Laura Levine

In this merry collection of holiday mysteries, murder is making its own special delivery . . . "GINGERBREAD COOKIE MURDER" by JOANNE FLUKE When Hannah Swensen finds her neighbor Ernie Kusak with his head bashed in and sprawled on the floor of his condo next to an upended box of Hannah's Gingerbread Cookies, she discovers a flurry of murder suspects that's as long as her holiday shopping list. "THE DANGERS OF GINGERBREAD COOKIES" by LAURA LEVINE Jaine Austen has been enlisted to help with her parents' retirement community's play The Gingerbread Cookie That Saved Christmas. Playboy Dr. Preston McCay is playing the role of the gingerbread cookie when he "accidentally" falls to his death during the final act. Now Jaine must figure out if one of the doctor's jealous lovers was capable of murder. "GINGERBREAD COOKIES AND GUNSHOTS" by LESLIE MEIER When Lucy Stone discovers the body of Rick Juergens, whose five-year-old son Nemo disappeared, she senses foul play. Crumbs from a gingerbread cookie Lucy gave to Nemo are found in the back seat of Rick's car. With the hours quickly ticking till Christmas, Lucy races against the clock to find a killer before he strikes again. Includes Over 10 Luscious Holiday Recipes

In Joanne Fluke's "Gingerbread Cookie Murder," Hannah Swensen finds her neighbour Ernie Kusak with his head bashed in and sprawled on the floor of his condo next to an upended box of Hannah's Gingerbread Cookies - and discovers a flurry of murder suspects that is as long as her holiday shopping list. Jaine Austen, the heroine of Laura Levine's "The Dangers of Gingerbread Cookies," finds herself enlisted to help with her parents' retirement community's play "The Gingerbread Cookie That Saved Christmas". Playboy Dr. Preston McCay is playing the role of the gingerbread cookie when he "accidentally" falls to his death during the final act. Now Jaine must figure out if one of the doctor's jealous lovers was capable of murder. In "Gingerbread Cookies and Gunshots" by Leslie Meier, when Lucy Stone discovers the body of Rick Juergens, whose five-year-old son Nemo disappeared, she senses foul play. Crumbs from a gingerbread cookie Lucy gave to Nemo are found in the back seat of Rick's car. With the hours quickly ticking till Christmas, Lucy races against the clock to find a killer before he strikes again.

'Tis the season for trimming the tree, caroling, baking cookies, and curling up by the Yuletide waiting for Santa to drop down the chimney. But in this festive collection of holiday whodunits, murder is also paying a visit... The classic, New York Times bestselling cozy mystery collection is now back in print with a fun new cover just in time for candy cane season "CANDY CANE MURDER" by JOANNE FLUKE When a trail of candy canes leads to a corpse outfitted in a Santa suit on a snowy bank, Hannah Swensen sets out to discover who killed Kris Kringle... "THE DANGERS OF CANDY CANES" by LAURA LEVINE A wealthy suburbanite takes a lethal tumble off his roof while installing a giant candy cane. Now it's up to Jaine Austen to sift through a long list of scheming neighbors with dirty secrets in their stockings to expose a murderer... "CANDY CANES OF CHRISTMAS PAST" by LESLIE MEIER Lucy Stone must learn the mystery of a glass candy cane that was found smashed to bits by a corpse's body to unlock the doors of Christmas past--and find a killer who got away with murder. Whether a gift for yourself or that special someone on your list, there's no better way to spend the holidays than with these tantalizing mysteries of murder...

