Lena Lencek

Maxim Gorky said that no one understood "the tragedy of life's trivialities" as clearly as Anton Chekhov, widely considered the father of the modern short story and the modern play. Chekhov's singular ability to speak volumes with a single, impeccably chosen word, mesh comedy and pathos, and capture life's basic sadness as he entertains us, are why so many aspire to emulate him. How to Write Like Chekhov meticulously cherry-picks from Chekhov's plays, stories, and letters to his publisher, brother, and friends, offering suggestions and observations on subjects including plot and characters (and their names), descriptions and dialogue, and what to emphasize and avoid. This is a uniquely clear roadmap to Chekhov's intelligence and artistic expertise and an essential addition to the writing-guide shelf.

J. D. Salinger's "A Perfect Day for Bananafish," John Cheever's "Goodbye, My Brother," Doris Lessing's "Through the Tunnel": These and dozens of other beloved stories share the beach as their setting. In fact, it is remarkable how many of the finest writers have set stories and novels in whole or in part at the beach - and how often they use this locale to explore the great themes of love, loss, death, family, and redemption. Beach brings together, for the first time, the very best of this literary tradition, including stories, novel excerpts, and narrative nonfiction.