Katherena Vermette

Mothership: Tales from Afrofuturism and Beyond is a groundbreaking speculative fiction anthology that showcases the work from some of the most talented writers inside and outside speculative fiction across the globe-including Junot Diaz, Victor LaValle, Lauren Beukes, N. K. Jemisin, Rabih Alameddine, S. P. Somtow, and more. These authors have earned such literary honors as the Pulitzer Prize, the American Book Award, the World Fantasy Award, and the Bram Stoker, among others.

you are only here to learn from those who came before and make space for those who come after Procession: a line of people moving in the same direction; a formal ceremony or celebration, as in a wedding, a funeral, a religious parade. Bestseller and Governor General’s Award–winner Katherena Vermette’s third collection presents a series of poems reaching into what it means to be at once a descendant and a future ancestor, exploring the connections we have with one another and ourselves, amongst friends, and within families and Nations. In frank, heartfelt poems that move through body sovereignty and ancestral dreams, and from ’80s childhood nostalgia to welcoming one’s own babies, Vermette unreels the story of a child, a parent, and soon, an elder, living in a prairie place that has always existed, though looks much different to her now. This book is about being one small part of a large genealogy. A lineage is a line, and the procession, whether in celebration or in mourning, is ongoing. Procession delves into what it means to make poems and to be an artist, to be born into a body, to carry it all, and, if you’re very lucky, age. be a good ancestor be a good kid

The Strangers, a breathtaking companion to Vermette's bestselling debut The Break, is a searing exploration of race, class, inherited trauma, and matrilineal bonds that--despite everything--refuse to be broken. Cedar, Phoenix, and Elsie--these are the strangers, each haunted in her own way. Cedar grapples with the pain of being separated from her mother, Elsie, and her sister, Phoenix. From a youth detention center, Phoenix gives birth to a baby she'll never get to raise. And Elsie, struggling with addiction and determined to turn her life around, is buoyed by the idea of being reunited with her daughters and striving to be someone they can depend on, unlike her own distant mother. Between flickering moments of warmth and support, the women diverge and reconnect, fighting to survive in a fractured system that pretends to offer success but expects them to fail. Facing the distinct blade of racism from those they trusted most, they urge one another to move through the darkness, all the while wondering if they'll ever emerge safely on the other side.

? Among CCBC's Best Books for Kids & Teens list, a starred selection of exceptional caliber! Métis teenager Echo Desjardins is struggling to adjust to a new school and a new home. When an ordinary history class turns extraordinary, Echo is pulled into a time-travelling adventure. Follow Echo as she experiences pivotal events from Métis history and imagines what the future might hold. This omnibus edition includes all four volumes in the A Girl Called Echo series: In Pemmican Wars, Echo finds herself transported to the prairies of 1814. She witnesses a bison hunt, visits a Métis camp, and travels the fur-trade routes. Experience the perilous era of the Pemmican Wars and the events that lead to the Battle of Seven Oaks. In Red River Resistance, we join Echo on the banks of the Red River in the summer of 1869. Canadian surveyors have arrived and Métis families, who have lived there for generations, are losing their land. As the Resistance takes hold, Echo fears for the future of her people in Red River. In Northwest Resistance, Echo travels to 1885. The bison are gone and settlers from the East are arriving in droves. The Métis face starvation and uncertainty as both their survival and traditional way of life are threatened. The Canadian government has ignored their petitions, but hope rises with the return of Louis Riel. In Road Allowance Era, Echo returns to 1885. Louis Riel is standing trial, and the government has not fulfilled its promise of land for the Métis. Burnt out of their home in Ste. Madeleine, Echo’s people make their way to Rooster Town, a shanty community on the southwest edges of Winnipeg. In this final instalment, Echo is reminded of the strength and perseverance of the Métis. This special omnibus edition of Katherena Vermette’s best-selling series features an all-new foreword by Chantal Fiola (Returning to Ceremony: Spirituality in Manitoba Métis Communities), a historical timeline, and an essay about Métis being and belonging by Brenda Macdougall (Contours of a People: Métis Family, Mobility, and History).

Memories. Some memories are elusive, fleeting, like a butterfly that touches down and is free until it is caught. Others are haunting. You'd rather forget them, but they won't be forgotten. And some are always there. No matter where you are, they are there, too.In this moving story of legacy and reclamation, two young sisters are taken from their home and family. Powerless in a broken system, April and Cheryl are separated and placed in different foster homes. Despite the distance, they remain close, even as their decisions threaten to divide them emotionally, culturally, and geographically. As one sister embraces her Métis identity, the other tries to leave it behind.Will the sisters’ bond survive as they struggle to make their way in a society that is often indifferent, hostile, and violent?Beloved for more than 40 years, In Search of April Raintree is a timeless story that lingers long after the final page. This anniversary edition features a foreword by Governor General’s Award–winning author Katherena Vermette, and an afterword by University of Regina professor, Dr. Raven Sinclair (Ôtiskewâpit), an expert on Indigenous child welfare.

