Kyo Maclear

A dazzling first-person picture book biography of the life of fashion designer Elsa Schiaparelli by gifted team Kyo Maclear and Julie Morstad. Backmatter included. Beauty . . . Color . . . Doubts . . . As a little girl in Rome, Elsa Schiaparelli’s mamma told her she was not pretty. What is beauty? Elsa wondered as she grew older. So she sought out beauty around her and found it everywhere: in the colors and scents of the Rome flower market, in the garden, and in the attic of her family home, buried in a chest of old dresses. She found affection from her dear uncle in Milano. “Voliamo,” said Uncle Giovanni. “Let’s fly!” And Elsa did fly! “Schiap,” as she later called herself, developed an artist’s eye and imagination. These bloomed in the wildly imaginative dresses, hats, shoes, and jewelry that made her an important name in fashion. Defining beauty on her own creative and rebellious terms was the key to Elsa Schiaparelli’s happiness and success—and is still seen today in her legacy of wild imagination. Daring and different, Elsa Schiaparelli used art to make fashion, and it was quite marvelous.

A charming, whimsically illustrated picture book about joie de vivre, told from the perspective of a child named Julia who loves to cook. Sure to be savored by readers of all ages. Julia and Simca are two young friends who agree that you can never use too much butter -- and that it is best to be a child forever. Sharing a love of cooking and having no wish to turn into big, busy people who worry too much and dawdle too little, they decide to create a feast for growing and staying young. A playful, scrumptious celebration of the joy of eating, the importance of never completely growing up and mastering the art of having a good time, Julia, Child is a fictional tale loosely inspired by the life and spirit of the very real Julia Child -- a story that should be taken with a grain of salt and a generous pat of butter.

We live in a world that prizes the fast over the slow, the new over the familiar and work over rest. Birds Art Life Death is Kyo Maclearâ??s beautiful journey to stake out a sense of meaning amid the crushing rush.

A clever and whimsical environmental fable about a bird who is a human-watcher from a dynamic author-illustrator duo. Warble is a small yellow warbler who lives on the beautiful island of Icyland, where he pursues his hobby of human watching. But on a warm day, a deep fog rolls in and obscures his view. The rest of the birds don't seem to notice the fog or the other changes Warble observes on the island. The more the fog is ignored, the more it spreads. When a Red-hooded Spectacled Female (Juvenile) appears, Warble discovers that he's not the only one who notices the fog. Will they be able to find others who can see it too? And is the fog here to stay? Kyo Maclear's witty story, brought to life with the delicate, misty artwork of Kenard Pak, is a poignant yet humorous reminder of the importance of environmental awareness.

His mum is a spoon. His dad is a fork. And he's a bit of both. He's Spork! Spork sticks out in the regimented world of the cutlery drawer. The spoons think he's too pointy, while the forks find him too round. He never gets chosen to be at the table at mealtimes until one day a very messy ... thing arrives in the kitchen who has never heard of cutlery customs. Will Spork finally find his place at the table? This multi-cutlery tale is a humorous and lively commentary on individuality and tolerance. Its high-spirited illustrations capture the experience and emotions of anyone who has ever wondered about their place in the world.

A feel-good celebration of the power of imagination and sisterhood

The Liszts make lists. They make lists most usual and lists most unusual. They make lists in winter, spring, summer and fall. They make lists every day except Sundays, which are listless. Mama Liszt, Papa Liszt, Winifred, Edward, Frederick and Grandpa make lists all day long. So does their cat. Then one day a visitor arrives. He's not on anyone's list. Will the Liszts be able to make room on their lists for this new visitor? How will they handle something unexpected arising? Kyo Maclear's quirky, whimsical story, perfectly brought to life with the witty, stylish illustrations of Julia Sarda, is a humorous and poignant celebration of spontaneity."

Charles wants to find a wish tree. His brother and sister don't believe there is such a thing, but his trusty companion Boggan is ready to join Charles on a journey to find out. And along the way, they discover that wishes can come true in the most unexpected ways. The poetic text and heartwarming illustrations evoke the true essence of the holiday season and will inspire wishers everywhere. This gem of a book deserves centre stage year round.

A funny and stylish picture book based loosely on the relationship between the literary figure Virginia Woolf and her sister, the painte Vannessa Ball. Vanessa's sister, Virginia, is in a wolfish mood - growling, howling and acting very strange. It's a funk so fierce, the whole household feels topsy-turvy. Vanessa tries everything she can think of to cheer her up, but nothing seems to work. Then Virginia tells Vanessa about an imaginary, perfect place called Bloomsberry. Armed with an idea, Vanessa begins to paint Bloomsberry on the bedroom walls...

Julia and Simca are two young friends who agree that you can never use too much butter -- and that it is best to be a child forever. Sharing a love of cooking and having no wish to turn into big, busy people who worry too much and dawdle too little, they decide to create a feast for growing and staying young. A playful, scrumptious celebration of the joy of eating, the importance of never completely growing up and mastering the art of having a good time, Julia, Child is a fictional tale loosely inspired by the life and spirit of the very real Julia Child -- a story that should be taken with a grain of salt and a generous pat of butter.

The trauma of Hiroshima and Nagasaki demonstrates the limits of dominant visual models, such as photography, for providing adequate historical memory. The author argues that collective traumas suggest the need for a prolonged gaze, such as can be provided by expressive art.Beclouded Visions is an exploration of the many and varied ways in which atrocity has shaped the requirements of art, vision, and collective memory in the twentieth century. The atomic bombs that were dropped on Hiroshima and Nagasaki serve as a starting point, but what begins as a study of visual culture related to the atomic bombings soon generates questions that can be applied to multiple sites and practices of communal remembrance.Drawing on a diverse array of images-ranging from military photographs to survivor paintings-Maclear asks what it means to see such representations. What does it mean to put a face to horror? Does "seeing everything" make us more humane? Is it possible to become inured to images of violence? She probes the nature of our fascination with images of horror, and she questions our attachment to pictorial realism and graphic memory. Placing philosophers such as Jacques Derrida, Walter Benjamin, and Theodore Adorno in the context of ongoing debates about history and memory, Beclouded Visions provides a refreshing perspective on art, remembrance, and mourning.