It's the funny side of homicide in acclaimed TV comedy writer and novelist Laura Levine's newest mystery featuring Jaine Austen and her snarky cat, Prozac, as a ghostwriting project sends the Hollywood writer-for-hire on a luxury train trip with strange company, extra baggage, and murder . . . What could be more idyllic than starting a new gig with an exclusive train ride from Los Angeles to Santa Barbara? Turns out, a whole lot. Jaine must figure out how to tolerate her client--Chip Miller, aka Iron Man, a wealthy gym chain owner--who Jaine soon discovers is a tyrant and a bully with an ego as pumped as his pecs. Practically everyone on board seems to have it in for Chip--his dysfunctional family members, his beleaguered staff, even his supposed best buddy from the gym. So it's no shocker when he's found dead in his cabin. Unfortunately for Jaine, she's the one who finds Chip's body, leaving her DNA on the murder weapon, and making her a prime suspect in the police investigation. Forced to save her own caboose, can Jaine chug on through an unexpected love connection and ID the killer--or has she finally reached the end of the line?

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions. Through analyses of manuals and pamphlets about the prosecution of witches—including Reginald Scot's skeptical The Discoverie of Witchcraft (1584), King James VI/I's Daemonologie (1597), and Jean Bodin's De la Demonomanie des Sorciers (1580)—Afterlives of Endor examines the way literary texts such as Shakespeare's The Winter's Tale and The Tempest, Spenser's The Faerie Queene, and Marlowe's Tragicall History of Doctor Faustus address anxieties about witchcraft, illusion, and theatricality. Afterlives of Endor attends to the rhetorical tactics, argumentative investments, and underlying tensions of demonological texts with the scrutiny ordinarily reserved for literary texts.

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions. Through analyses of manuals and pamphlets about the prosecution of witches—including Reginald Scot's skeptical The Discoverie of Witchcraft (1584), King James VI/I's Daemonologie (1597), and Jean Bodin's De la Demonomanie des Sorciers (1580)—Afterlives of Endor examines the way literary texts such as Shakespeare's The Winter's Tale and The Tempest, Spenser's The Faerie Queene, and Marlowe's Tragicall History of Doctor Faustus address anxieties about witchcraft, illusion, and theatricality. Afterlives of Endor attends to the rhetorical tactics, argumentative investments, and underlying tensions of demonological texts with the scrutiny ordinarily reserved for literary texts.

It's the funny side of homicide in acclaimed TV comedy writer and novelist Laura Levine's newest mystery featuring Jaine Austen and her snarky cat, Prozac, as a murder from the past comes back to haunt the Hollywood writer-for-hire Freelance writer Jaine Austen is all too familiar with the short-lived sitcom I Married a Zombie--she once solved the murder of its star, Cryptessa Muldoon. But in true zombie fashion, Cryptessa is back from the grave--sort of--courtesy of a new theatrical production, and murder is on the bill once more... The Bewitched knockoff I Married a Zombie may have flopped in its day, but it's got a devoted cult following. Jaine is delighted when one of those rabid fans hires her as script doctor for his new play based on the show--until she reads the awful script and meets Misty, the actress who'll be playing Cryptessa's role. Misty has Audrey Hepburn's doe eyes but not a smidgen of her ability. Yet she can certainly act the diva, demanding a special smoothie every day at 3pm. Meanwhile, Jaine is grappling with another spoiled female--her uncooperative cat, Prozac, who's refusing to be wrangled into a kitty harness for outside walks. When someone spikes Misty's signature drink with a fatal shot of rat poison, the cast of suspects extends far beyond the theater. What Misty lacked in talent she made up for in enemies. Everyone Jaine talks to maintains their innocence, but one of them is clearly only playing the part. And it's up to Jaine to figure out who, before a killer schedules an encore performance . . .

