Kevin Young

Marking the 10th anniversary of the National Museum of African American History and Culture, this richly illustrated volume chronicles the building of one of the most significant cultural collections in the world. Featuring essays by the museum s founding curators and leadership including Kevin Young, Lonnie Bunch, and Michele Gates Moresi the book offers a behind-the-scenes look at how a collection rooted in African American life, history, and culture was built from the ground up. Organized into five thematic chapters Everyday Life, Iconic Objects, Treasures, Pivotal Moments, and Living History the book highlights extraordinary objects and the equally extraordinary stories of the donors who shared them. From Harriet Tubman s personal belongings (including her clothing and household items) and Nat Turner s Bible to Trayvon Martin s hoodie and the P-Funk Mothership, the collection bridges centuries of Black experience, creativity, resistance, and joy. With contributions from over 30 curators, scholars, and artists, the volume weaves personal narratives and historical insight, while image galleries showcase stunning objects and artifacts, each with its own cultural resonance.

'One of the most important poets of his generation' Washington PostA richly evocative and moving collection about African American identity and history, this is an ode to home places and the dearly departed, and to what of them – of us – poetry can save.In bellowing declarations of suffering and whispered prayers of faith, Night Watch speaks to an inner history which is compelling and authentic and deeply American, rippling with timely and devastating truths about the insidious nature of the American nation.'Keeping up with him is like trying to keep up with Bob Dylan or Prince in their primes' New York Times

From the award-winning poet at the height of his career, a book of personal and American experiences, both beautiful and troubling, touching on the generative cycle of loss and renewal Following on his exquisite Stones, Kevin Young's new collection, written over the span of sixteen years, shapes stories of loss and legacy, inspired in part by other lives. After starting in the bayous of his family's Louisiana, Young journeys to further states of mind in "All Souls," evoking "The whale / who finds the shore / & our poor prayers." Another central sequence, "The Two-Headed Nightingale," is spoken by Millie-Christine McCoy, the famous conjoined African American "Carolina Twins." Born into enslavement, stolen, and then displayed by P. T. Barnum and others, the twins later toured the world as free women, their alto and soprano voices harmonizing their own way. Young's poem explores their evolving philosophical selfhood and pluralities: "As one we sang, /we spake-- / She was the body / I the soul / Without one / Perishes the whole." In "Darkling," a cycle of poems inspired by Dante's Divine Comedy, Young expands and embroiders the circles of Hell, drawing a cosmology of both loneliness and accompaniment, where "the dead don't know / what to do / with themselves." Young writes of grief and hope as familiar yet surprising states: "It's like a language, / loss--," he writes, "learnt only / by living--there--." Evoking the history of poetry, from the darkling thrush to the darkling plain, Young is defiant and playful on the way through purgatory to a kind of paradise. When he goes, he warns, "don't dare sing Amazing Grace"--that "National / Anthem of Suffering." Instead, he suggests, "When I Fly Away, / Don't dare hold no vigil . . . Just burn the whole / Town on down." This collection will stand as one of Young's best--his voice shaping sorrow with music, wisdom, heartache, and wit.

Reckoning: Protest. Defiance. Resilience showcases the potent role of visual art in African American history. Featuring Black artists working in a range of media, from photography to sculpture to painting--including Jean-Michel Basquiat, Sheila Pree Bright, Bisa Butler, Shaun Leonard, David Hammons, to name just a few the book considers art that exemplifies resilience in times of conflict, as well as the ritual of creation, and the defiant pleasure of healing. Reckoning explores the ongoing struggles Black Americans have faced in their pursuit to enjoy the fundamental rights and freedoms promised in the Constitution to citizens of the United States. Drawn from the museum s permanent collection, the featured works respond to the dual crises of Covid-19 and systemic racism that shaped 2020, a period that has been called one of reckoning, as the world witnessed the killing of George Floyd, Breonna Taylor, and other African Americans, leading to some of the largest protests in US history. Exploring the journey from defiance to acceptance, from racial violence to cultural resilience, grief to hope, this book emphasizes the interconnectedness of art, American history, and African American history and speaks to the critical moment of collective reckoning we are experiencing as a nation.

