Lawrence Block

When Joyce Kendall arrives in New York, fresh out of Clifton College in Iowa, she has a job and an apartment waiting for her. The job's as a first reader for Armageddon Publications. The apartment's at 21 Gay Street, and the small Federal-period house is already home to a lesbian couple, Jean Fitzgerald and Terri Leigh, and an out-of-work newspaperman, Pete Galton.The relationships of these four people under one roof add up to a fast-paced story that is not only satisfying fiction but a rare window on Bohemian life in the late 1950s. A drug-fueled rent-party-turned-orgy at the apartment of one Fred Koans is just link to a world some older readers may recall.Gay Street, in the heart of Greenwich Village, runs for only a single block between Christopher Street and Waverly Place. The 1943 movie A Night to Remember portrays 13 Gay Street as the address of the building where most of the action, including a murder, occurs. In 1996, Sheryl Crow made a video on Gay Street for the song "A Change Would Do You Good."21 Gay Street, a very early Lawrence Block novel, was originally published under the pen name Sheldon Lord. It was never reprinted after its initial publication in 1960, and this marks its first appearance in 56 years. As such, it seems an ideal choice to lead off Lawrence Block's Collection of Classic Erotica, and the book's original cover, with a painting by the great Paul Rader, is reproduced here.

Welcome to New York City. A place where stories lurk around every corner and linger in the hearts of the millions in these five boroughs. In these pages, tales of the underbelly of -modern-day New York City hook-up with hilarious and -poignant stories of love and loss in this annual collection of thrilling short stories by seasoned and fresh writers who know how to tell them. Edited by Peter Carlaftes and Kat Georges, these stories are sharp and concise, each an unusual take on the swirling panorama of the streets of New York, from Hell's Kitchen to Greenwich Village and Coney Island to Williamsburg, Queens, and beyond. Readers are transported by a modern noir sensibility, populated by a plethora of characters of our times, carving new notches of experience on the city that still fires up the imagination. Authors in this edition include acclaimed crime novelist Lawrence Block (A Walk Among the Tombstones, 8 Million Ways to Die), Liz Axelrod, Gil Fagiani, Bonny Finberg, Michael Gatlin, Kat Georges, Kirpal Gordon, Ron Kolm, Peter Marra, J. Anthony Roman, Angela Sloan, Paul Sohar, Joanie Hieger Fritz Zosike and Nina Zivancevic.

"REAL NOIR... A GROTESQUELY MEMORABLE RIDE." - WALL STREET JOURNALTWO OF THE GREATEST AUTHORS OF NOIR FICTION IN AN UNFORGETTABLE COLLABORATIONAn innocent woman lies dead in the street, felled by a stray bullet. Now it’s up to the woman who killed her to investigate the dead woman’s life and pick up its cut-short threads, carrying out a mission of vengeance on her behalf against the man she loved and lost – and the nightclub-singing femme fatale responsible for splitting them apart. Begun in the last years of his life by noir master Cornell Woolrich, the haunted genius responsible for such classics as Rear Window, The Bride Wore Black, Night Has a Thousand Eyes, and Phantom Lady, and completed decades later by acclaimed novelist and MWA Grand Master Lawrence Block (A Walk Among the Tombstones, Eight Million Ways to Die), INTO THE NIGHT – available here for the first time in more than 35 years – is a collaboration that extends beyond the grave, echoing the book’s own story of the living taking on and completing the unfinished work of the dead.

