Linda Grant

A fun and fearless anthology of feminist tales, by sixteen bestselling, award-winning writers.'Wonderful . . . all killer, no filler' Red Magazine'Dazzling stories, as inventive as they are inspiring' Daily Mirror'Where power and feminist rage meet' StylistBANSHEE. DRAGON. TYGRESS. SHE-DEVIL. HUSSY. SIREN. WENCH. HARRIDAN. MUCKRAKER. SPITFIRE. VITUPERATOR. CHURAIL. TERMAGANT. FURY. WARRIOR. VIRAGO.For centuries past, and all across the world, there are words that have defined and decried us. Words that raise our hackles, fire up our blood; words that tell a story. In this blazing cauldron of a book, sixteen bestselling, award-winning writers have taken up their pens and reclaimed these words, creating an entertaining and irresistible collection of feminist tales for our time.STORIES BY: Margaret Atwood, Susie Boyt, Eleanor Crewes, Emma Donoghue, Stella Duffy, Linda Grant, Annie Hodson, Claire Kohda, CN Lester, Kirsty Logan, Caroline O'Donoghue, Chibundu Onuzo, Helen Oyeyemi, Rachel Seiffert, Kamila Shamsie, Ali Smith, with an Introduction by Sandi Toksvig

'Wonderful . . . all killer, no filler' Red Magazine'Dazzling stories, as inventive as they are inspiring' Daily Mirror 'Where power and feminist rage meet' Stylist______________________________A fun and fearless anthology of feminist tales, by fifteen bestselling, award-winning writers:Margaret Atwood, Susie Boyt, Eleanor Crewes, Emma Donoghue, Stella Duffy, Linda Grant, Claire Kohda, CN Lester, Kirsty Logan, Caroline O'Donoghue, Chibundu Onuzo, Helen Oyeyemi, Rachel Seiffert, Kamila Shamsie and Ali Smith - introduced by Sandi Toksvig. DRAGON. TYGRESS. SHE-DEVIL. HUSSY. SIREN. WENCH. HARRIDAN. MUCKRAKER. SPITFIRE. VITUPERATOR. CHURAIL. TERMAGANT. FURY. WARRIOR. VIRAGO. For centuries past, and all across the world, there are words that have defined and decried us. Words that raise our hackles, fire up our blood; words that tell a story.In this blazing cauldron of a book, fifteen bestselling, award-winning writers have taken up their pens and reclaimed these words, creating an entertaining and irresistible collection of feminist tales for our time.'A slick collection of clever tales, with something for bluestockings and banshees alike' Guardian'Delightful, thought-provoking' Louisa Young, Perspectives

An "epic and marvelously entertaining" family saga by award-winning author Linda Grant about the European Jewish experience from WWI to the present day, that "constantly moves forward even as it looks sorrowfully back" (Financial Times). It's 1913 when Mina, the young and carefree daughter of a Jewish merchant, roams into a forest on the edge of the Baltic Sea looking for mushrooms. Instead, she encounters a gang of unruly, charismatic Bolsheviks--an adventure that will become the stuff of familial lore for generations to come. Intending to save her from further corruption, and in an act that forever changes the trajectory of their family's life, Mina and her eldest brother, Jossel, board a ship to England. There the threat of a different war looms large. When WWI hits, Jossel is sent to the front, where he keeps a severely wounded soldier in his unit alive 'til morning by telling him tales--including that his sister Mina will marry him if he survives. The soldier lives and asks for Mina's hand, their marriage uniting two growing trade dynasties. But over time Mina and Jossel will learn that not everyone in their family has survived the wars and pogroms, even as they and their offspring struggle to build new lives in Liverpool in the midst of ever-shifting discriminations. Based on the author's own family history and legends, The Story of the Forest is a remarkable record of family lore; a meditation on the power of stories to ground us, particularly in the face of life's inevitable losses, told with a keen wit and a sharp eye to the charms and the foibles of family by masterful British novelist Linda Grant.

SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2023'Epic and marvellously entertaining... There's a furious energy to the novel, which constantly moves forward even as it looks sorrowfully back'FINANCIAL TIMES'Magnificent... I want to press a copy on everyone I know'NIGELLA LAWSON'Epic, magnificent, beautiful... I couldn't put it down' PHILIPPA PERRY'Jewel-like clarity... exceptional'RICHARD COLES'Exquisite writing [and] a triumphant, elegant ending' MAIL ON SUNDAY'An intelligent family saga... ambitious and moving and funny' TESSA HADLEYIt's 1913 and a young, carefree and recklessly innocent girl, Mina, goes out into the forest on the edge of the Baltic sea and meets a gang of rowdy young men with revolution on their minds. It sounds like a fairy tale but it's life.The adventure leads to flight, emigration and a new land, a new language and the pursuit of idealism or happiness - in Liverpool. But what of the stories from the old country; how do they shape and form the next generations who have heard the well-worn tales?From the flour mills of Latvia to Liverpool suburbia to post-war Soho, The Story of the Forest is about myths and memory and about how families adapt in order to survive. It is a story full of the humour and wisdom we have come to relish from this wonderful writer.Orwell Prize for Political Fiction Award Ceremony - 22 June 2023

From the award-winning novelist, a vibrant imagining of the tumultuous world of early twentieth-century Europe through the eyes of Mina, a young girl whose adventures begin in a deep dark forest.

How did Latin erotic elegy influence and shape sixteenth-century English love poetry? Using an interdisciplinary approach, this book offers detailed readings of poetry with close attention to the erotic, sometimes problematically 'pornographic', 'wanton' and 'lascivious' verse that exists in both periods. Moving beyond arguments that relate Renaissance eroticism more or less solely back to Ovid and Petrarch, Linda Grant breaks new ground by demonstrating the extent to which a broader sense of classical, specifically Latin, erotics underpins conceptions of sexual love, gender and desire in Renaissance literature. Methodologically sophisticated and moving away from static source study to the dynamism of intertextuality and reception, Grant shows the value of dialogic readings, exploring how elegy speaks to Renaissance poetry and how reading poems from both periods together illuminates both sets of verse.

WINNER OF THE WINGATE LITERARY PRIZE 2020When a dead body is found in the Thames, caught in the chains of HMS Belfast, it begins a search for a missing woman. A policeman, a documentary film-maker and an Irish nurse named Chrissie all respond to the death of the unknown woman in their own ways. London is a place of random meetings, shifting relationships - and some, like Chrissie, intersect with many. The wonderful Linda Grant weaves a tale around ideas of home; how London can be a place of exile or expulsion, how home can be a physical place or an idea, how all our lives intersect. 'Reminds us of the depth and strength of the communities that are our beloved London. Thank you' Philippe Sands'There's a Dickensian quality to the opening scene and yet it's one of the most bitingly contemporary publications of the year - a shifting, polyphonic narrative' Hephzibah Anderson, Mail on Sunday'There is a richness in this novel, found in a migrant experience that is deeply embedded rather than distinct from its environment... a compelling read' Jake Arnott, Guardian'The novel is fleet-footed... the way even the minor characters flare into life gives the novel richness and depth... a novel fit for shifting, uncertain times' Suzi Feay, Financial Times

How did Latin erotic elegy influence and shape sixteenth-century English love poetry? Using an interdisciplinary approach, this book offers detailed readings of poetry with close attention to the erotic, sometimes problematically 'pornographic', 'wanton' and 'lascivious' verse that exists in both periods. Moving beyond arguments that relate Renaissance eroticism more or less solely back to Ovid and Petrarch, Linda Grant breaks new ground by demonstrating the extent to which a broader sense of classical, specifically Latin, erotics underpins conceptions of sexual love, gender and desire in Renaissance literature. Methodologically sophisticated and moving away from static source study to the dynamism of intertextuality and reception, Grant shows the value of dialogic readings, exploring how elegy speaks to Renaissance poetry and how reading poems from both periods together illuminates both sets of verse.

The highly acclaimed new novel by the acclaimed author of Upstairs at the Party and the Booker-shortlisted The Clothes on Their Backs.

The Well Said series is designed to improve the pronunciation and communication skills of beginner to advanced students from all language backgrounds. It offers a clear course plan covering the essential areas of pronunciation, including stress, rhythm, and intonation--features that research shows help students the most. Additionally, there are over fifty pages of supplemental activities focusing on consonant and vowel sounds. The Intro level of Well Said is a slower-paced course that introduces the most important pronunciation features at the beginning to low-intermediate level. A free Website for teachers and students includes the full audio program.

