Lara Vapnyar

As a young girl, Katya Geller learned from her mother that math was the answer to everything. Now, approaching forty, she finds this wisdom tested: she has lost the love of her life, she is in the middle of a divorce, and has just found out that her mother is dying. Nothing is adding up.With humor, intelligence, and unfailing honesty, Katya traces back her life's journey: her childhood in Soviet Russia, her parents' great love, the death of her father, her mother's career as a renowned mathematician, and their immigration to the United States. She is, by turns, an adrift newlywed, an ESL teacher in an office occupied by witches and mediums, a restless wife, an accomplished writer, a flailing mother of two, a grieving daughter, and, all the while, a woman caught up in the most common misfortune of all--falling in love.Award-winning author Lara Vapnyar delivers an unabashedly frank and darkly comic tale of coming of age in middle age. Divide Me by Zerois almost unclassifiable--a stylistically original, genre-defying mix of classic Russian novel, American self-help book, Soviet math textbook, sly writing manual, and, at its center, a universal story with unforgettable lessons for us all.

Klotsvog is a novel about being Jewish in the Soviet Union and the historical trauma of World War II—and it’s a novel about the petty dramas and demons of one strikingly vain woman. Maya Abramovna Klotsvog has had quite a life, and she wants you to know all about it. Selfish, garrulous, and thoroughly entertaining, she tells us where she came from, who she didn’t get along with, and what became of all her husbands and lovers.In Klotsvog, Margarita Khemlin creates a first-person narrator who is both deeply self-absorbed and deeply compelling. From Maya’s perspective, Khemlin unfurls a retelling of the Soviet Jewish experience that integrates the historical and the personal into her protagonist’s vividly drawn inner and outer lives. Maya’s life story flows as a long monologue, told in unfussy language dense with Khemlin’s magnificently manipulated Soviet clichés and matter-of-fact descriptions of Soviet life. Born in a center of Jewish culture in Ukraine, she spent the war in evacuation in Kazakhstan. She has few friends but has had several husbands, and her relationships with her relatives are strained at best. The war looms over Klotsvog, and the trauma runs deep, as do the ambiguities and ambivalences of Jewish identity. Lisa Hayden’s masterful translation brings this gripping character study full of dark, sly humor and new perspectives on Jewish heritage and survival to an English-speaking audience.

Klotsvog is a novel about being Jewish in the Soviet Union and the historical trauma of World War II—and it’s a novel about the petty dramas and demons of one strikingly vain woman. Maya Abramovna Klotsvog has had quite a life, and she wants you to know all about it. Selfish, garrulous, and thoroughly entertaining, she tells us where she came from, who she didn’t get along with, and what became of all her husbands and lovers.In Klotsvog, Margarita Khemlin creates a first-person narrator who is both deeply self-absorbed and deeply compelling. From Maya’s perspective, Khemlin unfurls a retelling of the Soviet Jewish experience that integrates the historical and the personal into her protagonist’s vividly drawn inner and outer lives. Maya’s life story flows as a long monologue, told in unfussy language dense with Khemlin’s magnificently manipulated Soviet clichés and matter-of-fact descriptions of Soviet life. Born in a center of Jewish culture in Ukraine, she spent the war in evacuation in Kazakhstan. She has few friends but has had several husbands, and her relationships with her relatives are strained at best. The war looms over Klotsvog, and the trauma runs deep, as do the ambiguities and ambivalences of Jewish identity. Lisa Hayden’s masterful translation brings this gripping character study full of dark, sly humor and new perspectives on Jewish heritage and survival to an English-speaking audience.

Five noted writers and thinkers profile five of the world's leaders. For some of us, these leaders are heroes; for others, villains; for all of us--strongmen. We're edging towards a new kind of global fascism driven by aggression and strident nationalism. In this energetic, focused book, a group of five accomplished writers confronts five would-be dictators. American playwright Eve Ensler (The Vagina Monologues) burrows beneath the skin of Donald Trump. Danish Husain, Indian storyteller and actor, finds himself recounting the story not only of Indian Prime Minister Narendra Modi, but also of the ascension of the extremism of the Sangh Parivar. Burhan S nmez, Turkish novelist, ferrets about amidst the bewildering career of the Turkish President Recep Tayyip Erdoğan. Lara Vapnyar, Russian-American novelist and journalist, ponders the Stalinist origins of the Supreme Leader of All the Russias. Ninotchka Rosca, Filipina feminist novelist, unravels the macho world of Rodrigo Duterte. These essays do not presume to be neutral. They are by partisan thinkers, magical writers, people who see not only the monsters but also a future beyond the ghouls. A future that is necessary. The present is too painful.

A profound and dazzlingly entertaining novel from the writer Louis Menand calls "Jane Austen with a Russian soul"In her warm, absorbing and keenly observed new novel, Lara Vapnyar follows the intertwined lives of four immigrants in New York City as they grapple with love and tumult, the challenges of a new home, and the absurdities of the digital age. Vica, Vadik, Sergey and Regina met in Russia in their school days, but remained in touch and now have very different American lives. Sergey cycles through jobs as an analyst, hoping his idea for an app will finally bring him success. His wife Vica, a medical technician struggling to keep her family afloat, hungers for a better life. Sergey's former girlfriend Regina, once a famous translator is married to a wealthy startup owner, spends her days at home grieving over a recent loss. Sergey's best friend Vadik, a programmer ever in search of perfection, keeps trying on different women and different neighborhoods, all while pining for the one who got away.As Sergey develops his app-calling it "Virtual Grave," a program to preserve a person's online presence after death-a formidable debate begins in the group, spurring questions about the changing perception of death in the modern world and the future of our virtual selves. How do our online personas define us in our daily lives, and what will they say about us when we're gone? - New York Times Book Review, 100 Notable Books of 2016

Each of Lara Vapnyar's six stories invites us into a world where food and love intersect, along with the overlapping pleasures and frustrations of Vapnyar's uniquely captivating characters. Meet Nina, a recent arrival from Russia, for whom colorful vegetables represent her own fresh hopes and dreams . . . Luda and Milena, who battle over a widower in their English class with competing recipes for cheese puffs, spinach pies, and meatballs . . . and Sergey, who finds more comfort in the borscht made by a paid female companion than in her sexual ministrations. They all crave the taste and smell of home, wherever--and with whomever--that may turn out to be. A roundup of recipes are the final taste of this delicious collection.

Obsessed by Dostoyevsky and the woman who became his muse, Tanya emigrates to New York City from the former Soviet Union and falls in with Mark Schneider, a writer for whom she is determined to be all things--lover, source of inspiration, and more--if only she can persuade him to spend less time at the shrink, the gym, and literary soirees. Reprint. 15,000 first printing.

There Are Jews in My House is one of the most striking debuts of recent years. Tracing the lives and aspirations of Russians living in Moscow and Brooklyn, these poignant, sad and funny stories create a luminous new literary world. In the title story, set during the Second World War, Galina, a gentile, offers refuge to a Jewish friend and her daughter, only to find herself increasingly resentful of their presence in her home. In "Mistress," a nine-year-old boy, new to America, escorts his grandmother to her weekly doctors' appointments to interpret her myriad complaints. At the same time, he becomes aware that his grandfather may be involved with another woman. And in "Love Lessons-Mondays, 9 A.M." a young math teacher assigned to teach a sex education class becomes all too aware that her students are more experienced than she is.