Kenneth L. Stilson

The Lanford Wilson New American Play Festival honors plays that provide dynamic performance opportunities for college-aged actors between the ages of eighteen and thirty. The festival features both a full-length and short play division. Out of hundreds of submissions in the short play division, this book contains the ten 2025 finalists from playwrights from across the country. These particular official entries are all two-character plays, and they range from eight to twenty minutes. The subject-matter is diverse as the playwrights themselves.

Acting Is Believing has trained generations of actors and remains one of the most popular and influential classic Stanislavski-based acting books over the past sixty years. Now in its thirteenth edition, it has been reimagined for the art of acting in the twenty-first century.Stanislavski expanded our understanding of the mysterious process that results in truthful acting, devising practical steps to pursue the most elusive element of the artform—inspiration. Acting Is Believing: Stanislavski in the 21st Century, 13th Edition, introduces students to all the major concepts of Stanislavski’s System of Acting, providing them with a logical process through which they can master this complex art. It breaks down even the most complex elements defining human behavior in ways that are easy to digest. This new edition has been greatly updated, including:Reworked chapters throughout to bring Stanislavski’s theories to life in a language that speaks to today’s actorsA new approach to entering Stanislavski’s Creative State, broken into an innovative five-part processUpdated discussions on anxiety, physical tension, social inhibitions, and intimacy onstageModified solo and group exercisesExpanded appendix on self-directed scene study Refined and updated glossary of acting, theatre, and film terminology Acting Is Believing remains grounded in Stanislavski-based technique training, yet this latest text has evolved as a vital resource for twenty-first century artists pursing acting careers in theatre, film, and television. With a foreword by two-time Tony Award winning actor, Norbert Leo Butz, Acting Is Believing continues to set the gold standard in the art of acting for a new generation.

Acting Is Believing has trained generations of actors and remains one of the most popular and influential classic Stanislavski-based acting books over the past sixty years. Now in its thirteenth edition, it has been reimagined for the art of acting in the twenty-first century.Stanislavski expanded our understanding of the mysterious process that results in truthful acting, devising practical steps to pursue the most elusive element of the artform—inspiration. Acting Is Believing: Stanislavski in the 21st Century, 13th Edition, introduces students to all the major concepts of Stanislavski’s System of Acting, providing them with a logical process through which they can master this complex art. It breaks down even the most complex elements defining human behavior in ways that are easy to digest. This new edition has been greatly updated, including:Reworked chapters throughout to bring Stanislavski’s theories to life in a language that speaks to today’s actorsA new approach to entering Stanislavski’s Creative State, broken into an innovative five-part processUpdated discussions on anxiety, physical tension, social inhibitions, and intimacy onstageModified solo and group exercisesExpanded appendix on self-directed scene study Refined and updated glossary of acting, theatre, and film terminology Acting Is Believing remains grounded in Stanislavski-based technique training, yet this latest text has evolved as a vital resource for twenty-first century artists pursing acting careers in theatre, film, and television. With a foreword by two-time Tony Award winning actor, Norbert Leo Butz, Acting Is Believing continues to set the gold standard in the art of acting for a new generation.