Hollywood writer-for-hire Jaine Austen receives a makeover that leads to murder in the latest laugh-out-loud mystery from TV comedy writer veteran Laura Levine - now in paperback Uber-stylist Bebe Braddock plans to juice up her Instagram feed and thinks Jaine would make a perfect "Before & After" model. At Lance's insistence Jaine is ushered into Bebe's sprawling Brentwood spread to await her transformation. Yet, while the surroundings are glamorous, the atmosphere is toxic as Bebe bullies her team of assistants, and even her husband, into obeying her every whim. Having earned the wrath of everyone in her orbit, few are shocked when Bebe is found strangled with one of her detested wire hangers. But Jaine's prints are all over the murder weapon, making her a prime suspect. The police, however, aren't the only ones showing interest in her--so is Justin, Bebe's very cute, very young personal assistant. While Jaine navigates a cougar-style romance, Prozac is mistakenly hailed as a feline hero and catapults into internet fame. Still, there are more urgent matters at hand than Prozac's swelling ego. Unless Jaine can track down Bebe's killer and clear her own name, the only new outfit she'll be modeling is an orange prison jumpsuit . . .

It's the funny side of homicide in acclaimed TV comedy writer and novelist Laura Levine's new mystery featuring Hollywood writer-for-hire Jaine Austen and her snarky cat, Prozac--a laugh-out-loud read for fans of Joanne Fluke, Miranda James, and Laura Childs. Writer-for-hire Jaine Austen, living in L.A. with her cat, Prozac, appreciates one of the perks of working freelance--a wardrobe that's heavy on elastic waists. But her BFF, Lance, has a makeover in mind, and it's about to lead to murde... Uber-stylist Bebe Braddock plans to juice up her Instagram feed, and thinks Jaine would make a perfect "Before & After" model. At Lance's insistence Jaine is ushered into Bebe's sprawling Brentwood spread to await her transformation. Yet, while the surroundings are glamorous, the atmosphere is toxic as Bebe bullies her team of assistants, and even her husband, into obeying her every whim. Having earned the wrath of everyone in her orbit, few are shocked when Bebe is found strangled with one of her detested wire hangers. But Jaine's prints are all over the murder weapon, making her a prime suspect. The police, however, aren't the only ones showing interest in her--so is Justin, Bebe's very cute, very young personal assistant. While Jaine navigates a cougar-style romance, Prozac is mistakenly hailed as a feline hero and catapults into internet fame. Still, there are more urgent matters at hand than Prozac's swelling ego. Because unless Jaine can track down Bebe's killer and clear her own name, the only new outfit she'll be modeling is an orange prison jumpsuit...

It's homicide on the funny side as freelance writer and long-time Ben & Jerry's addict Jaine Austen battles crime (and cellulite) on the mean streets of Beverly Hills Freelance writer Jaine Austen's life is suddenly full of romance. For one thing, she's reconnected with her ex--though her cat, Prozac, isn't happy about it. And Jaine's also got a new ghostwriting gig, working on a steamy novel called Fifty Shades of Turquoise... Daisy Kincaid is in her sixties and heiress to a fortune. Now she wants to make a name for herself as a romance author...with a little help from Jaine, that is. As Jaine labors away on love scenes, she gets to know the wealthy woman's gentleman friend, her household staff, and her social circle--every one of whom is horrified when Daisy falls under the spell of a much younger stud named Tommy, a rude, crude lothario who's made himself a fixture in Daisy's Bel Air mansion. After Tommy and Daisy shock everyone by announcing their engagement, it doesn't take long for someone to stab him in the neck--with the solid gold Swiss Army knife that Daisy gave him as a gift. But to narrow down the list of suspects, Jaine will have to put a bookmark in that love story--and focus all her creative talent into untangling a tale of money and murder...

In 1597 anti-theatricalist Stephen Gosson made the curious remark that theatre 'effeminized' the mind. Four years later Phillip Stubbes claimed that male actors who wore women's clothing could literally 'adulterate' male gender and fifty years after this in a tract which may have hastened the closing of the theatres, William Prynne described a man whom women's clothing had literally caused to 'degenerate' into a women. How can we account for such fears of effeminization and what did Renaissance playwrights do with such a legacy? Laura Levine examines the ways in which Shakespeare, Marlowe and Jonson addressed a generation's anxieties about gender and the stage and identifies the way the same 'magical thinking' informed documents we much more readily associate with extreme forms of cultural paranoia: documents dedicated to the extermination of witches.