’s ‘Tomorrow, and tomorrow, and tomorrow’ speech. How is it that metaphors are sometimes mixed so badly and other times put together so well?In Mixed Metaphors: Their Use and Abuse, Karen Sullivan employs findings from linguistics and cognitive science to explore how metaphors are combined and why they sometimes mix. Once we understand the ways that metaphoric ideas are put together, we can appreciate why metaphor combinations have such a wide range of effects.Mixed Metaphors: Their Use and Abuse includes analyses of over a hundred metaphors from politicians, sportspeople, writers and other public figures, and identifies the characteristics that make these metaphors annoying, amusing or astounding.

Critics shudder at mixed metaphors like ‘that wet blanket is a loose cannon’, but admire ‘Life’s but a walking shadow, a poor player’, and all the metaphors packed into Macbeth’s ‘Tomorrow, and tomorrow, and tomorrow’ speech. How is it that metaphors are sometimes mixed so badly and other times put together so well?In Mixed Metaphors: Their Use and Abuse, Karen Sullivan employs findings from linguistics and cognitive science to explore how metaphors are combined and why they sometimes mix. Once we understand the ways that metaphoric ideas are put together, we can appreciate why metaphor combinations have such a wide range of effects.Mixed Metaphors: Their Use and Abuse includes analyses of over a hundred metaphors from politicians, sportspeople, writers and other public figures, and identifies the characteristics that make these metaphors annoying, amusing or astounding.

50 fabulous kids' cakes, cupcakes and cake pops. Kids' Birthday Cakes Step by Step is a delicious guide that takes the stress out of baking unforgettable birthday cakes to wow your child, whatever their age. Choose your child's cake from a delectable array of over 50 show-stopping cake designs, from animal cakes to sports cakes and toy cakes. Would your kid go crazy for a circus cake with matching circus animal cake pops, or would they prefer a dinosaur egg cake with miniature egg cupcakes? Whether you are making birthday cakes for girls or boys, there's something for everyone. Every cake design has visual step-by-steps making the birthday cake creating process stress-free, plus you'll be provided with themed cupcake decoration ideas and be shown how to make cake pops. You'll also be able to plan ahead with handy tips on how long the cake will take to make, build, bake and decorate so everything will be ready in time for your child's party. With Kids' Birthday Cakes Step by Step you'll be able to add the perfect finishing touches with cake-decorating techniques such as piping, moulding figures and using fondant icing, taking your child's birthday cake from average to awesome in no time.

A healthy diet is about eating foods that promote rather than endanger health. This book will explain the elements of a healthy balanced diet. How do we identify which are good fats, bad fats and essential fats? What are the different types of sugars found in our diet and which are healthy? What problems can be caused by sugar in our diet? What we should drink and what should we avoid drinking?

Panic attacks manifest themselves in many ways, including agoraphobia, anticipatory anxiety, separation anxiety and school or work phobia. This book explains what panic attacks are, what causes them, how they affect daily life, their associated disorders and conventional and alternative remedies.

Since the Middle Ages, bears have most frequently been seen as objects. For many centuries, Europeans regarded bears as pests to be eradicated because of the danger they posed to human beings and livestock, whilst in recent decades they have increasingly been seen as victims to be protected from human violence. When a bear attacks, the contemporary response is typically to blame human beings’ failure, either to signal their presence in bears’ habitats or to bear-proof their backyards. For climate change activists, the polar bear has become emblematic of the threat posed by humans to the natural world, even though the polar bear’s population has steadily increased in recent times. At two extremes, bears have been objects of predation or pity. In medieval times, however, bears were not objects but subjects viewed as creatures of God. They were seen as being in possession of something analogous to rationality, which enabled them to display surprising intelligence: as warriors endowed with both strength and courage to which humans could only aspire; as fierce competitors in bear-baiting spectacles, like prize-fighters engaged in a bloody sport; or as lovers, inclined to abduct women and have children with them. People treated bears as they expected to be treated themselves, and expected them to behave as humans would; not as passive victims of human action, but as active subjects.

Most English speakers in Australia know a few words of Yagara, the Pama-Nyungan language traditionally spoken in the area that now includes Brisbane and Ipswich. For example, Australian English yakka 'work' comes from the Yagara verb yaga 'to work'. However, no fluent native speakers of Yagara remain. The current volume compares the written records of Yagara to facilitate revitalisation of the spoken language.Part 1: Grammar introduces the Yagara sources, which are then compared to extract a picture of Yagara's structure - its sounds, its words, and its grammar. Attention is also given to the system of kinship terms, moieties, and totems.Part 2: Dictionary contains the most complete Yagara-English dictionary to date, with over 2,200 entries, the original source spellings for each word, standardised spellings, and anthropological notes. Entries include traditional place names, fun insults, and everyday expressions such as the greeting wi balga 'Hey, come'. The dictionary is followed by an English word finder list.Part 3: Texts consist of full versions of all known texts in Yagara, including sentences, songs, and three Bible stories. Standardised versions are accompanied by English translations and the original unedited renditions.

