Kevin Jared Hosein

A rediscovered classic, Yesterdays turns colonialism on its head.After years of suffering at the hands of white missionaries trying to convert Trinidadians to Christianity, Poonwa has decided, as payback, to go to Canada and start a Hindu mission. His father, Choonilal, doesn't want to borrow the money Poonwa needs from the corrupt local priest. The whole village gets dragged into the fight, a distraction from the usual arguments over latrines and sexual dalliances.First published in 1974, Yesterdays is a ribald, outrageous portrait of Trinidadian village life, and a prescient proto-parody of what would become the archetypal immigrant story. Sacred cows both literal and figurative are skewered in a series of increasingly absurd encounters between villagers who can't keep their noses – and other body parts – out of their neighbours' business.A foreword by Kevin Jared Hosein contextualizes this important book, which was politically and aesthetically ahead of its time but lost after the untimely death of Harold Sonny Ladoo."Yesterdays upends conventional narratives that find sexual liberation in the postindustrial city. Ladoo's agrarian villagers inhabit the fullness of their complex humanities in audaciously funny and often uncomfortable ways, and are radically at ease with their fluid sexual appetites. An under-appreciated gem, his novel is as much a testament to Ladoo's skillful observation and rendering of the world that surrounded him as it is to the value of being tellers of our own stories." – Andil Gosine, author of Nature's Wild: Love, Sex and Law in the Caribbean"Yesterdays is the novel, underappreciated on its initial release and since forgotten, that should have charted a deviant, audacious path through the staid self-seriousness of Canadian literature. Let's hope there's still time." – Pasha Malla, author of All You Can Kill

_____________________________* A BBC TWO BETWEEN THE COVERS BOOK CLUB PICK FOR 2023 ** WINNER OF THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 2024 *‘A shimmering slice of Trinidadian gothic’ THE TIMES‘An astonishing novel’ BERNARDINE EVARISTO‘Deeply impressive ’ HILARY MANTELThe music was still playing when Dalton Changoor vanished into thin air... On a hill overlooking Bell Village sits the Changoor farm, where Dalton and Marlee Changoor live in luxury unrecognisable to those who reside in the farm’s shadow. Down below is the barrack, a ramshackle building of wood and tin, divided into rooms occupied by whole families. Among these families are the Saroops – Hans, Shweta, and their son, Krishna, who live hard lives of backbreaking work, grinding poverty and devotion to faith.When Dalton Changoor goes missing and Marlee’s safety is compromised, farmhand Hans is lured by the promise of a handsome stipend to move to the farm as watchman. But as the mystery of Dalton’s disappearance unfolds their lives become hellishly entwined, and the small community altered forever.Hungry Ghosts is a mesmerising novel about violence, religion, family and class, rooted in the wild and pastoral landscape of 1940s colonial central Trinidad.A 2023 highlight for: Financial Times * Guardian * Evening Standard * Daily Mail * BBC News

LONGLISTED FOR THE SWANSEA UNIVERSITY DYLAN THOMAS PRIZE WINNER OF THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION "This is a deeply impressive book, and I think an important one. Its intensity, its narrative attack, the fascinations of its era and setting, make it impossible to tear the attention away. Energy and inventiveness distinguish every page." -- Hilary MantelFrom an unforgettable new voice in Caribbean literature, a sweeping story of two families colliding in 1940s Trinidad--and a chilling mystery that shows how interconnected their lives truly are Trinidad in the 1940s, nearing the end of American occupation and British colonialism. On a hill overlooking Bell Village sits the Changoor farm, where Dalton and Marlee Changoor live in luxury unrecognizable to those who reside in the farm's shadow. Down below is the Barrack, a ramshackle building of wood and tin, divided into rooms occupied by whole families. Among these families are the Saroops--Hans, Shweta, and their son, Krishna, all three born of the barracks. Theirs are hard lives of backbreaking work, grinding poverty, devotion to faith, and a battle against nature and a social structure designed to keep them where they are.But when Dalton goes missing and Marlee's safety is compromised, farmhand Hans is lured by the promise of a handsome stipend to move to the farm as a watchman. As the mystery of Dalton's disappearance unfolds, the lives of the wealthy couple and those who live in the barracks below become insidiously entwined, their community changed forever and in shocking ways.A searing and singular novel of religion, class, family, and historical violence, and rooted in Trinidad's wild pastoral landscape and inspired by oral storytelling traditions, Hungry Ghosts is deeply resonant of its time and place while evoking the roots and ripple effects of generational trauma and linked histories; the lingering resentments, sacrifices, and longings that alter destinies; and the consequences of powerlessness. Lyrically told and rendered with harrowing beauty, Hungry Ghosts is a stunning piece of storytelling and an affecting mystery, from a blazingly talented writer.

LONGLISTED FOR THE SWANSEA UNIVERSITY DYLAN THOMAS PRIZE WINNER OF THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION "This is a deeply impressive book, and I think an important one. Its intensity, its narrative attack, the fascinations of its era and setting, make it impossible to tear the attention away. Energy and inventiveness distinguish every page." -- Hilary MantelFrom an unforgettable new voice in Caribbean literature, a sweeping story of two families colliding in 1940s Trinidad--and a chilling mystery that shows how interconnected their lives truly are Trinidad in the 1940s, nearing the end of American occupation and British colonialism. On a hill overlooking Bell Village sits the Changoor farm, where Dalton and Marlee Changoor live in luxury unrecognizable to those who reside in the farm's shadow. Down below is the Barrack, a ramshackle building of wood and tin, divided into rooms occupied by whole families. Among these families are the Saroops--Hans, Shweta, and their son, Krishna, all three born of the barracks. Theirs are hard lives of backbreaking work, grinding poverty, devotion to faith, and a battle against nature and a social structure designed to keep them where they are.But when Dalton goes missing and Marlee's safety is compromised, farmhand Hans is lured by the promise of a handsome stipend to move to the farm as a watchman. As the mystery of Dalton's disappearance unfolds, the lives of the wealthy couple and those who live in the barracks below become insidiously entwined, their community changed forever and in shocking ways.A searing and singular novel of religion, class, family, and historical violence, and rooted in Trinidad's wild pastoral landscape and inspired by oral storytelling traditions, Hungry Ghosts is deeply resonant of its time and place while evoking the roots and ripple effects of generational trauma and linked histories; the lingering resentments, sacrifices, and longings that alter destinies; and the consequences of powerlessness. Lyrically told and rendered with harrowing beauty, Hungry Ghosts is a stunning piece of storytelling and an affecting mystery, from a blazingly talented writer.

When the infant Jordan Sant is taken to the St Asteria Home for Children after the murder of his parents, he sets out on a journey that is a constant struggle between his best and worst selves. One relationship, with the young nun the children call Mouse, awakens the possibilities of love and hope, but when Mouse abandons her calling and leaves the home, the world thereafter becomes a darker place. When, barely a teenager, he runs away from the home to scuffle for a living in the frightening underbelly of Port of Spain, Jordan reaches the lower depths of both Trinidadian society and himself. In Jordan Sant, Kevin Jared Hussein creates a narrator who gets under your skin. He takes us into the most dreadful places of human experience, confesses doing seemingly unforgivable things. But though Jordan knows how inescapable circumstance can be, he never denies responsibility for his actions. But can this Dostoyevskian figure save himself? The Repenters takes us to places in Trinidad readers will have never been before. In Kevin Hosein the Caribbean announces a writer whose work is poetic, Gothic, and deeply transgressive, whose creation of a voice for Jordan Sant is troubling, engrossing and not to be forgotten.