Since the 1970s, Lawrence Block has been writing award-winning novels and short fiction featuring Matthew Scudder. Now, with both himself and his detective half a century older, the author found himself charged with writing a book about his protagonist.And he decided he wasn't the right person for the job.LB: "What was Matt's family like? How did he spend his childhood? What steered him toward the NYPD, and how did he get all the way from the Police Academy to a detective's gold shield? Who were the influences and what were the experiences that made him the man we've come to know? These were important questions. There were certainly stories to be told, but that didn't mean I was the person to tell them. If Matt Scudder was to have a memoir, he ought to write it himself."So Block passed on the assignment to his most enduring fictional character, and the result-The Autobiography of Matthew Scudder-is a remarkable document, at once a convincing Bildungsroman and the indispensable capstone of an outstanding series.Since his 1976 debut in The Sins of the Fathers, Matthew Scudder has aged in real time; so too, remarkably enough, has his creator. Lawrence Block turned 84 on June 24, 2022, while Mr. Scudder reached that same milestone on September 7. The Autobiography of Matthew Scudder demonstrates clearly-and irresistibly-that neither one of them has lost a step.

Lawrence Block's "lost" stories, complete and uncut for the first time since their original publication The focus and subject matter of mid-century men's adventure magazines (MAMs) could be wide-ranging, and versatile storytellers able to confidently navigate genres, approaches, and authorial voices found regular, lucrative work in their pages. Among those talented writers was a notable newcomer: Lawrence Block-though his initial pieces would see print under various pseudonyms. Not the Lawrence Block you know, who is among the most widely read, respected, and celebrated writers of crime and mystery fiction in the world. A writer internationally read and internationally honored, upon whom The Mystery Writers of America bestowed the title of Grand Master. A writer with over 65 years of professional experience in damn near every kind of writing, whose essays, magazine columns, and non-fiction books focused on the art, craft, and business of writing have endured to inform generations. Not that Lawrence Block. Not yet... The latest release in the acclaimed Men's Adventure Library series, THE NAKED AND THE DEADLY collects Block's earliest fiction and non-fiction for men's adventure magazines (MAMs) in FIVE handsome editions: 1.) A pocket-sized mass-market softcover designed to honor LB's many successful paperback releases, 2.) an ebook that mirrors the mass-market softcover, 3.) a deluxe illustrated softcover that mirrors most of (but not all) the content in the hardcover, and 4.) a big, beautiful, full-color hardcover that's packed with bonus content, including additional illustration art, deep background from the editors, and a bonus story by Block (A fifth edition, a signed and numbered limited edition, is available directly from the publisher while stocks last.)

Lawrence Block's "lost" stories, complete and uncut for the first time since their original publication The focus and subject matter of mid-century men's adventure magazines (MAMs) could be wide-ranging, and versatile storytellers able to confidently navigate genres, approaches, and authorial voices found regular, lucrative work in their pages. Among those talented writers was a notable newcomer: Lawrence Block-though his initial pieces would see print under various pseudonyms. Not the Lawrence Block you know, who is among the most widely read, respected, and celebrated writers of crime and mystery fiction in the world. A writer internationally read and internationally honored, upon whom The Mystery Writers of America bestowed the title of Grand Master. A writer with over 65 years of professional experience in damn near every kind of writing, whose essays, magazine columns, and non-fiction books focused on the art, craft, and business of writing have endured to inform generations. Not that Lawrence Block. Not yet... The latest release in the acclaimed Men's Adventure Library series, THE NAKED AND THE DEADLY collects Block's earliest fiction and non-fiction for men's adventure magazines (MAMs) in two handsome editions: A pocket-sized mass-market softcover designed to honor LB's many successful paperback releases, and a big, beautiful, full-color hardcover that's packed with bonus content, including additional illustration art, deep background from the editors, and a bonus story by Block A signed and numbered limited edition is also available directly from the publisher while stocks last.

