Kevin Williams

“Gentlemen! What stands between us and strangling Britain’s merchantmen and bringing her to her knees, is not the fury of the sea, or the violence of her Navy, but the obstinate stubbornness of the British sailor.” Cousins Jack Lee and Emma Pickney and the attractive and charismatic Ranulph form an awkward love triangle. This explodes as they sail the Northern seas off Shetland in the summer of 1939 with the war clouds gathering. Jack, a Merchant Navy deck officer, finds himself in the front line of Hitler’s U-boat war, battling for survival in the turbulent waters of the North Atlantic, while clinging to his love for Emma. Ranulph, a salvage diver, is determined to evade the war. However, of the three, he is the first casualty, driven mad by the carnage wrought on the Battleship HMS Royal Oak, torpedoed in Scapa Flow in a daring attack by U-boat No.47. Joachim Endrass, U47’s 1st Officer and the man who fired the torpedoes that sowed the destruction Ranulph witnessed, feels destined for great things. However, instead of his own U-boat, Endrass has foisted on him the angry Lieutenant Elrich and a new commander who for him, symbolises everything that is wrong with Hitler’s Third Riech. Disgruntled, he returns to the Atlantic as Germany’s attempt to strangle Britain's Atlantic lifelines reaches a climax, with no inkling of the dramatic and incredible events that lie ahead.

An authoritative, marvelously illustrated field guide to the velvet ants of North AmericaVelvet Ants of North America is a beautiful photographic guide to the species of the wasp family Mutillidae found in the United States and Canada. Featuring hundreds of full-color photos, it covers nearly 460 species—representing more than 9 percent of all velvet ant species, which number in the thousands worldwide—providing comprehensive and up-to-date coverage of this spectacular group of insects. This one-of-a-kind guide serves as an invaluable reference for naturalists, scientific researchers, museum specialists, and outdoor enthusiasts.Covers nearly 460 species found in North America and throughout the worldFeatures stunning high-resolution photos of each speciesDetailed species accounts and keys allow for easy and rewarding identificationSheds invaluable light on taxa from Mesoamerica, the Caribbean, and beyondProvides silhouette images depicting the actual size ranges of speciesIncludes distribution maps of nearly all diurnal species in the United States and Canada

Take a look back at the Golden Era of wrestling with some of the spectacular merchandise from that awesome time. Featured here is the story of the wrestling merchandise that could be found as pro wrestling took the world by storm. Featuring action figures, gym bags, whacky T-shirts, VHS tapes and much more, this is merchandise that excited a generation. Kevin Williams, also the author of Wrestling Action Figures of the Early 1990s, will take you back in time to grapple with your wrestling passion.

The work from Chick-fil-A entrepreneur and rare triple-franchisee Kevin Williams was written as part-employee handbook, part-operating manual for life, Irrational Kindness flips traditional wisdom on its head and gives a different lens through which to look at life. Often the idea of being irrational is smeared with negative connotations. It can sound illogical, senseless, unjustifiable, or groundless. It may even represent ludicrous and mad behavior! But Kevin Williams argues that being irrational can be just the opposite. And it is the most positive, inspiring, and empowering way to be. Being irrational has to do with thinking outside the box-way outside. It has to do with viewing life as a journey and still being willing to reverse the route, shake things up, or flip the map upside down. Why? Not just to be different, but to make a difference. Irrational Kindness can serve as a harmonious reminder that one's hopes and dreams do not have to be derailed-not by their fears, their pasts, or by people who make them feel like they have to know everything to be successful, or even just to get started. Throughout its pages, Kevin provides the inspiration everyone needs to favor understanding over being understood and prioritize kindness-toward themselves as well as others-over everything.

This book takes a fresh look at the history of war reporting to understand how new technology, new ways of waging war and new media conditions are changing the role and work of today’s war correspondent. Focussing on the mechanics of war reporting and the logistical and institutional pressures on correspondents, the book further examines the role of war propaganda, accreditation and news management in shaping the evolution of the specialism. Previously neglected conflicts and correspondents are reclaimed and wars considered as key moments in the history of war reporting such as the Crimean War (1854-56) and the Great War (1914-18) are re-evaluated.The use of objectivity as the yardstick by which to assess the performance of war correspondents is questioned. The emphasis is instead placed on war as a messy business which confronts reporters and photographers with conditions that challenge the norms of professional practice. References to the ‘demise of the war correspondent’ have accompanied the growth of the specialism since the days of William Howard Russell, the so-called father of war reporting. This highlights the fragile nature of this sub-genre of journalism and emphasises that continuity as much as change characterises the work of the war correspondent. A thematically organised, historically rich introduction, this book is ideal for students of journalism, media and communication.

This book takes a fresh look at the history of war reporting to understand how new technology, new ways of waging war and new media conditions are changing the role and work of today’s war correspondent. Focussing on the mechanics of war reporting and the logistical and institutional pressures on correspondents, the book further examines the role of war propaganda, accreditation and news management in shaping the evolution of the specialism. Previously neglected conflicts and correspondents are reclaimed and wars considered as key moments in the history of war reporting such as the Crimean War (1854-56) and the Great War (1914-18) are re-evaluated.The use of objectivity as the yardstick by which to assess the performance of war correspondents is questioned. The emphasis is instead placed on war as a messy business which confronts reporters and photographers with conditions that challenge the norms of professional practice. References to the ‘demise of the war correspondent’ have accompanied the growth of the specialism since the days of William Howard Russell, the so-called father of war reporting. This highlights the fragile nature of this sub-genre of journalism and emphasises that continuity as much as change characterises the work of the war correspondent. A thematically organised, historically rich introduction, this book is ideal for students of journalism, media and communication.