This book, organized around key periods in the history of African American sports from the turn of the twentieth century to today, looks at the role of athletes and sports and their impact on American culture both on and off the field. While the major sports in which African Americans participate most frequently-football, basketball, baseball, and boxing-are prominently featured, the book also includes images of male and female athletes, amateur and professional, competing in gymnastics, track and field, skiing, golf, tennis, and other sports. Photographers include Ernest C. Withers, Roderick J. Lyons, Walter Iooss Jr., Maurice Sorrell, and Moneta Sleet Jr., among others. Images of iconic moments in sports history-Jack Johnson vs. Jim Jeffries during the 1910 "Fight of the Century," Jackie Robinson stealing home in 1952, and Colin Kaepernick taking a knee in 2016-are featured alongside photographs of more personal moments, including Larry Doby teaching his son how to hold a bat, Wilt Chamberlain in class at the University of Kansas, Wilma Rudolph standing outside her foundation, Muhammad Ali in conversation with Fannie Lou Hammer, and a young Venus Williams smiling after a practice session.

A book of loss, looking back, and what binds us to life, by a towering poetic talent, called "one of the poetry stars of his generation." --Los Angeles Times "We sleep long, / if not sound," Kevin Young writes early on in this exquisite gathering of poems, "Till the end / we sing / into the wind." In scenes and settings that circle family and the generations in the American South--one poem, "Kith," exploring that strange bedfellow of "kin"--the speaker and his young son wander among the stones of their ancestors. "Like heat he seeks them, / my son, thirsting / to learn those / he don't know / are his dead." Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them--of us--poetry can save.

Movements, Motions, Moments shows how African Americans have negotiated their participation and engagement in religious spaces. The book is divided into three sections—Movements, Motions, and Moments. Images of figures including Rev. Henry Highland Garnett, Noble Drew Ali, Father Divine, Prophet Elijah Muhammad, Rev. Dr. Martin Luther King Jr., Rev. Pauli Murray, Bishop Myokei Cain-Barrett, and others are depicted next to photographs of religious celebrations, ritual practices, and individual moments of faith and spirituality. Photographers include Lola Flash, Chester Higgins, Jason Miccolo Johnson, Jeanne Moutoussamy-Ashe, Kenneth Royster, James Van Der Zee, Milton Williams, Lloyd W. Yearwood, and others. Photographs in this volume range from the nineteenth, twentieth, and twenty-first centuries and include religious traditions such as Christianity, Islam, Judaism, African indigenous, non-secular, and other religious traditions (Humanism, Atheism, Spiritualism, and others). It also includes photography capturing contemporary events and movements including Black Lives Matter and the global pandemic.

In this lyrical picture book from an award-winning poet, a young boy cherishes a neighborhood field throughout the changing seasons. With stunning illustrations and a charming text, this beautiful story celebrates a child's relationship with nature. There was a boynamed Emilewho fellin love with a field.It was wideand blue--and if you could haveseen itso would've you. Emile loves the field close to his home--in spring, summer, and fall, when it gives him bees and flowers, blossoms and leaves. But not as much in winter, when he has to share his beautiful, changeable field with other children...and their sleds. This relatable and lyrical ode to one boy's love for his neighborhood field celebrates how spending time in nature allows children to dream, to imagine...and even to share.

In this lyrical picture book from an award-winning poet, a young boy cherishes a neighborhood field throughout the changing seasons. With stunning illustrations and a charming text, this beautiful story celebrates a child's relationship with nature. There was a boynamed Emilewho fellin love with a field. It was wideand blue--and if you could haveseen itso would've you. Emile loves the field close to his home--in spring, summer, and fall, when it gives him bees and flowers, blossoms and leaves. But not as much in winter, when he has to share his beautiful, changeable field with other children...and their sleds. This relatable and lyrical ode to one boy's love for his neighborhood field celebrates how spending time in nature allows children to dream, to imagine...and even to share.

**SHORTLISTED FOR THE T.S. ELIOT PRIZE 2021**A book of loss, looking back, and what binds us to life, by a towering poetic talent, 'one of the poetry stars of his generation' (Los Angeles Times).'We sleep long, / if not sound,' Kevin Young writes early on in this exquisite gathering of poems, 'Till the end / we sing / into the wind.' In scenes and settings that circle family and the generations in the American South - one poem, 'Kith', exploring that strange bedfellow of 'kin' - the speaker and his young son wander among the stones of their ancestors. 'Like heat he seeks them, / my son, thirsting / to learn those / he don't know / are his dead.' Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering, precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them - of us - poetry can save.

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A book of loss, looking back, and what binds us to life, by a towering poetic talent, called "one of the poetry stars of his generation" (Los Angeles Times). "We sleep long, / if not sound," Kevin Young writes early on in this exquisite gathering of poems, "Till the end/ we sing / into the wind." In scenes and settings that circle family and the generations in the American South--one poem, "Kith," exploring that strange bedfellow of "kin"--the speaker and his young son wander among the stones of their ancestors. "Like heat he seeks them, / my son, thirsting / to learn those / he don't know / are his dead." Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them--of us--poetry can save.