Suppose you're Bernie Rhodenbarr.You've got a dream job, running your own cozy secondhand bookstore, complete with Raffles, your caudally challenged cat. It's in Greenwich Village, and your best friend's dog grooming salon is two doors away, and the two of you lunch together and meet for drinks after work.And you've got another way to make a buck. Every once in a while you put your conscience on the shelf and let yourself into someone else's residence, and you leave with more than you came with. You're a burglar, and you know it's wrong, but you love it.And you're good at it. You've got two ways to make a living, one larcenous, the other literary and legitimate, and you're good at both of them.Nice, huh?Until the 21st Century pulls the rug out from under you. All of a sudden the streets of your city are so overpopulated with security cameras and closed-circuit TV that you have to lock yourself in the bathroom to have an undocumented moment. And locks, which used to provide the recreational pleasure of a moderately challenging crossword puzzle, have become genuinely pickproof.Meanwhile, internet booksellers have muscled your legit enterprise into obsolescence. The new breed of customers browse your bookshop, find what they're looking for, then whip out their phones and order their books online.Wonderful. You had two ways to make a living, and neither of them works anymore.But suppose you keep on supposing, okay?Suppose you wake up one morning in a world just like the one in which you fell asleep-but with a couple of differences.The first one you notice doesn't amount to much. The Metrocard in your wallet has somehow changed color and morphed into what seems to be called a SubwayCard. That's puzzling, but you swipe it at the turnstile same as always, and it gets you on the subway, so what difference does it make?But that's not the only thing that's changed. The Internet's up and running, as robust as ever, but nobody seems to be using it to sell books. Doors are secured not with pickproof electronic gizmos but with good old reliable Rabson locks, the kind you can open with your eyes closed. And what happened to all those security cameras? Where'd they go?All of a sudden you've got your life back, and your bookshop's packed with eager customers, and how are you gonna find time to steal something?Well, just suppose one of the world's worst human beings has recently acquired one of the world's most glamorous gems. When the legendary Kloppmann Diamond is up for grabs, what can you possibly do but grab it?And what could possibly go wrong?

Jewish Noir 2 is unique collection of twenty-three all-new stories (and one reprint) by Jewish and non-Jewish literary and genre writers, including numerous award-winning authors such as Gabriela Alem n, Doug Allyn, Rita Lakin, Rabbi Ilene Schneider, E.J. Wagner, and Kenneth Wishnia, with a foreword by MWA Grand Master Lawrence Block. The stories explore such issues as the perpetual challenge of confronting resurgent anti-Semitism in the US, the enduring legacy of regional warfare in the land of Israel since biblical times, how the "entitled" behavior of certain ultra-Orthodox communities can fuel anti-Semitic attitudes, Jewish support of the civil rights movement, greedy Jewish businessmen who reinforce negative ethnic stereotypes, the excesses of "golden ghetto" American Jews, the appeal of "tough" Israeli-Jewish soldiers and mercenaries, how real estate fortunes are made, and the consequences of political corruption that feed into an exploitive system, how obsession can lead "good" people to do "bad" things.

Bestselling author and grand master Lawrence Block returns to his deadliest hitman. A man named Nicholas Edwards lives in New Orleans renovating houses, doing honest work and making decent money at it. Between his family and his stamp collection, all his spare time is happily accounted for. Sometimes it's hard to remember that he used to kill people for a living. But when the nation's economy tanks, taking the construction business with it, all it takes is one phone call to drag him back into the game. It may say Nicholas Edwards on his driver's license and credit cards, but he's back to being the man he always was: Keller. Keller's work takes him to New York, the former home he hasn't dared revisit, where his target is the abbot of a midtown monastery. Another call puts him on a West Indies cruise, with several interesting fellow passengers -- the government witness, the incandescent young woman keeping the witness company, and, sharing Keller's cabin, his wife, Julia. But the high drama comes in Cheyenne, where a recent widow is looking to sell her husband's stamp collection . . . In Hit Me, legendary Edgar Grandmaster and New York Times bestselling author Lawrence Block returns to one of his most beloved characters. Welcome back, Keller. You've been missed.