In Road Allowance Era, Echo’s story picks up again when she travels back in time to 1885.The government has not fulfilled its promise of land for the Métis, and many flee to the Northwest. As part of the fallout from the Northwest Resistance, their advocate and champion Louis Riel is executed. As new legislation corrodes Métis land rights, and unscrupulous land speculators and swindlers take advantage, many Métis settle on road allowances and railway land, often on the fringes of urban centres.For Echo, the plight of her family is apparent. Burnt out of their home in Ste. Madeleine, they make their way to Rooster Town, a shanty community on the southwest edges of Winnipeg. In this final instalment of her story, Echo is reminded of the strength and resilience of her people, forged through the loss and pain of the past, as she faces a triumphant future.

Echo Desjardins just can't stop slipping back and forth in time.In Northwest Resistance, Echo travels to 1885, a period of turmoil. The bison are gone, settlers from the East are arriving daily, and the Métis and First Nations of the Northwest face hunger and uncertainty as their traditional way of life is threatened. The Canadian government has ignored their petitions, but hope rises when Louis Riel returns to help. However, battles between Canadian forces and the Métis and their allies lead to defeat at Batoche. Through it all, Echo gains new perspectives about where she came from and what the future may hold.

Tired of reading negative and disparaging remarks directed at Indigenous people of Winnipeg in the press and social media, artist KC Adams created a photo series that presented another perspective. Called “Perception Photo Series,” it confronted common stereotypes of First Nation, Inuit and Métis people to illustrate a more contemporary truthful story. First appearing on billboards, in storefronts, in bus shelters, and projected onto Winnipeg’s downtown buildings, Adams’s stunning photographs now appear in the book, Perception: A Photo Series. Meant to challenge the culture of apathy and willful ignorance about Indigenous issues, Adams hopes to unite readers in the fight against prejudice of all kinds.Perception is one title in The Debwe Series.

Explore the past 150 years through the eyes of Indigenous creators in this groundbreaking graphic novel anthology. Beautifully illustrated, these stories are an emotional and enlightening journey through Indigenous wonderworks, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact. Each story includes a timeline of related historical events and a personal note from the author. Find cited sources and a select bibliography for further reading in the back of the book. The accompanying teacher guide includes curriculum charts and 12 lesson plans to help educators use the book with their students. This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.

Echo Desjardins is adjusting to her new home, finding friends, and learning about Métis history. She just can’t stop slipping back and forth in time. One ordinary afternoon in class, Echo finds herself transported to the banks of the Red River in the summer of 1869. All is not well in the territory as Canadian surveyors have arrived to change the face of territory, and Métis families, who have lived there for generations, are losing access to their land. As the Resistance takes hold, Echo fears for her friends and the future of her people in the Red River Valley.

While picking berries with her mother, a little girl wanders too far into the woods. When she realizes she is lost, she begins to panic. A large grey wolf makes a sudden appearance between some distant trees. Using his sense of smell, he determines where she came from and decides to help her. Through a series of questions from the wolf, the little girl realizes she had the knowledge and skill to navigate herself--she just needed to remember that those abilities were there all along.

Governor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history.Award-winning Métis poet and novelist Katherena Vermette’s second book of poetry, river woman, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.Like the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body - particularly through language as it lives inside the body - that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.Vermette honours the river as a woman - her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words / transcend ceremony / into everyday” and “nothing / is inanimate.”

A GOVERNOR GENERAL'S LITERARY AWARD FINALISTLonglisted for the Dublin Literary Award 2018Crime Book of the Month, Sunday Times, February 2018'I loved this... very tough and very real.' - Margaret AtwoodWhen Stella, a young mother in an Indigenous community, looks out her window one wintry evening and spots someone being attacked on the Break - a barren field on an isolated strip of land outside her house - she calls the police. By the time help arrives, all that is left of the struggle is blood on the snow. As the search for the victim intensifies, people who are connected, both directly and indirectly - police, family, and friends - tell their personal stories leading up to that fateful night, uncovering secrets and resentments long buried and giving blazing testimony to the lived reality of people pushed out to the coldest edges of modern Canada.

Echo Desjardins, a 13-year-old Métis girl adjusting to a new home and school, is struggling with loneliness while separated from her mother. Then an ordinary day in Mr. Bee’s history class turns extraordinary, and Echo’s life will never be the same. During Mr. Bee’s lecture, Echo finds herself transported to another time and place—a bison hunt on the Saskatchewan prairie—and back again to the present. In the following weeks, Echo slips back and forth in time. She visits a Métis camp, travels the old fur-trade routes, and experiences the perilous and bygone era of the Pemmican Wars.Pemmican Wars is the first graphic novel in a new series, A Girl Called Echo, by Governor General Award–winning writer, and author of Highwater Press’ The Seven Teaching Stories, Katherena Vermette.

When Stella, a young Metis mother, looks out her window one evening and spots someone in trouble on the Break -- a barren field on an isolated strip of land outside her house -- she calls the police to alert them to a possible crime.In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim -- police, family, and friends -- tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Metis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg's North End is exposed.A powerful intergenerational family saga, The Break showcases Vermette's abundant writing talent and positions her as an exciting new voice in literary fiction.