Kenneth Quinn

First published in 1979, Texts and Contexts identifies those classics of Roman literature which deserve to survive because of their intrinsic quality and their lasting significance. The most important of these texts are placed in the context of the tradition which each represents and which each group of texts, taken together, constitutes. Four main streams of tradition are identified: the poet as storyteller (narrative poetry and drama), the poet as teacher (didactic poetry), the poet as himself (personal poetry and the poetry of social comment), and Roman literary prose. Each major text is presented in the form of one or more passages of substantial length for analysis in detail and comparison with related works. The translations used include leading literary translations since the sixteenth century. The result is a history of Roman literature in which the emphasis is laid on the quality of the text discussed rather than on comprehensiveness of treatment, and on organic relationships rather than chronology. This book is the result of thirty years of teaching experience by the author and his conviction that existing books on the same subject are inadequate and misleading. It will be of particular interest to students taking classical literature and translation courses, to students of English literature and anyone who is interested in literature, even without a knowledge of Latin.

First published in 1968, Virgil’s Aeneid is to help all who approach the long and difficult poem seriously (in Latin or in English) to read it with discerning appreciation. This is not a handbook, nor is it a commentary: it is a critical description, from a number of aspects, of a poetic structure. A detailed analysis of the twelve books is preceded by a preliminary exploration of the poem’s central purpose, a careful reconstruction of the historical and artistic circumstances, and a description of the main outlines of the poem’s structure; two further chapters provide a discussion of a number of theoretical problem and an analysis of the verbal fabric. This book will be of interest to students of classical literature and history.

First published in 1979, Texts and Contexts identifies those classics of Roman literature which deserve to survive because of their intrinsic quality and their lasting significance. The most important of these texts are placed in the context of the tradition which each represents and which each group of texts, taken together, constitutes. Four main streams of tradition are identified: the poet as storyteller (narrative poetry and drama), the poet as teacher (didactic poetry), the poet as himself (personal poetry and the poetry of social comment), and Roman literary prose. Each major text is presented in the form of one or more passages of substantial length for analysis in detail and comparison with related works. The translations used include leading literary translations since the sixteenth century. The result is a history of Roman literature in which the emphasis is laid on the quality of the text discussed rather than on comprehensiveness of treatment, and on organic relationships rather than chronology.This book is the result of thirty years of teaching experience by the author and his conviction that existing books on the same subject are inadequate and misleading. It will be of particular interest to students taking classical literature and translation courses, to students of English literature and anyone who is interested in literature, even without a knowledge of Latin.

First published in 1968, Virgil’s Aeneid is to help all who approach the long and difficult poem seriously (in Latin or in English) to read it with discerning appreciation. This is not a handbook, nor is it a commentary: it is a critical description, from a number of aspects, of a poetic structure. A detailed analysis of the twelve books is preceded by a preliminary exploration of the poem’s central purpose, a careful reconstruction of the historical and artistic circumstances, and a description of the main outlines of the poem’s structure; two further chapters provide a discussion of a number of theoretical problem and an analysis of the verbal fabric. This book will be of interest to students of classical literature and history.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Latin Explorations, first published in 1963, offers a fresh approach to Roman poetry from Catullus to Ovid. Traditionally, the period is divided for specialist studies – Lyric, Epic and Elegy. In each of them, techniques of interpretation prevail, isolated from contemporary ideas about poetry and dominated by barriers between ‘textual’, ‘exegetical’ and ‘aesthetic’ criticism. Kenneth Quinn discerns in Roman poetry of this period the adolescence, maturity and decay of a single coherent tradition whose internal unity surpasses differences of form. His argument attempts to reverse the dissociation of purely academic research from appreciative criticism, whilst also incorporating the work of textual scholars. Each chapter is supported by a detailed analysis of the texts: nearly 700 lines of poetry are discussed and translated. Latin Explorations will be of significant value not only to students of the Classics, but also to the ‘Latinless’ general reader who is interested in Roman literature.

Latin Explorations, first published in 1963, offers a fresh approach to Roman poetry from Catullus to Ovid. Traditionally, the period is divided for specialist studies – Lyric, Epic and Elegy. In each of them, techniques of interpretation prevail, isolated from contemporary ideas about poetry and dominated by barriers between ‘textual’, ‘exegetical’ and ‘aesthetic’ criticism. Kenneth Quinn discerns in Roman poetry of this period the adolescence, maturity and decay of a single coherent tradition whose internal unity surpasses differences of form. His argument attempts to reverse the dissociation of purely academic research from appreciative criticism, whilst also incorporating the work of textual scholars. Each chapter is supported by a detailed analysis of the texts: nearly 700 lines of poetry are discussed and translated. Latin Explorations will be of significant value not only to students of the Classics, but also to the ‘Latinless’ general reader who is interested in Roman literature.

The aim of this important and still valuable book – first published in 1968 but never before available in paperback – is, quite simply, to help all who approach Virgil’s Aeneid seriously, whether in the original Latin or in English translation, to read it with discernment and appreciation. It offers itself as neither a handbook nor a commentary, but as a critical description of the poem’s structure and aspects of its composition. It begins with a preliminary exploration of the poem’s central purpose; a careful reconstruction of its literary and historical context (following the battle of Actium in 31 BC which made Augustus Caesar master of the Roman world); and a description of the main outlines of its structure. At the book’s core is a detailed analysis of each of the epic’s twelve books, with particular emphasis on the later, less often read ones; and this is followed by two further chapters, one dealing with Virgil’s use of form and some related theoretical problems, the other with a closer examination of the poem’s verbal fabric.

Examining the revolution wrought by Catullus in Latin poetry, this volume encapsulates the way in which principles of modern literary criticism could be applied to classical poetry, without ditching the sound philological scholarship of the classical tradition. In its day this book led the way in showing the philogically trained student how to be a critic; equally it can show the critically trained student the importance of a sound philogical base today.

In How Literature Works important issues of literary theory are vividly illustrated by application to a wide variety of texts, many quoted and discussed at length. The theoretical aspects covered include the structural characteristics of literary texts, the psychology of the reading process and the social function of literature. The book also deals with such general questions as the relationship between literary texts and `objective' prose and the relationship between poems written to work as songs and those in which the lyric form is used to develop an argument: the singing and the speaking voice.