Leontia Flynn

Poems and translations from two decades of writing, exploring in restless, evolving forms, the experiment of being alive in a changing and turbulent world.

A collection about motherhood at a time of continuous crisis - from one of Ireland's most important poets'Everyone should be reading her' OBSERVER'One of the most accomplished poets of her generation'GUARDIANThese poems emerge from the experience of being a single mother in Belfast, and against a background of seemingly continuous crisis. Political upheaval and anxiety, violence and death are all registered in these poems, which ask questions about where independence is balanced by our relationships with others, and where our inner lives meet the globally connected world.These are poems about cities - living, travelling and working in cities, getting sick and dying in cities - but also about retreating from all that: to her daughter at home, the budgie, cat and tortoise, or escaping to the park, the municipal pool, the Irish countryside, Newfoundland, or Paris, or into a Nina Simone song.This is a necessary book - a book very much of our time - with a consistent tone that is brave and bleak, but which also carries with it some much-needed humour, and a wealth of beautiful writing.

This pioneering anthology goes beyond awareness building to engage seriously with the societal prevalence of sexist abuse and domestic violence, and the legacies of that abuse and violence in the lives of survivors. Approaching difficult subject matter with candor, sensitivity, and grace, the volume is timely, and deeply moving.

Moving on to explore the constructed nature of childhood, via a long poem imagining her motherâ??s experiences in Northern Ireland during the Troubles, and in an elegy for Seamus Heaney, the poems also seek to contrast the isolation and privacy of an experience of family life with increasingly pervasive and relentless digital technologies.

Here the theme of a tallying of private and public balance sheets, of different kinds of profit and loss, widens to include poems of motherhood and marriage, the possibilities of hope and repair.

Following on from the assured day-to-day poems of her first collection, Leontia Flynn's second, Drives, is a book of restless journeys - real and imaginary - interspersed with a series of sonnets on writers. Beginning in Belfast, where she lives, she visits a disjointed number of cities in Europe and the States - each one the occasion for an elliptical postcard home to herself.Alongside these reports from abroad, portraits of dead writers flicker through the pages of this book - Baudelaire, Proust and Beckett; Bishop, Plath and Virginia Woolf - all revealing aspects of themselves, their frailties and their sicknesses, but also, we suspect, aspects of their ventriloquising author.What these poems share is a furious refusal of received opinion, of a language recycled and redundant; they are raw exposed and angrily aware of distance - the distance between what one needs and what one receives, between love and what is lost. In particular, the lives here are haunted by the lost idyll of childhood, while poems about the poet's own mother and ageing father bring the collection to a close. With an alert ear for fracture and disarray and a tender eye for damage, Drives is a passionate enquiry into what shapes us as individuals.