A groundbreaking collection of abolitionist writing from throughout the history of American slaveryFrom the beginning of the transatlantic slave trade to the ambiguity of the reconstruction era, resistance and protest writing were a central part of slavery in America, and - ultimately - played a crucial role in its abolition. Placing well-known abolitionist writing alongside less celebrated and little-known accounts of everyday lives and activism, Unsung makes the case for focusing on the histories of black people as agents and architects of their own struggle and ultimate liberation.

A literary landmark: the biggest, most ambitious anthology of black poetry ever published, gathering 250 poets from the colonial period to the present Only now, in the 21st century, can we fully grasp the breadth and range of African American poetry: a magnificent chorus of voices, some familiar, others recently rescued from neglect. Here, in this unprecedented anthology expertly selected by poet and scholar Kevin Young, this precious living heritage is revealed in all its power, beauty, and multiplicity. Discover, in these pages, how an enslaved person like Phillis Wheatley confronted her legal status in verse and how an antebellum activist like Frances Ellen Watkins Harper voiced her own passionate resistance to slavery. Read nuanced, provocative poetic meditations on identity and self-assertion stretching from Paul Laurence Dunbar to Amiri Baraka to Lucille Clifton and beyond. Experience the transformation of poetic modernism in the works of figures such as Langston Hughes, Fenton Johnson, and Jean Toomer. Understand the threads of poetic history--in movements such as the Harlem and Chicago Renaissances, Black Arts, Cave Canem, Dark Noise Collective--and the complex bonds of solidarity and dialogue among poets across time and place. See how these poets have celebrated their African heritage and have connected with other communities in the African Diaspora. Enjoy the varied but distinctly Black music of a tradition that draws deeply from jazz, hip hop, and the rhythms and cadences of the pulpit, the barbershop, and the street. And appreciate, in the anthology's concluding sections, why contemporary African American poetry, amply recognized in recent National Book Awards and Poet Laureates, is flourishing as never before. Taking the measure of the tradition in a single indispensable volume, African American Poetry: 250 Years of Struggle and Song sets a new standard for a genuinely deep engagement with Black poetry and its essential expression of American genius.

In this fully updated and revised new edition of his landmark study of violence in and around contemporary sport, Kevin Young offers a comprehensive sociological analysis of an issue of central importance within sport studies. The book explores organised and spontaneous violence, both on the field and off, and calls for a much broader definition of ‘sports-related violence’, to include issues as diverse as criminal behaviour by players, abuse within sport and exploitative labour practices. Offering a sophisticated theoretical framework for understanding violence in a sporting context and including new case studies and updated empirical data – from professional soccer in Europe to ice hockey in North America – the book establishes a benchmark for the study of violence within sport and wider society. Through close examination of often contradictory trends, from anti-violence initiatives in professional sports leagues to the role of the media in encouraging hyper-aggression, the book throws new light on our understanding of the socially-embedded character of sport and its fundamental ties to history, culture, politics, social class, gender and the law. This new edition also recognises burgeoning new literatures, such as research examining concussion and the link between sport and mental illness and includes student-friendly pedagogical aids, such as critical thinking questions at the end of each chapter.Sport, Violence and Society is a vital read for anyone studying or working in the areas of the Sociology of Sport, Sport Psychology, Ethics and Philosophy of Sport, Sport and Politics, Sports History, and Sport and the Media.

In this fully updated and revised new edition of his landmark study of violence in and around contemporary sport, Kevin Young offers a comprehensive sociological analysis of an issue of central importance within sport studies. The book explores organised and spontaneous violence, both on the field and off, and calls for a much broader definition of ‘sports-related violence’, to include issues as diverse as criminal behaviour by players, abuse within sport and exploitative labour practices. Offering a sophisticated theoretical framework for understanding violence in a sporting context and including new case studies and updated empirical data – from professional soccer in Europe to ice hockey in North America – the book establishes a benchmark for the study of violence within sport and wider society. Through close examination of often contradictory trends, from anti-violence initiatives in professional sports leagues to the role of the media in encouraging hyper-aggression, the book throws new light on our understanding of the socially-embedded character of sport and its fundamental ties to history, culture, politics, social class, gender and the law. This new edition also recognises burgeoning new literatures, such as research examining concussion and the link between sport and mental illness and includes student-friendly pedagogical aids, such as critical thinking questions at the end of each chapter.Sport, Violence and Society is a vital read for anyone studying or working in the areas of the Sociology of Sport, Sport Psychology, Ethics and Philosophy of Sport, Sport and Politics, Sports History, and Sport and the Media.