A lavishly illustrated look at the highly collectible iconic Hasbro wrestling action figures of the 1990s.

Reporting War and Conflict brings together history, theory and practice to explore the issues and obstacles involved in the reporting of contemporary war and conflict. The book examines the radical changes taking place in the working practices and day-to-day routines of war journalists, arguing that managing risk has become central to modern war correspondence. How individual reporters and news organisations organise their coverage of war and conflict is increasingly shaped by a variety of personal, professional and institutional risks. The book provides an historical and theoretical context to risk culture and the work of war correspondents, paying particular attention to the changing nature of technology, organisational structures and the role of witnessing. The conflicts in Iraq, Afghanistan and Syria are examined to highlight how risk and the calculations of risk vary according to the type of conflict. The focus is on the relationship between propaganda, censorship, the sourcing of information and the challenges of reporting war in the digital world. The authors then move on to discuss the arguments around risk in relation to gender and war reporting and the coverage of death on the battlefield. Reporting War and Conflict is a guide to the contemporary changes in warfare and the media environment that have influenced war reporting. It offers students and researchers in journalism and media studies an invaluable overview of the life of a modern war correspondent.

Reporting War and Conflict brings together history, theory and practice to explore the issues and obstacles involved in the reporting of contemporary war and conflict. The book examines the radical changes taking place in the working practices and day-to-day routines of war journalists, arguing that managing risk has become central to modern war correspondence. How individual reporters and news organisations organise their coverage of war and conflict is increasingly shaped by a variety of personal, professional and institutional risks. The book provides an historical and theoretical context to risk culture and the work of war correspondents, paying particular attention to the changing nature of technology, organisational structures and the role of witnessing. The conflicts in Iraq, Afghanistan and Syria are examined to highlight how risk and the calculations of risk vary according to the type of conflict. The focus is on the relationship between propaganda, censorship, the sourcing of information and the challenges of reporting war in the digital world. The authors then move on to discuss the arguments around risk in relation to gender and war reporting and the coverage of death on the battlefield. Reporting War and Conflict is a guide to the contemporary changes in warfare and the media environment that have influenced war reporting. It offers students and researchers in journalism and media studies an invaluable overview of the life of a modern war correspondent.

Journalism history is mostly examined from a national perspective, but the boundaries of the profession have been porous from the very earliest days of the regular publication of news. This book examines the variety of influences from different societies that have shaped the development of journalism from the newsletters and corantos of early 17th-century Europe to the techniques of digital news gathering and dissemination today. A Global History of Journalism examines how the profession has incorporated practices, styles and modes of operation from diverse cultures. It provides a comparative discussion of developments in countries as far apart as the US, Europe, China and India. The emergence of the dedicated news gatherer in the 18th century, the reporter, is described and the contrasting interpretations of the process of reporting are evaluated. The changes in the profession in the 19th century, with the growth of specialist reporters such as the foreign, war and political correspondent and the speeding up of newsgathering through technological innovation, are part of the transformation which took place in the newspaper industry. The expansion of journalism into other walks of life and the growing diversity of practice in a multimedia world are traced throughout the 20th century. Rooted in a national context, the book emphasises that journalism has been 'global' in perspective and performance since wars, commotions and strange events from faraway places featured prominently in the output of the first newspapers.

Journalism history is mostly examined from a national perspective, but the boundaries of the profession have been porous from the very earliest days of the regular publication of news. This book examines the variety of influences from different societies that have shaped the development of journalism from the newsletters and corantos of early 17th-century Europe to the techniques of digital news gathering and dissemination today. A Global History of Journalism examines how the profession has incorporated practices, styles and modes of operation from diverse cultures. It provides a comparative discussion of developments in countries as far apart as the US, Europe, China and India. The emergence of the dedicated news gatherer in the 18th century, the reporter, is described and the contrasting interpretations of the process of reporting are evaluated. The changes in the profession in the 19th century, with the growth of specialist reporters such as the foreign, war and political correspondent and the speeding up of newsgathering through technological innovation, are part of the transformation which took place in the newspaper industry. The expansion of journalism into other walks of life and the growing diversity of practice in a multimedia world are traced throughout the 20th century. Rooted in a national context, the book emphasises that journalism has been 'global' in perspective and performance since wars, commotions and strange events from faraway places featured prominently in the output of the first newspapers.

At last... a 21st century approach to motorcycle riding. A motorcycle can do only two things - change speed or change direction. But how, where and when we achieve that has a major impact on just how safe we are on the roads. Based on his practical riding courses, Survival SKILLS is a fresh new look at riding from top rider coach Kevin Williams. Taking a uniquely pragmatic approach to building new skills, many of the lessons were learned the hard way by the author. At the same time, the book delves into the latest research and is packed with fresh ways of looking at better riding technique. The innovative content explores the No Surprise? No Accident approach to rider safety and is carefully structured to improve your riding whether you are a novice or an expert rider. Junctions, corners and overtaking all get the Survival Skills approach. The best bolt-on accessory for any bike is the rider. This book will help you become the best rider you can be.

Digital Out of Home Entertainment is rather an arcane description for one of the fastest growing technology-sectors. These forms of interactive technology, often established on a 'pay per use' basis are transforming the customer experience in shops, cinemas, museums; almost any environment where consumers are congregating. Kevin Williams and Michael Mascioni's The Out-of-Home Immersive Entertainment Frontier provides a 'state of play' exploration of the successes, the emerging new applications and the strategies that inform them. The authors interviewed nearly 70 leading executives from many familiar organisations in every facet of the digital out-of-home entertainments industry. The result is an essential guide for entertainment executives as well as those involved in retailing, the hotel industry, mobile communications, museums and heritage.