One of this book's six versatile ladies sums it up like this: "When we first began to get into swinging, our whole orientation was innocent, and essentially limited to the idea of mate-swapping. That was what we thought swinging was about--you met with another couple, paired off, and had sex. We never considered the possibility that homosexual relations would be involved. Well, you live and you learn. I found out today I liked making love to another woman. Today I can't envision swinging without lesbian relations. And I understand that ninety-two percent of wives who get into swinging also get into bisexuality."Why? Here's my theory: All women are bisexual "Some are aware of it and acting on it. Others are not. Every day, more women are discovering the truth about themselves...and about their most urgent inner needs "

Here's what someone wrote as the book description for an earlier edition of ENOUGH OF SORROW: "From master storyteller Lawrence Block comes one girl's journey toward self-discovery and sexual freedom....Karen Winslow is starting over. But she's not sure how to move forward when her deepest secret haunts her and keeps her from enjoying her carefree youth. She's a sweet but troubled young thing, and not until she meets Rae, a confident young lesbian, does she realize what she's been missing. Meanwhile, she's also intrigued by a man and can't help but wonder if a normal life will put an end her sorrows for good."ENOUGH OF SORROW, I could add, is the third of my novels as Jill Emerson, who seems to me to be rather more than a pen name. An aspect of self, perhaps. A distinct persona, if you will. My first novel, SHADOWS, originally bore a different pen name, but it's very much of a piece with Jill's work, and I don't think it's coincidental that I chose that theme and that persona for the first book I ever wrote, any more than I deem it coincidence that, when I split with my agent and had no place to sell my work, my first step toward recovery was an over-the-transom submission of WARM AND WILLING-another lesbian novel.I've written about that new beginning in the book description for WARM AND WILLING. After I turned it in, the editor at Midwood made it clear he'd like to publish more of Jill's work. (As far as he ever knew, the author was indeed a woman named Jill Emerson. I saw no reason to disabuse him of the notion, and in fact the game was half the fun.) And, thank God, it was a more innocent age, or at least a less cumbersome one. He sent me checks payable to Jill Emerson and I endorsed them in that name and cashed them through my bank account. It wouldn't be that simple nowadays.I don't know what I'd called WARM AND WILLING, but the title I slapped on the second book was ENOUGH OF SORROW, from the poem by Mary Carolyn Davies.

Sometime in 1953, I knew with unusual certainty what I intended to do with my life. I would become a writer. I was then 15 years old, and the next several years were to prove eventful. I went to college, I got a summer job at a literary agency and dropped out of college to keep it, I sold two dozen short stories and articles to national magazines, and I completed a novel. By the time I was 25, I had a wife and two daughters and a house in a suburb. I had published over fifty books. Most of these bore pen names, and for a time I resisted acknowledging my early pseudonymous work. Then, in one astonishing and feverish week in 1994, I recalled those early years in fifty thousand words of memoir.A publisher contracted to bring out my memoir once I'd completed it. Instead I put it on a shelf and never looked at it again, and after a few years I bought it back from the publisher.Early in 2020, I had a fresh look at A Writer Prepares. Then I went back to work. It would occupy me, off and on, for the balance of the year. By the time I was ready to stop, I'd written about my life as a writer well into 1966, when I'd completed The Thief Who Couldn't Sleep; it was the first of eight books I would write about a fellow named Evan Tanner.According to A Trawl Among the Shelves, Terry Zobeck's exhaustive bibliography of my work, 2020 also saw the publication of my 209th book, Dead Girl Blues. It has been a long life, and seems to have been a busy one. A Writer Prepares is, for better or for worse, an undeniably curious book.My wife, a casual student of hagiography, loves the story of the church officials who took a long-delayed inventory of their collection of relics. They were surprised to discover that they possessed not one but two heads of John the Baptist. How could this be? They considered the matter until the explanation became clear: one was John's head as a young man, the other his head as an old man.A Writer Prepares, an examination of the first quarter century of a writer's life, is the work of two writers. There's the middle-aged fellow who wrote about half of it at a blistering pace in 1994, and there's the octogenarian who finished the job another quarter century later. The older fellow brought less raw energy to the task, and his memory is a long way from infallible, but one can only hope he's offset these losses with a slight edge in judgment, in perspective, in maturity. (I was about to add wisdom, but that might be a bridge too far.)I suspect this book's natural audience consists largely of those of you who are already enthusiastic readers of my work. And it seems likely that the book will get a favorable reception from persons who are somewhere in the process of finding themselves as writers. But I'm happy to let the the book find its true audience. A very comforting aspect of publishing A Writer Prepares now rather than twenty-five years ago is that I'm so much less invested in its reception.