This book reflects on the ways in which metonymy and metaphor are used conceptually and linguistically to mitigate the more difficult dimensions of death and dying, setting out a unique line of research within Conceptual Metaphor Theory. The volume argues that metonymic and metaphoric descriptions of death and dying reflect taboos, concealment, and other considerations not found in figurative descriptions of life, producing distinct forms of euphemism, frames, and mental spaces particular to conceptualizations of death. The first part takes a closer look at metonymy to illuminate the ways in which it allows a person to zoom in on death’s more inoffensive dimensions or zoom out from its more troubling aspects. The second part focuses on the more palatable concepts which metaphorically structure and help to better understand death. A wide range of classical and modern examples from European, Asian, Australian, and African languages and cultures showcase points of overlap and divergence. Opening up new lines of inquiry into research on death and dying and offering a linguistically focused complement to anthropological and religious studies on the topic, this book will be of interest to scholars in cognitive linguistics, sociolinguistics, cross-cultural communication, and cultural studies.

This book reflects on the ways in which metonymy and metaphor are used conceptually and linguistically to mitigate the more difficult dimensions of death and dying, setting out a unique line of research within Conceptual Metaphor Theory. The volume argues that metonymic and metaphoric descriptions of death and dying reflect taboos, concealment, and other considerations not found in figurative descriptions of life, producing distinct forms of euphemism, frames, and mental spaces particular to conceptualizations of death. The first part takes a closer look at metonymy to illuminate the ways in which it allows a person to zoom in on death’s more inoffensive dimensions or zoom out from its more troubling aspects. The second part focuses on the more palatable concepts which metaphorically structure and help to better understand death. A wide range of classical and modern examples from European, Asian, Australian, and African languages and cultures showcase points of overlap and divergence. Opening up new lines of inquiry into research on death and dying and offering a linguistically focused complement to anthropological and religious studies on the topic, this book will be of interest to scholars in cognitive linguistics, sociolinguistics, cross-cultural communication, and cultural studies.

Le Lévite d’Ephraïm, Rousseau’s re-imagining of the final chapters of the Book of Judges, contains major themes of Rousseau’s oeuvre and lays forth central concerns of his intellectual projects. Among the themes highlighted in the concentrated narrative are: the nature of signs and symbols and their relationship to the individual and society that produce them; the role of hospitality in constituting civil society; the textually-displayed moral disorder as foreshadowing political revolution; and finally, the role of violence in creating a unified polity. In Le Lévite d’Ephraïm, Rousseau explores the psychological and communal implications of violence and, through them, the social and political context of society. The incarnation of violence on the bodies of the women in this story highlights the centrality of women in Rousseau’s thought. Women are systematically dismembered, both literally and figuratively, and this draws the reader’s attention to the significance of these women as they are perennially re-membered inside and outside the text. This study of these themes in Le Lévite d’Ephraïm places it in relation to the biblical text at its origins and to Rousseau’s own writings and larger cultural concerns as he grapples with the challenges of modernity.

Secrets of Ayurveda is the perfect introduction to this ancient practice that, through a combination of science and philosophy, has been used for over 3,000 years to achieve optimum well-being. From yoga and meditation to astrology and self-massage, you will discover how Ayurveda works, its principles, what to expect in a consultation, and how to further develop your understanding of this holistic practice. Identify your Ayurvedic constitution and discover how adjusting your diet and lifestyle to suit your dosha can improve your health. ​By living intentionally and working with preventative medicine, you can combat most modern ailments and illnesses more effectively than you would by treating them after they arise. In this easy-to-understand guide, you will find: An explanation of Aryuveda and the best way for beginner practitioners to get the most out of the lifestyle Ways to use divine medicine to find a natural balance within your own body How to find the source of your imbalances and correct your course Tap into Ayurveda and the many health benefits it offers. The Holistic Secrets series provides comprehensive explanations of the fundamental principles behind techniques and methods. They explore practices in detail and offer advice in an accessible guide that will teach you about the power of these methods and how they can be harnessed to balance your mind, body, and spirit. These books--suitable for the beginner or the experienced practitioner--tells you everything you need to know about establishing a practice at home.

The curious paradox of romance is that, throughout its history, this genre has been dismissed as trivial and unintellectual, yet people have never ceased to flock to it with enthusiasm and even fervor. In contemporary contexts, we devour popular romance and fantasy novels like The Lord of the Rings, Harry Potter, and Game of Thrones, reference them in conversations, and create online communities to expound, passionately and intelligently, upon their characters and worlds. But romance is “unrealistic,” critics say, doing readers a disservice by not accurately representing human experiences. It is considered by some to be a distraction from real literature, a distraction from real life, and little more. Yet is it possible that romance is expressing a truth—and a truth unrecognized by realist genres? The Arthurian literature of the Middle Ages, Karen Sullivan argues, consistently ventriloquizes in its pages the criticisms that were being made of romance at the time, and implicitly defends itself against those criticisms. The Danger of Romance shows that the conviction that ordinary reality is the only reality is itself an assumption, and one that can blind those who hold it to the extraordinary phenomena that exist around them. It demonstrates that that which is rare, ephemeral, and inexplicable is no less real than that which is commonplace, long-lasting, and easily accounted for. If romance continues to appeal to audiences today, whether in its Arthurian prototype or in its more recent incarnations, it is because it confirms the perception—or even the hope—of a beauty and truth in the world that realist genres deny.