James Brown. John Brown's raid. Brown v. the Topeka Board of Ed.: the National Book Award-longlisted author of Blue Laws meditates on all things "brown" in this powerful new collection. Divided into "Home Recordings" and "Field Recordings," Brown speaks to the way personal experience is shaped by culture, while culture is forever affected by the personal, recalling a black Kansas boyhood to comment on our times. From "History"--a song of Kansas high-school fixture Mr. W., who gave his students "the Sixties / minus Malcolm X, or Watts, / barely a march on Washington"--to "Money Road," a sobering pilgrimage to the site of Emmett Till's lynching, the poems engage place and the past and their intertwined power. These twenty-eight taut poems and poetic sequences, including an oratorio based on Mississippi "barkeep, activist, waiter" Booker Wright that was performed at Carnegie Hall and the vibrant sonnet cycle "De La Soul Is Dead," about the days when hip-hop was growing up ("we were black then, not yet / African American"), remind us that blackness and brownness tell an ongoing story. A testament to Young's own--and our collective--experience, Brown offers beautiful, sustained harmonies from a poet whose wisdom deepens with time.

Longlisted for the National Book Award for Nonfiction "There Kevin Young goes again, giving us books we greatly need, cleverly disguised as books we merely want. Unexpectedly essential."--Marlon James Award-winning poet and critic Kevin Young tours us through a rogue's gallery of hoaxers, plagiarists, forgers, and fakers--from the humbug of P. T. Barnum and Edgar Allan Poe to the unrepentant bunk of JT LeRoy and Donald J. Trump. Bunk traces the history of the hoax as a peculiarly American phenomenon, examining what motivates hucksters and makes the rest of us so gullible. Disturbingly, Young finds that fakery is woven from stereotype and suspicion, race being the most insidious American hoax of all. He chronicles how Barnum came to fame by displaying figures like Joice Heth, a black woman whom he pretended was the 161-year-old nursemaid to George Washington, and What Is It?, an African American man Barnum professed was a newly discovered missing link in evolution. Bunk then turns to the hoaxing of history and the ways that forgers, plagiarists, and journalistic fakers invent backstories and falsehoods to sell us lies about themselves and about the world in our own time, from pretend Native Americans Grey Owl and Nasdijj to the deadly imposture of Clark Rockefeller, from the made-up memoirs of James Frey to the identity theft of Rachel Dolezal. In this brilliant and timely work, Young asks what it means to live in a post-factual world of "truthiness" where everything is up for interpretation and everyone is subject to a pervasive cynicism that damages our ideas of reality, fact, and art.

Now in paperback, from the award-winning author of Jelly Roll and Book of Hours, a rich and lively gathering of highlights from the first twenty years of an extraordinary career, interspersed with "B sides" and "bonus tracks" from this prolific and widely acclaimed poet. Blue Laws gathers poems written over the past two decades, drawing from all nine of Kevin Young's previously published books of poetry and including a number of uncollected, often unpublished, poems. From his stunning lyric debut (Most Way Home, 1995) and the amazing "double album" life of Jean-Michel Basquiat (2001;"remixed" for Knopf in 2005), through his brokenhearted Jelly Roll: A Blues (2003) and his recent forays into adult grief and the joys of birth in Dear Darkness (2008) and Book of Hours (2014), this collection provides a grand tour of a poet whose personal poems and political poems are equally riveting. Together with wonderful outtakes and previously unseen blues, the profoundly felt poems here of family, Southern food, and loss are of a piece with the depth of personal sensibility and humanity found in his Ardency: A Chronicle of the Amistad Rebels or bold sequences such as "The Ballad of Jim Crow" and a new "Homage to Phillis Wheatley."

A decade after the sudden and tragic loss of his father, we witness the unfolding of grief. "In the night I brush / my teeth with a razor," he tells us, in one of the collection's piercing two-line poems. Capturing the strange silence of bereavement ("Not the storm / but the calm / that slays me"), Kevin Young acknowledges, even celebrates, life's passages, his loss transformed and tempered in a sequence about the birth of his son: in "Crowning," he delivers what is surely one of the most powerful birth poems written by a man, describing "her face / full of fire, then groaning your face / out like a flower, blood-bloom, / crocused into air." Ending this book of both birth and grief, the gorgeous title sequence brings acceptance, asking "What good/are wishes if they aren't / used up?" while understanding "How to listen / to what's gone." Young's frank music speaks directly to the reader in these elemental poems, reminding us that the right words can both comfort us and enlarge our understanding of life's mysteries. "From the Hardcover edition."