Karl Kroeber

With the aid of new analytic techniques, including the computer, Karl Kroeber examines the fictional styles of three consecutive English novelists, presenting an objective and systematic comparison of the stylistic coherence of their work. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

With the aid of new analytic techniques, including the computer, Karl Kroeber examines the fictional styles of three consecutive English novelists, presenting an objective and systematic comparison of the stylistic coherence of their work. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Over one million copies sold. The life story of Ishi, the Yahi Indian, lone survivor of a doomed tribe, is unique in the annals of North American anthropology. For more than forty years, Theodora Kroeber's biography has been sharing this tragic and absorbing drama with readers all over the world. Ishi stumbled into the twentieth century on the morning of August 29, 1911, when, desperate with hunger and with terror of the white murderers of his family, he was found in the corral of a slaughter house near Oroville, California. Finally identified as an Indian by an anthropologist, Ishi was brought to San Francisco by Professor T. T. Waterman and lived there the rest of his life under the care and protection of Alfred Kroeber and the staff of the University of California's Museum of Anthropology.

Nine tales, selected and retold here by anthropologist and author Theodora Kroeber for the adult general-interest reader. The new foreword by her son, Karl Kroeber, provides context about the author's methods and describes his own personal connection to the stories themselves.

This challenging study analyzes nearly forty superb stories, from mythic narratives predating Columbus to contemporary American Indian fiction, representing every traditional Native American culture area. Developing recent ethnopoetic scholarship and drawing on the critical ideas of Mikhail Bakhtin and Pierre Bourdieu, Karl Kroeber reveals how preconceptions deriving from our hypervisual, print-dominated culture distort our understanding of essential functions and forms of oral storytelling. Kroeber demonstrates that myths do not merely preserve tradition but may transform it by performatively reenacting the concealed sociological and psychological conflicts that give rise to social institutions. Showing how the variability of mythic narrative fosters communal self-renewal, Kroeber offers startling insight into Native Americans' perception of animals as "cultured," their creation of visually unrepresentable tricksters by aural imagining, and the rhetorical means through which oral narratives may not only reflect but even redirect political change.By making understandable the forgotten artistry of oral storytelling, Kroeber enables modern readers to appreciate fully the tragic emotions, hilarious ribaldry, and haunting beauty in these astonishing Native American mythic narratives.

This challenging study analyzes nearly forty superb stories, from mythic narratives pre-dating Columbus to contemporary American Indian fiction, representing every traditional Native American culture area. Developing recent ethnopoetic scholarship and drawing on the critical ideas of Mikhail Bakhtin and Pierre Bourdieu, Karl Kroeber reveals how preconceptions deriving from our hypervisual, print-dominated culture distort our understanding of essential functions and forms of oral storytelling. Kroeber demonstrates that myths do not merely preserve tradition but may transform it by performatively reenacting the concealed sociological and psychological conflicts that give rise to social institutions.Showing how the variability of mythic narrative fosters communal self-renewal, Kroeber offers startling insight into Native Americans' perception of animals as 'cultured', their creation of visually unrepresentable tricksters by aural imagining, and the rhetorical means through which oral narratives may not only reflect but even redirect political change. By making understandable the forgotten artistry of oral storytelling, Kroeber enables modern readers to appreciate fully the tragic emotions, hilarious ribaldry, and haunting beauty in these astonishing Native American mythic narratives. Karl Kroeber is Mellon Professor of Humanities at Columbia University. His most recent books are "Ecological Literary Criticism: Romantic Imagining and the Biology of the Mind" and "Retelling/Rereading: The Fate of Storytelling in Modern Times".

Kroeber argues that literary criticism needs to reestablish connections to a wide range of social activities, especially the thinking of contemporary scientists. This new kind of criticism, "ecological literary criticism," sets out to correct the abstractions of current theorizing about literature, and to make humanistic studies more socially responsible. Though applicable to any writer of any period, Kroeber points out that the proto-ecological tendencies of the English Romantic poets make them especially useful as a starting point for this approach. Since the Romantics believed that people were, and should be, at home in the natural world. Ecological Literary Criticism asks that we examine poetry from a perspective that assumes that the imaginative acts of cultural beings offer valuable insights into how and why cultural and natural phenomena have interrelated in the past and how they could more advantageously interrelate in the future. Kroeber argues that this approach to criticism will help us to develop mutually enriching links between humanistic and scientific modes of understanding humankind and the earth we inhabit.