The curious paradox of romance is that, throughout its history, this genre has been dismissed as trivial and unintellectual, yet people have never ceased to flock to it with enthusiasm and even fervor. In contemporary contexts, we devour popular romance and fantasy novels like The Lord of the Rings, Harry Potter, and Game of Thrones, reference them in conversations, and create online communities to expound, passionately and intelligently, upon their characters and worlds. But romance is “unrealistic,” critics say, doing readers a disservice by not accurately representing human experiences. It is considered by some to be a distraction from real literature, a distraction from real life, and little more. Yet is it possible that romance is expressing a truth—and a truth unrecognized by realist genres? The Arthurian literature of the Middle Ages, Karen Sullivan argues, consistently ventriloquizes in its pages the criticisms that were being made of romance at the time, and implicitly defends itself against those criticisms. The Danger of Romance shows that the conviction that ordinary reality is the only reality is itself an assumption, and one that can blind those who hold it to the extraordinary phenomena that exist around them. It demonstrates that that which is rare, ephemeral, and inexplicable is no less real than that which is commonplace, long-lasting, and easily accounted for. If romance continues to appeal to audiences today, whether in its Arthurian prototype or in its more recent incarnations, it is because it confirms the perception—or even the hope—of a beauty and truth in the world that realist genres deny.

Editor's note: there has been an issue with the book's companion site. Focal Press is fixing the issue. In the meanwhile, please visit http://www.routledge.com/cw/sullivan-978024081872/ for all the material promised in the book. From demo reel creation to festival shorts, students and professionals alike are creating animated shorts that are dynamic and eye catching but the time constraints of these shorts are challenging in their own right. The unique format of the animated short of two to five minutes in length presents a practical and aesthetic challenge that is rarely addressed in the classroom. Ideas for the Animated Short is a comprehensive and practical blueprint for creative and unique animated short creation with a focus on the strength of a compelling story. A comprehensive guide to the animated short, this title is an invaluable asset for aspiring animation professionals, students and independent filmmakers. Explore the process of developing a short from conception to final delivery and adapt the industry's best practices in your own workflow. Written by four leading animators, artists and professors, Ideas for the Animated Short is written from the unique perspective of a professional animator adapting creative stories into incredible animated shorts.Follow from start to finish the creation of an animated short from the pre-production thought process to story development and character design. Explore the best practices and avoid the common pitfalls of creating two to five minute shorts. Watch a specially created animated short, demonstrating the core techniques and principles at the companion website! Packed with illustrated examples of idea generation, character and story development, acting, dialogue and storyboarding practice this is your conceptual toolkit proven to meet the challenges of this unique art form. The companion website includes in-depth interviews with industry insiders, sho

An encyclopedia of natural home remedies, covering all the main healing techniques from aromatherapy to vitamin and nutritional therapies. Beautifully illustrated throughout, with comprehensive information on safe natural remedies to treat the whole family.

An encyclopedia of natural home remedies, covering all the main healing techniques from aromatherapy to vitamin and nutritional therapies.Beautifully illustrated throughout, with comprehensive information on safe natural remedies to treat the whole family.

When Catherine Kelley witnesses a 'shadowy' altercation in the building opposite her bakery, Cat's Cookies, she's concerned. Her concern transforms into horror when Detective Jack Bradshaw reveals that a local businesswoman, Patricia Woods, has been murdered under suspicious circumstances. Cat knows that her eyewitness view of the crime will give her the edge in solving the case. Equipped with her determination to bring another Charleston murderer to justice, a bag full of White Choc Cherry Chunky cookies, and her newest sleuthing buddy, she sets off on another investigative journey. But there's more to this one than meets the eye: a stranger has come to town, and the weird noises from the supposedly empty apartment of the deceased, keep Cat up most of the night. Cat has to get to the bottom of this one, or risk her business going sour - after all, no one wants to feast on cookies across from a crime scene.

When Cat Kelley hears that her benefactor and oldest friend, Beth Walters, has died under 'mysterious circumstances' she's distraught. That sorrow turns into outrage when Detective Jack Bradshaw turns up in her famed cookie store, Cat's Cookies, and reveals that the Walters family has pinned the blame on her. Cat must follow her gut and the trail of cookie crumbs to clear her name and keep her head above the water. Armed with her craving-inducing cookies, her impulsive nature and her cute cat, Oreo, for company, Catherine sets out to solve the crime. But she has to juggle her work, the anger of an entire family, and the suspicions of the police in the process. Cat must keep a low profile and use both her brains and intuition, or she'll end up in the exact same spot the killer should be - prison