The Well Said series is designed to improve the pronunciation and communication skills of beginner to advanced students from all language backgrounds. It offers a clear course plan covering the essential areas of pronunciation, including stress, rhythm, and intonation--features that research shows help students the most. Additionally, there are over fifty pages of supplemental activities focusing on consonant and vowel sounds. This level of Well Said introduces the most important pronunciation features at an intermediate to advanced level. A free Website for teachers and students includes the full audio program.

The brilliant new novel from the Man Booker shortlisted author of The Clothes on Their Backs

In this novel, the Morgans, distant relatives brought together by circumstance and destiny, must fight the sinister Max Hauptman, his son, Carlo, and various henchmen, to prevent history from being altered, thus ensuring that the present stays free of oppression and destruction. Each member of the Morgan family consumes a specialized herb concoction, left behind by a long-dead relative, Jeremy Morgan, and finds their consciousness transported back in time into the body of a previous incarnation of themselves. Over the course of several incarnations and time periods, the Morgans fight, together and individually, to thwart the dastardly attempts of various incarnations of Max Hauptman to destroy the future. As they struggle to find their purpose and work in their respective timelines to stop the evil forces from succeeding, each Morgan learns a valuable lesson about the mistakes of their past selves and how to make their futures lives more meaningful and fulfilling.

This volume was conceived as a "best practices" resource for pronunciation and speaking teachers in the way that Vocabulary Myths by Keith S. Folse is one for reading and vocabulary teachers. Like others in the Myths series, this book combines research with good pedagogical practices.The book opens with a Prologue by Linda Grant (author of the Well Said textbook series), which reviews the last four decades of pronunciation teaching, the differences between accent and intelligibility, the rudiments of the English sound system, and other factors related to the ways that pronunciation is learned and taught. The myths challenged in this book are:§ Once you’ve been speaking a second language for years, it’s too late to change your pronunciation. (Derwing and Munro)§ Pronunciation instruction is not appropriate for beginning-level learners. (Zielinski and Yates)§ Pronunciation teaching has to establish in the minds of language learners a set of distinct consonant and vowel sounds. (Field)§ Intonation is hard to teach. (Gilbert)§ Students would make better progress if they just practiced more. (Grant)§ Accent reduction and pronunciation instruction are the same thing. (Thomson) § Teacher training programs provide adequate preparation in how to teach pronunciation (Murphy). The book concludes with an Epilogue by Donna M. Brinton, who synthesizes some of the best practices explored in the volume.

Now in paperback from the acclaimed author of the Man Booker Prize-shortlisted novel The Clothes on Their Backs--a hugely satisfying, exuberant novel about the generation that came of age during the 1970s. Stephen Newman's children find it hard to believe that their father once dressed up in Marilyn Monroe's furs, cooked acid at Oxford and lived with their mother, Andrea, in an anarchist collective. Quite often, Stephen finds it hard to believe himself. Born to immigrant parents in sunny Los Angeles, Stephen never imagined that he would spend his adult life under the gray skies of London, would marry and stay married and would watch his children grow into people he cannot fathom. Over forty years he and his friends have built lives of comfort and success, until the events of late middle age and the new century force them to realize that they have always existed in a fool's paradise. Linda Grant's utterly absorbing novel about the generation that came of age during the 1970s reveals the truth about growing up and growing older and once again displays her uncanny ability to illuminate our times.

* Linda Grant's 'best novel yet' (Financial Times) is a thoughtful and engaging story of a London family from the late sixties to the present

It is April 1946. Evelyn Sert, twenty years old, a hairdresser from Soho, sails for Palestine, where Jewish refugees and idealists are gathering from across Europe to start a new life in a brand-new country. In the glittering, cosmopolitan, Bauhaus city of Tel Aviv, anything seems possible - the new self, new Jew, new woman are all feasible. Evelyn, adept at disguises, reinvents herself as the bleached-blonde Priscilla Jones. Immersed in a world of passionate idealism, she finds love, and with Johnny, her lover, finds herself at the heart of a very dangerous game.