Sometime in 1953, I knew with unusual certainty what I intended to do with my life. I would become a writer. I was then 15 years old, and the next several years were to prove eventful. I went to college, I got a summer job at a literary agency and dropped out of college to keep it, I sold two dozen short stories and articles to national magazines, and I completed a novel. By the time I was 25, I had a wife and two daughters and a house in a suburb. I had published over fifty books. Most of these bore pen names, and for a time I resisted acknowledging my early pseudonymous work. Then, in one astonishing and feverish week in 1994, I recalled those early years in fifty thousand words of memoir.A publisher contracted to bring out my memoir once I'd completed it. Instead I put it on a shelf and never looked at it again, and after a few years I bought it back from the publisher.Early in 2020, I had a fresh look at A Writer Prepares. Then I went back to work. It would occupy me, off and on, for the balance of the year. By the time I was ready to stop, I'd written about my life as a writer well into 1966, when I'd completed The Thief Who Couldn't Sleep; it was the first of eight books I would write about a fellow named Evan Tanner.According to A Trawl Among the Shelves, Terry Zobeck's exhaustive bibliography of my work, 2020 also saw the publication of my 209th book, Dead Girl Blues. It has been a long life, and seems to have been a busy one. A Writer Prepares is, for better or for worse, an undeniably curious book.My wife, a casual student of hagiography, loves the story of the church officials who took a long-delayed inventory of their collection of relics. They were surprised to discover that they possessed not one but two heads of John the Baptist. How could this be? They considered the matter until the explanation became clear: one was John's head as a young man, the other his head as an old man.A Writer Prepares, an examination of the first quarter century of a writer's life, is the work of two writers. There's the middle-aged fellow who wrote about half of it at a blistering pace in 1994, and there's the octogenarian who finished the job another quarter century later. The older fellow brought less raw energy to the task, and his memory is a long way from infallible, but one can only hope he's offset these losses with a slight edge in judgment, in perspective, in maturity. (I was about to add wisdom, but that might be a bridge too far.)I suspect this book's natural audience consists largely of those of you who are already enthusiastic readers of my work. And it seems likely that the book will get a favorable reception from persons who are somewhere in the process of finding themselves as writers. But I'm happy to let the the book find its true audience. A very comforting aspect of publishing A Writer Prepares now rather than twenty-five years ago is that I'm so much less invested in its reception.

A COLLECTION... OF COLLECTIONS What leads one person to collect stamps and another coins, one fine art and another butterflies? Who can say? But one thing is certain: those who've got the collecting bug care passionately-sometimes violently-about the objects of their obsession. No one covets like a collector; and as you will find in the pages of this brand new anthology from MWA Grand Master Lawrence Block, a truly dedicated collector will ignore the other nine commandments, too, in his quest for his personal Holy Grail. From Joyce Carol Oates' tale of the ultimate Marilyn Monroe collectible to Dennis Lehane's bookseller with a penchant for other people's tragic correspondence, from Lee Goldberg's Hollywood hustler with a collection of unaired TV shows to Joe R. Lansdale's stylish foray into noir, culminating in Lawrence Block's own classic story of a killer with a unique approach to choosing his victims, Collectibles illustrates the range of the collecting impulse and the lengths people will go to in their hunger to possess the perfect piece.