Larry Ceplair

Seventy-five years ago, the Hollywood blacklist ruined lives, stifled creativity, and sent waves of proscription and censorship throughout United States culture. When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint." By the 1950s, this blacklist publicly stigmatized nearly three hundred other Americans in the entertainment industry who invoked the First and Fifth Amendments in their refusal to apologize for their Communist ties or provide the names of other members. Dozens of others were graylisted, as the result of rumors. The Hollywood Motion Picture Blacklist: Seventy-Five Years Later offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type. Author Larry Ceplair draws on previously published work while introducing new material to vigorously recount the events that took place between the US government, Hollywood unions, and motion picture studios. Ceplair thoroughly examines the role of Jewish identity in many anti-communist efforts—a concept that has never been fully examined by scholars - and analyzes the actions of subpoenaed witnesses who were forced to choose between cooperating with the House Committee or joining the blacklist. This fascinating book is an illuminating examination of a dark period in American history and the fragility of our rights to free speech and due process. The book includes a comprehensive annotated bibliography and filmography.

When examining history, one must be careful not to blame rapid political change solely on famine, war, economic inequality, or structural disfunctions alone. These conditions may linger for decades without social upheaval. Successful revolution requires two triggering elements: a crisis or conjuncture and revolutionary actors who are organized in a dedicated revolutionary party, armed with a radical ideology, and poised to act. While previous revolutions were ignited by small collectives, many in the twentieth century relied on strategic relationships between two exceptional leaders: Marx and Engels (Communism), Lenin and Trotsky (Russia), Ghandi and Nehru (India), Mao and Zhou (China), and Castro and Guevara (Cuba). These partnerships changed the world. In Revolutionary Pairs: Marx and Engels, Lenin and Trotsky, Gandhi and Nehru, Mao and Zhou, Castro and Guevara, Larry Ceplair tells the stories of five revolutionary struggles through the lens of famous duos. While each relationship was unique -- Castro and Guevara bonded like brothers, Mao and Zhou like enemies -- in every case, these leaders seized the opportunity for revolution and recognized they could not succeed without the other. The first cross-cultural exploration of revolutionary pairs, this book reveals the undeniable role of personality in modern political change.

James Dalton Trumbo (1905--1976) is widely recognized for his work as a screenwriter, playwright, and author, but he is also remembered as one of the Hollywood Ten who opposed the House Un-American Activities Committee. Refusing to answer questions about his prior involvement with the Communist Party, Trumbo sacrificed a successful career in Hollywood to stand up for his rights and defend political freedom.In Dalton Trumbo, authors Larry Ceplair and Christopher Trumbo present their extensive research on the famed writer, detailing his work, his membership in the Communist Party, his long campaign against censorship during the domestic cold war, his ten-month prison sentence for contempt of Congress, and his thirteen-year struggle to break the blacklist.The blacklist ended for Trumbo in 1960, when he received screen credits for Exodus and Spartacus. Just before his death, he received a long-delayed Academy Award for The Brave One, and in 1993, he was posthumously given an Academy Award for Roman Holiday (1953). This comprehensive biography provides insights into the many notable people with whom Trumbo worked, including Stanley Kubrick, Otto Preminger, and Kirk Douglas, and offers a fascinating look at the life of one of Hollywood's most prominent screenwriters and his battle against persecution.

This compelling, critical analysis of anti-communism illustrates the variety of anti-Communist styles and agendas, thereby making a persuasive case that the "threat" of domestic communism in Cold War America was vastly overblown.In the United States today, communism is an ideology or political movement that barely registers in the consciousness of our nation. Yet merely half a century ago, "communist" was a buzzword that every citizen in our nation was aware of—a term that connoted "traitor" and almost certainly a characterization that most Americans were afraid of.Anti-Communism in Twentieth-Century America: A Critical History provides a panoramic perspective of the types of anti-communists in the United States between 1919 and the collapse of the Soviet Union. It explains the causes and exceptional nature of anti-communism in the United States, and divides it into eight discrete categories. This title then thoroughly examines the words and deeds of the various anti-Communists in each of these categories during the three "Red Scares" in the past century. The work concludes with an unapologetic assessment of domestic anti-communism. This book allows readers to more fully comprehend what the anti-communists meant with their rhetoric, and grasp their impact on the United States during the 20th century and beyond—for example, how anti-communism has reappeared as anti-terrorism.

The definitive work on the Hollywood blacklist eraThe Inquisition in Hollywood examines the suppression of radical political activity in the film industry from the days of the Great Depression through the tumultuous House Un-American Activities Commission era to the waning days of the infamous blacklist. Although this thirty-year period of American history is marked by widespread targeting of leftists in all areas of life, those in the film industry–-predominately screenwriters–-were considered to be in positions of great potential indoctrinating power, and found themselves under intense scrutiny as the Cold War hysteria mounted. Ceplair and Englund trace the history of political struggle in Hollywood back to the formation of the Screen Writers Guild in 1933. Many of the blacklisted filmmakers were members of the Communist Party and all of the graylisted filmmakers had expressed their sympathy with progressive (mainly anti-fascist) causes. Although no Hollywood Communist has ever been linked to espionage or sabotage, and charges of subversive indoctrination have no basis in documented fact, this book powerfully shows how devastating a mere suspicion or insinuation of guilt could be during the era of the Red Menace. Twenty-two years after its initial publication, The Inquisition in Hollywood remains the definitive work on the blacklist era, and this new edition features a new introduction by the authors.